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Gulino - Screenwriting: the sequence approach

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Screenwriting: the sequence approach: summary, description and annotation

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Why sequences? -- The origin of sequences -- How a screenplay works -- How sequences work -- Toy story: firing on all eight -- The shop around the corner: fractured symmetry -- Double indemnity: flashback to the future -- Fellinis nights of Cabiria: nocturnal episodes -- North by northwest: 1,700 miles in nine sequences -- Lawrence of Arabia: sixteen sequences and an intermission -- The graduate: passive main character -- One flew over the cuckoos nest: midpoint reversal -- Air Force One: eight sequences eight miles up -- Being John Malkovich: the disappearing lead actor -- The fellowship of the ring: the shotgun approach.

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SCREENWRITING

Also available from Bloomsbury:

WILL BROOKER

Batman Unmasked: Analyzing a Cultural Icon

WILL BROOKER

Using the Force: Creativity, Community, and Star Wars Fans

DANNY FINGEROTH

Superman on the Couch

CHRIS JONES AND GENEVIEVE JOLLIFFE

The Guerilla Film Makers Handbook

CHRIS JONES

The Guerilla Film Makers Movie Blueprint

GEOFF KLOCK

How to Read Superhero Comics and Why

JULIE MACLUSKY

Is There Life After Film School?

PHILIP NEL

Dr. Seuss: American Icon

SCREENWRITING

The Sequence Approach

Paul Joseph Gulino

Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 175 Fifth - photo 1

Bloomsbury Academic

An imprint of Bloomsbury Publishing Plc

175 Fifth Avenue

50 Bedford Square

New York

London

NY 10010

WC1B 3DP

USA

UK

www.bloomsbury.com

First published in 2004 by the Continuum International Publishing Group Inc

Reprinted 2010, 2011, 2012 (twice)

Reprinted by Bloomsbury Academic 2013

Paul Gulino, 2004

All rights reserved. No part of this publication may be reproduced or transmitted
in any form or by any means, electronic or mechanical, including photocopying,
recording, or any information storage or retrieval system, without prior
permission in writing from the publishers.

No responsibility for loss caused to any individual or organization acting
on or refraining from action as a result of the material in this publication
can be accepted by Bloomsbury or the author.

Library of Congress Cataloging-in-Publication Data

Gulino, Paul Joseph.

Screenwriting : the sequence approach / Paul Joseph Gulino.

p. cm.

Includes bibliographical references and index.

1. Motion picture authorship. I. Title.

PN1996.G84 2004

808.23dc22

2004007969.

eISBN-13: 978-1-6289-2239-4

Printed and bound in the United States of America

For Peachie and Pootie

Acknowledgments

My sincere thanks to many who have helped on this journey: first and foremost to my beloved wife Charla, who has been my courage and strength, to my beloved daughter Gina who has been my inspiration, Paul Wolansky, who told me to write it, Warren Buckland and Alison McMahan who were kind enough to be my guides throughout its conception and execution, Joyce Bivans who kept me in the fight, Richard Herman, whos been a stalwart, my parents, whove been there from the beginning, and my students over the years who have been learning with me.

Authors Note

This book is a study of the use of sequences in movie making. To illustrate the points I am making about the nature and function of sequences and related storytelling toolshistorical, critical, theoretical, and practicalI have reproduced a few images from especially significant movies.

Each image is a single frame taken from the full-length motion picture and is used here for educational purposes pursuant to the Fair Use Doctrine.

My book is not endorsed by or affiliated with any of the performers, directors, producers, or screenwriters who created these movies or by the studios that produced and distributed them, and the single-frame images are used here for purposes of criticism and commentary only.

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