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Ingrid Rowland - The Collector of Lives: Giorgio Vasari and the Invention of Art

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Ingrid Rowland The Collector of Lives: Giorgio Vasari and the Invention of Art

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In the tradition of The Swerve and How to Live, this vivid biography reveals how a Renaissance scholar reshaped the visual world.

Giorgio Vasari (15111574) was a man of many talentsa sculptor, painter, architect, writer, and scholarbut he is best known for Lives of the Artists, the classic account that singlehandedly invented the genre of artistic biography and established the canon of Italian Renaissance art. Before Vasaris extraordinary book, art was considered a technical skill rather than an intellectual pursuit, and artists were mere decorators and craftsmen. It was through Vasaris visionary writings that artists like Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Their enduring reputations testify to Vasaris profound yet unspoken influence on western culture.

An advisor to kings and pontiffsand a confidant to Titian, Donatello, and moreVasari enjoyed an exhilarating career amid the thrilling culture of Renaissance Italy. In The Collector of Lives, Ingrid Rowland and Noah Charney offer a lively and inviting introduction to this pivotal figure in art history, and immerse readers in the world of the Medici of Florence and the popes of Rome. A narrative of intrigue, scandal, and colorful artistic rivalry, this vivid biography shows the great works of western art taking shape under Vasaris keen eyeand reveals how one Renaissance scholar completely redefined how we look at art.

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The Collector of Lives Giorgio Vasari and the Invention of Art - image 1

THE
COLLECTOR
OF LIVES

The Collector of Lives Giorgio Vasari and the Invention of Art - image 2

Giorgio Vasari and the
Invention of Art

INGRID ROWLAND
and
NOAH CHARNEY

Picture 3

W. W. NORTON & COMPANY

Independent Publishers Since 1923

New York | London

PRIMARY WORKS

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SECONDARY SOURCES

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Cast, David. The Delight of Art: Giorgio Vasari and the Traditions of Humanist Discourse. University Park: Pennsylvania State University Press, 2009.

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Charney, Noah. Stealing the Mystic Lamb: The True Story of the Worlds Most Coveted Masterpiece. New York: PublicAffairs, 2010.

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Coates, Victoria C. Gardner, Rivals with a Common Cause: Vasari, Cellini, and the Literary Formulation of the Ideal Renaissance Artist. In David Cast, ed., The Ashgate Research Companion to Giorgio Vasari, 21522.

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De Jong, Jan. The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries

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