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Jerome Loving - Lost in the Customhouse: Authorship in the American Renaissance

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In this vigorous challenge to dominant literary criticism, Jerome Loving extends the traditional period of American literary rebirth to the end of the 19th century and argues for the intrinsic value of literature in the face of new historicist and deconstructionist readings. Bucking the trend for revisionist interpretations, Loving discusses the major work of the 19th centurys canonized writers as restorative adventures with the self and society. From Irving, Hawthorne, Melville, Poe, Thoreau, and Emerson to Whitman, Twain, Dickinson, James, Chopin, and Dreiser, Loving finds the American literary tradition filled with narrators who keep waking up to the central scene of the authors real or imagined life. They travel through a customhouse of the imagination in which the Old World experience of the present is taxed by the New World of the utopian past, where life is always cyclical instead of linear and ameliorative. Loving celebrates, enjoys, and experiences these awakened and reborn writers as he challenges the notion that American literature is preponderately cultural work. In the epilogue, he packs up his own carpetbag--the American ego--and passes through the European customhouse to find that American writers are more readily perceived as literary geniuses outside their culture than within it.

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title Lost in the Customhouse Authorship in the American Renaissance - photo 1

title:Lost in the Customhouse : Authorship in the American Renaissance
author:Loving, Jerome.
publisher:University of Iowa Press
isbn10 | asin:0877454043
print isbn13:9780877454045
ebook isbn13:9781587291357
language:English
subjectAmerican literature--19th century--History and criticism--Theory, etc, Authorship--Social aspects--United States--History--19th century, Literature and society--United States--History--19th century, Self in literature, Canon (Literature)
publication date:1993
lcc:PS201.L64 1993eb
ddc:810.9/003
subject:American literature--19th century--History and criticism--Theory, etc, Authorship--Social aspects--United States--History--19th century, Literature and society--United States--History--19th century, Self in literature, Canon (Literature)
Page iii
Lost in the Customhouse
Authorship in the American Renaissance
Jerome Loving
University of Iowa Press Picture 2 Iowa City
Page iv
University of Iowa Press,
Iowa City 52242
Copyright 1993 by the
University of Iowa Press
All rights reserved
Printed in the United States of America
Design by Richard Hendel
No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, without permission in writing from the publisher.
Printed on acid-free paper
Library of Congress Cataloging-in-Publication Data
Loving, Jerome, 1941
Lost in the customhouse: authorship in the
American renaissance/by Jerome Loving.
p. cm.
Includes index.
ISBN 0-87745-404-3 (alk. paper)
1. American literature19th century
History and criticismTheory, etc.
2. AuthorshipSocial aspectsUnited
StatesHistory19th century.
3. Literature and societyUnited States
History19th century. 4. Self in literature.
5. Canon (Literature). I. Title.
PS201.L64 1993
810:9'003dc20 92-33051
CIP
97 96 95 94 93 c 5 4 3 2
Page v
DEDICATED TO ROGER ASSELINEAU
Page vii
CONTENTS
Prologue
ix
Acknowledgements
xix
The American Renaissance: Part One
1. Irving's Paradigm
3
2. Hawthorne's Awakening in the Customhouse
19
3. Melville's High on the Seas
35
4. Poe's Voyage from Edgartown
53
5. Emerson's Beautiful Estate
72
6. Thoreau's Quarrel with Emerson
88
The American Renaissance: Part Two
7. Whitman's Idea of Women
109
8. Twain's Cigar-Store Indians
125
9. Dickinson's Unpublished Canon
141
10. Henry James's Pearl at a Great Price
160
11. Chopin's Twenty-Ninth Bather
177
12. Dreiser's Novel About a Nun
195
Epilogue
211
Notes
219
Index
241

Page ix
PROLOGUE
The American Renaissance is defined here as commencing with the magnum opus of Washington Irving and extending to the first (and best) novel of Theodore Dreiser in 1900. I have given special attention to the word "Renaissance" as it denotes rebirth and connotes re-awakening. When F. O. Matthiessen (following the suggestion of Harry Levin) applied it to five canonized male authors of our antebellum Romantic Period, he meant the rebirth on American soil of a number of European values and artistic concerns that had been obliterated by puritanism. Yet in using the term Matthiessen may have sensed in his vision of a "native" American literature the same idea that I have tried to develop in these pages: that the central experience in American literature in the nineteenth century (if not also in the twentieth) is essentially the puritanical desire for the prelapsarianthat second chance of coming into experience anew. Beginning with Irving, the American canon is filled with narrators and characters who keep waking up to the central scene of their adventures and not the end of the story. Analeptic instead of proleptic, this pattern gives rise to a literature of recurrent beginnings, stories about narrators who make it make it home to tell their stories because they never really leave home in the first place. Rather, they travel through a customhouse of the imagination in which the Old World experience of the present is taxed by the New World of the utopian past, where life is always cyclical instead of linear.
For this study of American desire in literature, I
Page x
have selected what I consider the twelve most important American writers of the nineteenth century. The list could have been longer, but not without repetition in terms of charting the psychological (as well as social) landscape as I view it. These twelve are, not coincidentally, the most "canonized" writers of the American nineteenth century. I have followed the canon not only because I believe its best works give the most aesthetic pleasure and philosophical insight but
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