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Walidah Imarisha - Angels with Dirty Faces

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There was a time I believed prisons existed to rehabilitate people, to make our communities safer. . . . When I saw for the first time (but not the last) a mother sobbing and clutching her son when visiting hours were up, only to be physically pried off and escorted out by guards, I knew nothing about that made me safer. This is the heart of this countrys prison system. And the prison system has become the heart of America.Walidah Imarisha, from the introduction.

This is no romanticized tale of crime and punishment. The three lives in this creative nonfiction account are united by the presence of actual harmsometimes horrific violence. Walidah Imarisha, a sexual assault survivor, brings us behind prison walls to visit her incarcerated brother Kakamia and his fellow inmate Jimmy Mac McElroy, a member of the Irish gang the Westies. Together they explore the questions: People can do unimaginable damage to one anotherand then what? What do we as a...

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Angels with Dirty Faces Three Stories of Crime Prison and Redemption By - photo 1

Angels with Dirty Faces

Three Stories of Crime, Prison, and Redemption

By Walidah Imarisha

Praise for Angels with Dirty Faces

Walidah Imarisha has written a brave book. It demonstrates both the universality and distinctiveness of three lives enmeshed through the US prison system. Imarisha pushes us to give up easy distinctions between innocence and guilt, good and evil, and to experience punishment and imprisonment as the messy, complex systems they are. And she reminds us that, while there are no winners in this game, it is one replete with compassion, care, and resistance enough to permeate walls a nd cages.

Rach el Herzing

Some authors approach the subject of incarceration from a great distance, but with Angels with Dirty Faces , author/activist Walidah Imarisha goes as deep as any writer can without actually serving time. The result is a highly personalized and intimate portrait by a courageous writer who goes beyond clichs and platitudes. This book is a bracing, clear-eyed exploration of one of the most important issues of our time: the growing incarceration rate in the U.S., and the consequences of this for citizens both inside and outside pris on walls.

T.J. English, New York Times best-selling author of Where the Bodies Were Buried and T he Westies

Angels with Dirty Faces is a powerful exploration of Americas prison nation. Using three disparate yet interconnected stories, including her own, Walidah Imarisha gives us an unvarnished take on prison abolition. Beyond slogans or strategy, we are left with people, in all our imperfections and possibilities. This is a bold, beautiful, and absolutely necessary book, told with urgency and passion.

Dan Berger, author of Captive Nation: Black Prison Organizing in the Civil Rights Era

We live in a violent state, run by a violent economic trap, that a violent prison system perpetuates and hides. The reality of violence in the US is so pervasive that the state has all the mirrors in the house covered up. Angels with Dirty Faces is a memoir of a reality so crucial and transformative that the state is desperate to keep it locked out of our collective consciousness. And yet w e live it.

Here, Imarisha is doing the work that we all must do if we are going to have the world we deserve. She is looking deeply at the violence of prisons and the lives and impact of people who have engaged in violent acts with a love that never stops believing that we are more than the violence that structures our days. There is hope, love, and honesty here. And a model for the conversations we need to have right now, right here in hell.

Alexis Pau line Gumbs

Walidah Imarisha relates the experiences of crime, punishment, and victimization, not as abstractions, but as lived human tragedies. She shows us how they diminish and distortbut never definethe lives of those who suffer them. Writing with sorrow, and anger, and courageous hope, she forces us to reconsider what we mean by justice, and by what endeavors its cause might be advanced, if never finally achieved.

Kristian Williams, author of Our Enemies in Blue: Police and Power in America

A brave, honest search for answers regarding incar ceration.

Kirk us Reviews

Angels with Dirty Faces is actually three biographies in one, a triography so to speak, of the lives of Mac, Kakamia, and Walidah converging at a California prison. In the beginning they all thought they would just be telling a story... until they made the decision to tell t he truth.

Angels with Dirty Faces is a superbly written, shocking, sensuous, sometimes sadistic and even scandalous binding of biographies struggling with the question: What does redemption actually mean? It is impossible for one to engage this work and not emerge on the other side profoundly affected.

