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Daniel M. Grimley - The Cambridge Companion to Elgar

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Daniel M. Grimley The Cambridge Companion to Elgar
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Divided into three sections, this Companion explores Edward Elgars early career, his major musical achievements, and the reception, performance and interpretation of his work. Placed in this wider perspective, Elgar emerges as a pivotal figure in the British cultural imagination at a defining historical moment for Englands musical identity.

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The Cambridge Companion to Elgar

Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape but is also the product of a private, introverted sensibility. The recent success of Anthony Paynes elaboration of the sketches for Elgars Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgars work in its historical and cultural context. Established authorities on British music and scholars new in the field examine Elgars music from a range of critical perspectives, including nationalism, post-colonialism, decadence, reception, and musical influences. There are also chapters on interpretation, including his own (Elgar was the first major composer to commit a representative quantity of his own work to record), and on Elgars relationships with the BBC and with his publishers. The book includes much new material, drawing on original research, as well as providing a comprehensive introduction to Elgars major musical achievements.

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The Cambridge Companion to Elgar
Edited by
Daniel M. Grimley and Julian Rushton
PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt - photo 1
PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE
The Pitt Building, Trumpington Street, Cambridge, United Kingdom
CAMBRIDGE UNIVERSITY PRESS
The Edinburgh Building, Cambridge CB2 2RU, UK
40 West 20th Street, New York, NY 10011-4211, USA
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Ruiz de Alarcn 13, 28014 Madrid, Spain
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http://www.cambridge.org
Cambridge University Press 2004

This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements,no reproduction of any part may take place without the written permission of Cambridge University Press.

First published 2004
Printed in the United Kingdom at the University Press, Cambridge
Typeface Minion 10.75/14 pt. System Picture 2 2 [TB]
A catalogue record for this book is available from the British Library
Library of Congress Cataloguing in Publication data
The Cambridge companion to Elgar / edited by Daniel M. Grimley and Julian Rushton.
p. cm.
Includes bibliographical references and index.
ISBN 0 521 82623 3 (hb) ISBN 0 521 53363 5 (pb)
1. Elgar, Edward, 18571934 Criticism and interpretation. I. Grimley, Daniel M. II. Rushton,
Julian.
ML410.E41C36 2004
780.92 dc22
[B] 2004047286
ISBN 0 521 82623 3 hardback
ISBN 0 521 53363 5 paperback
ISBN 978 0 521 82623 5 hardback
Contents
Daniel M. Grimley and Julian Rushton
Jeremy Dibble
Robert Anderson
Christopher Kent
Diana McVeagh
Robin Holloway
Byron Adams
John Butt
Daniel M. Grimley
Julian Rushton
Christopher Mark
J. P. E. Harper-Scott
Timothy Day
Jenny Doctor
Aidan J. Thomson
Charles Edward McGuire
Notes on the contributors
Byron Adams is Professor of Music at the University of California, Riverside. He received his doctoral degree from Cornell University, and was awarded the first Ralph Vaughan Williams Research Fellowship in 1985. He has published widely on the subject of twentieth-century English music in journals such as 19th-Century Music, Music and Letters, Current Musicology , and Musical Quarterly , as well as contributing essays to Vaughan Williams Studies, Walt Whitman and Modern Music and Queer Episodes in Music and Modern Identity . He was co-editor of Vaughan Williams Essays (Ashgate, 2003). Prof. Adams wrote four entries in the revised edition of the New Grove Dictionary of Music and Musicians , including those on Husa and Walton. In 2000, he was awarded the Philip Brett Award by the American Musicological Society for two essays that dealt with nationalism and homoeroticism in twentieth-century English music.
Robert Anderson was born in India and educated at Harrow and Cambridge. Director of Music at Gordonstoun School, he was also an associate editor of the Musical Times and has broadcast frequently. A professional Egyptologist, he has written the Elgar volume for the Master Musicians series (Dent, 1993); his Elgar in Manuscript was published in 1990 by the British Library, and his Elgar and Chivalry in 2002 by the Elgar Edition. He has also contributed to Edward Elgar: Music and Literature (Scolar, 1993), and was coordinating editor of the Elgar Complete Edition and Elgar Society Edition until 2004.
John Butt is Gardiner Professor of Music at the University of Glasgow, having previously held positions at the University of Cambridge and the University of California, Berkeley. He has published widely as a musicologist, particularly in the fields of Bach, the German Baroque, and the culture of historical performance. He is also active as a performer and has recorded the complete organ works of Elgar for Harmonia Mundi (France). He was the recipient of the 2003 Dent Medal of the Royal Musical Association.
Timothy Day is a music curator in the Sound Archive of the British Library. His publications include A Century of Recorded Music: Listening to Musical History (Yale, 2000) and a chapter on English cathedral music in the twentieth century in The Cambridge Companion to Singing (2000). In 1999 he established the British Librarys Saul Seminar series, Studies in Recorded Music , and in the same year inaugurated the Edison Fellowship scheme, to assist scholars who wish to carry out intensive work on the Librarys collections of recordings of western art music.
Jeremy Dibble is Professor of Music at the University of Durham. His specialist interests in the Victorian, Edwardian, and Georgian eras are reflected in the two major books he has published on Hubert Parry and Charles Villiers Stanford and in his recent volume of Parrys violin sonatas for the Musica Britannica Trust. He has written on a wide range of topics including historiography, opera, and church music in Britain, and he has a keen interest in the work of Edward Dannreuther, Vaughan Williams, and Frederick Delius. He is currently working on a study of the life and music of John Stainer and a volume of Parrys piano trios for Musica Britannica.
Jenny Doctors extensive work on the history of BBC music broadcasting has contributed to two books: The BBC and Ultra-Modern Music, 192236: Shaping a Nations Tastes (Cambridge, 1999) and Humphrey Carpenters The Envy of the World: Fifty Years of the BBC Third Programme and Radio 3 (1996). She is currently working with the BBC Proms office on the preparation of a comprehensive database of works performed at the London Promenade Concerts for more than a century, and is a Research Fellow at Trinity College of Music.
Daniel M. Grimley wrote his doctoral dissertation on the music of Carl Nielsen at Kings College, Cambridge (1998). After a research fellowship at Selwyn College, he taught at the University of Surrey before being appointed to a Lectureship in Music at the University of Nottingham in 2002. A specialist in Nordic music, he has recently edited The Cambridge Companion to Sibelius . Current projects include books on Grieg and on Landscape in Nordic Music, 18901930. He convened an Elgar conference with Christopher Mark at the University of Surrey in April 2002.
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