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Joe McGinniss - The Selling of the President

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Joe McGinniss The Selling of the President
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WITH A NEW INTRODUCTION BY THE AUTHOR
Joe McGinniss was just twenty-six when he wrote the book that would redefine political journalism. The Selling of the President, about Richard Nixons 1968 run for the White House, was the first book ever to take an unvarnished look at the dirty game of campaign politics. Overnight, Dwight Garner of The New York Times noted, it made Theodore Whites Making of the President campaign books seem wan and dated. McGinnisss startling behind-the-scenes narrative of how a candidate is packaged and sold to the American public stunned readers of the time. Forty-five years later, in the thick of another presidential election, the story is as relevantand surprisingas ever.
With its lively accounts of the clever and cynical men hired to market the Nixon brand (including a young and witty Roger Ailes) and its fresh insights into McLuhanesque campaign techniques, The Selling of the President examines the genesis of the modern political campaign. As McGinniss writes in a new introduction to this digital edition, The Selling of the President is the first account of the marriage of convenience/mnage trois between national politics, network television, and Madison Avenue.
Politics as usual began right here.
. . .
PRAISE FOR THE SELLING OF THE PRESIDENT
McGinniss blessed this land with his book The Selling of the President, 1968.
Robert Sherrill, Washington Post Book World
Devastatingly funny and angryMcGinniss has given us a damning but terribly amusing picture of the flackery in one campaignThe problem will be around longer than Nixon willYou can read this book and laugh-or maybe weep a little at how you were sold a president.
David Broder, Washington Post
Stinging, bitterly comicWhat McGinniss saw and heard he has recorded artfully enough to simultaneously entertain us and make us fear for the future of the Republic.
New York Times
An appalled, savage and charming chronicle of Mr. Nixons 1968 electoral campaign.
Murray Kempton, Life Magazine
ABOUT THE AUTHOR
Over the course of forty years, the late Joe McGinniss wrote dozens of magazine articles and published twelve books, eleven of them nonfiction. In every decade of his unconventional career, one of his books became a classic: The Selling of the President, Going to Extremes, Fatal Vision, and The Miracle of Castel di Sangro. He is also the author of The Dream Team, Blind Faith, Cruel Doubt, and The Last Brother.

Joe McGinniss: author's other books


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The Selling of the
President

By Joe McGinniss

With a New Introduction by the Author

BYLINER CLASSICS

Copyright Joemac, Inc., 1969
Introduction copyright Joe McGinniss, 2012
All rights reserved

Cover photo: Nixon Bettmann/CORBIS; television shaunl/iStockphoto
Cover design by Joe Heroun

ISBN: 978-1-61452-041-2

Byliner Inc.
San Francisco, California
www.byliner.com

For press inquiries, please contact

10 9 8 7 6 5 4 3 2 1

Table of Contents
ACKNOWLEDGMENTS

I would like to thank some people who have helped me:

Warren Randall, of the Port Chester Daily Item

Paul Johnson, of the Worcester Telegram

Jack Wilson, of the Philadelphia Bulletin

John Gillen, of the Philadelphia Inquirer

Gene Prakapas, of Trident Press

When style and charisma connotes the idea of contriving, of public relations, I dont buy it at all.

Richard M. Nixon

Our group used to get together often. Of course, none of us had much money at the time, so we would just meet at someones house after skating and have food, a spaghetti dinner or something of that type, and then we would sit around and tell stories and laugh. Dick was always the highlight of the party because he has a wonderful sense of humor. He would keep everybody in stitches. Sometimes we would even act out parts. I will never forget one night when we did Beauty and the Beast. Dick was the Beast, and one of the other men dressed up like Beauty. This sounds rather silly to be telling it now, but in those days we were all very young, and we had to do home entertainment rather than go out and spend money. We used to put on funny shows. It was all good, clean fun, and we had loads of laughs.

Mrs. Richard M. Nixon

The Selling of the President
Introduction to the 2012 Edition

There have been ten presidential elections since the 1968 contest between Richard Nixon and Hubert Humphrey that is the subject of this book.

In 1968, the hiring of advertising agencies to develop campaign strategy was a deep, closely held secret. When I first learned, by sheer accident, that Humphrey had hired Doyle Dane Bernbachan archetype of the agency in Mad Men my attempts to gain access were quickly rebuffed. Executive vice president Ed Russell said, Do you think were crazy? Nobody is supposed to know about this stuff.