Sundi ata Acoli

I read Angels With Dirty Faces in one sitting, mesmerized by what Walidah Imarisha has accomplished: a daring dive into the real deal about why prisons dont work, filled with love for hustlers, rebels. and the criminalized, imperfect survivors that the prison-industrial complex locks up. Written in such lyrical, fierce poetry it takes your bre ath away.

Leah Lakshmi Piepzna-Samarasinha, author of Dirty River: A Queer Femme of Color Dreaming He r Way Home


Dedicated to Ha san Shakur

and Jam es McElroy

Acknowledgments

Thanks to my mother and my family, Kakamia, Mac, Mumia, Haramia, Hasan (Rest in Power), and to everyone else who let me borrow their stories and lives for this book.

Thanks to Bayla, Turiya, Elijah, EKela, Pete, Nadia, John J., Kodey, Alexis, Leah Lakshmi, adrienne and the Brood, Hasan Salaam, Ian, Seth, Aishah, Sham, Leah Yacoub Halperin, Khalil, Jasmin, David W., Amelia, Gabriel, Eliana, Jordan, fayemi, Joy, The TARDIS Collective, and every friend/heart family who listened to me about this project, gave feedback, or just hugged me after a hard day of writing.

Thanks to Sundiata Acoli, David Gilbert, all political prisoners, all prison organizers in and outside of the walls, and especially thanks to the Human Rights C oalition.

Thanks to the Institute for Anarchist Studies, to Lara for being such a thoughtful and supportive editor. Thanks to Nick for copy-editing. So much thanks to Charles, Zach, Suzanne, and everyone at AK Press.

Thanks to Critical Resistance, Ari, Molly P., Molly and Chela, Chris F., Claude Marks and the Freedom Archives, INCITE, Scott Handleman, Juanita, Gaby, and Graciela. Thanks to Kristian, Dan, and Max for reading and helping to keep me honest, while telling me the project was worth finishing. Thanks to Matthew Shenoda for his mentorship when this book was a thesis. Thanks to Aimee Liu, Michael Klein, Jennifer, and Patricia. Thanks to the Blue Mountain Center, to Ben, Alice, Nica, and Jamie. Thanks to Cloee, Center for New Community, Favianna, Culture Strike, Jason, Oriana, Lisa, Sophia, Eduardo, Sesshu, Gan, Andrew, Jesus, Azul, Cesar, Siddhartha, Naeem, Julio, Imin, and Manisha. Thanks to Fred Bryant (Rest in Power), Alyssa, JoAnn, and the Justice for Keaton Otis Coalition. Thanks to Kent Ford and Dr. Haynes. Thanks to TJ English for his amazing scholarship and writing. Thanks to Stefan and Marion and the Mayfair Retrea t Center.

Through the Gates

Maam, youre going to have to check the underwire from your bra, or Im not lettin g you in.

She was a squat woman, bleached blonde wisps leaking out from her California Department of Corrections baseball hat. The mud brown uniform drew color from her face. In the unforgiving fluorescent lighting of the prison processing center, her features bled away, leaving only razor-edged eyes that bored into me, a mouth twisted with i mpatience.

The people waiting behind me in line, shoes and belts in hand, shifted irritably. I understood. We had all been on our feet for an hour and a half, up early enough to see the sun crack dawn over the lonely highway that, for us, dead-ended at a wall wrapped in concer tina wire.

In the bathroom ten minutes earlier as I hurried into a stall, I passed two women who had the movements of birds, faces heavy with makeup too hastily applied. Using the box cutter with the chipped orange handle given to me by the dour-faced guard, I ripped the seams out of my new black bra, the metal skeleton underneath as exposed as I felt. Meanwhile, the women preened in front of the warped bathroom mirror, one reapplying the dark stain of lipstick every few minutes. The other spoke of her mans sentence as though it was a communal one they shared: Girl, we only have 148 days left! One woman, red-faced from her obvious hangover, laughed too loudly as her friend pointed to the hickie on the side of her neck. She murmured an embarrassed thank you and re-adjusted her collar to cover it.

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