Gulino - Screenwriting: the sequence approach
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SCREENWRITING
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The Sequence Approach
Paul Joseph Gulino
Bloomsbury Academic
An imprint of Bloomsbury Publishing Plc
175 Fifth Avenue | 50 Bedford Square |
New York | London |
NY 10010 | WC1B 3DP |
USA | UK |
www.bloomsbury.com
First published in 2004 by the Continuum International Publishing Group Inc
Reprinted 2010, 2011, 2012 (twice)
Reprinted by Bloomsbury Academic 2013
Paul Gulino, 2004
All rights reserved. No part of this publication may be reproduced or transmitted
in any form or by any means, electronic or mechanical, including photocopying,
recording, or any information storage or retrieval system, without prior
permission in writing from the publishers.
No responsibility for loss caused to any individual or organization acting
on or refraining from action as a result of the material in this publication
can be accepted by Bloomsbury or the author.
Library of Congress Cataloging-in-Publication Data
Gulino, Paul Joseph.
Screenwriting : the sequence approach / Paul Joseph Gulino.
p. cm.
Includes bibliographical references and index.
1. Motion picture authorship. I. Title.
PN1996.G84 2004
808.23dc22
2004007969.
eISBN-13: 978-1-6289-2239-4
Printed and bound in the United States of America
For Peachie and Pootie
My sincere thanks to many who have helped on this journey: first and foremost to my beloved wife Charla, who has been my courage and strength, to my beloved daughter Gina who has been my inspiration, Paul Wolansky, who told me to write it, Warren Buckland and Alison McMahan who were kind enough to be my guides throughout its conception and execution, Joyce Bivans who kept me in the fight, Richard Herman, whos been a stalwart, my parents, whove been there from the beginning, and my students over the years who have been learning with me.
This book is a study of the use of sequences in movie making. To illustrate the points I am making about the nature and function of sequences and related storytelling toolshistorical, critical, theoretical, and practicalI have reproduced a few images from especially significant movies.
Each image is a single frame taken from the full-length motion picture and is used here for educational purposes pursuant to the Fair Use Doctrine.
My book is not endorsed by or affiliated with any of the performers, directors, producers, or screenwriters who created these movies or by the studios that produced and distributed them, and the single-frame images are used here for purposes of criticism and commentary only.
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