At Fuller & Smith & Ross, on Fifth Avenue, Harry Treleaven, borrowed from J. Walter Thompson for the Nixon campaign, was far more congenial. After he received approval from Nixon adviser Leonard Garment, who didnt see what harm I could do because I was just a naive kid from Philadelphia of whom no one in the big leagues of journalism had ever heard, Treleaven welcomed me to the team and kept all doors open for me throughout the campaign.

There was one dicey moment when TV wunderkind Roger Ailes came aboard. He was fresh from the successfully syndicated Mike Douglas Show, which taped in Philadelphia, where I worked as a columnist for the Philadelphia Inquirer . Roger would become a close friend and, in fact, despite the political abyss that separates us, remains one of my closest friends today.

Arriving at the Fuller & Smith & Ross offices for his first planning session with Treleaven, Rogera reader of my locally infamous liberal and antiwar column from Philadelphiatook one look at me and said, Holy shit! Who let you in here?

Please, Roger, dont rat me out.

Dont worry, he said. If theyre too dumb to read the Inquirer and find out how much you hate Nixon, its not my job to tell them.

Rogers job was to direct Nixons supposedly spontaneous Man in the Arena television appearances, something he did with sublime skill. As we all know, as the head of Fox News, hes now the most influential and powerful media figure in America. In The Selling of the President, youll meet the brash, brilliant, irreverent, twenty-something Roger Ailes. Its probably no exaggeration to say that without him, Richard Nixon would never have been elected president.

* * *

In retrospectviewed from a vantage point that encompasses the craven madness of nominating Sarah Palin for national office1968 seems a time of innocence.

The Selling of the President is the first account of the marriage of convenience/mnage trois between national politics, network television, and Madison Avenue.

Im old enough to remember the last pre- Selling campaign: a bare-knuckle clash of ideologies between the Great Societys Lyndon Johnson and right-wing extremist Barry Goldwater. But even Goldwater had integrity. Had anyone come sniffing around him selling image-making advice, they would have received a swift boot out the door.

The last great selling job was on behalf of Barack Obama in 2008. A largely unknown black man with an un-American-sounding nameand the middle name Hussein!he needed all the help he could get, although it might well have been John McCains choice of Palin as his running mate, even more than all the craftiness of television and advertising professionals, that assured Obamas election.

The biggest changes in presidential campaigning since 1968 have been caused by the growth of cable TV and the Internet, thus assuring the decentralization of the dissemination of information. Print is dead, and even on television, partisan attack ads have replaced the kind of image enhancement that Roger Ailes gave to the rough-edged, sweaty, dark-bearded, scowling neurotic Richard Nixon.

Read The Selling of the President today and be present at the creation of the postmodern era of American politics, one that, Im sorry to say, Im not sure our republic will survive.

Joe McGinniss

Pelham, Massachusetts

July 22, 2012

Richard Nixon had taped a set of one- and five-minute commercials at the Hotel Pierre on Monday morning, October 21. Frank Shakespeare was not happy with the way they were done. The candidate was harassed, he said. Tired and harassed.

Shakespeare obtained backstage space at the theater on West Forty-fourth Street where The Merv Griffin Show was done, for Friday morning, October 25, and Richard Nixon agreed to do another set.

Mike Stanislavsky, an editor from Teletape, the film studio, was told to design a proper setting. He produced the usual: full bookcase, heavy brown deskbut with something new. A window. His design called for a window between the two bookcases behind the desk. It adds lightness, he said. Not just physically, but psychological lightness.

Harry Treleaven got to the theater at ten after ten Friday morning. The secret service already was there. The day was gray and cold, as so many recently had seemed to be. Treleaven walked to a table at the far end of the backstage area where paper cups were stacked next to a pot of coffee. At twenty minutes to eleven, the secret service received word: hes on his way.

Richard Nixon entered the studio at ten-fifty. He went straight to an enclosed dressing room called the Green Room, where Ray Vojey, the quiet, blond makeup man, was waiting with his powders and cloths.

Nixon came out of the Green Room at eleven oclock. There was a drop of three or four inches from the doorway to the floor of the stage. He did not see it and stumbled as he stepped out the door. He grinned, reflexively, and Frank Shakespeare led him to the set.

He took his position on the front of the heavy brown desk. He liked to lean against a desk, or sit on the edge of one, while he taped commercials, because he felt this made him seem informal. There were about twenty people, technicians and advisers, gathered in a semicircle around the cameras.

Richard Nixon looked at them and frowned.

Now when we start, he said, dont have anybody whos not directly involved in this in my range of vision. So I dont go shifting my eyes.

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