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ABOUT THE AUTHOR
John Yorke is the Managing Director of Company Pictures, the UK drama independent producing among others Shameles s, Skins, The White Queen and Wolf Hall. As both Head of Channel Four Drama and Controller of BBC Drama Production hes worked on big popular works such as Hustle, Spooks, Casualty and Holby City alongside award-winners such as Bodies, Omagh, Sex Traffic, Not Only But Always and The Curse of Steptoe.
As a Commissioning Editor and Executive Producer he championed some of the defining works of British television including Life on Mars, The Street, Shameless and Waterloo Road. His television career began by story-lining Eastenders in its very first BAFTA-winning year a show he went on to run and then oversee in an association of sixteen years. Hes also worked as Editor of BBC Radio 4s The Archers.
In 2005 he created the BBC Writers Academy, the first writing course in Britain to guarantee broadcast work, and which has produced a generation of successful television writers.
John has lectured extensively on narrative structure, is Visiting Professor of English Language and Literature at the University of Newcastle-upon-Tyne, and lives and works in London. His website is at www.intothewoodsyorke.com
PENGUIN BOOKS
INTO THE WOODS
Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopaedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive Chris Chibnall, creator/writer, Broadchurch, Gracepoint, The Great Train Robbery
A great book on story structure Graham Linehan, creator/writer, Father Ted, The IT Crowd, Black Books, Count Arthur Strong
Brilliant, illuminates & explains Susan Hill, author of The Woman In Black
There is no end of books that instruct us on how to write the perfect screenplay, but few that delve more deeply into the art of storytelling than this erudite volume Financial Times, Summer Reads
Any consumer of books, plays, TV or films will find the experience enhanced; and scriptwriters themselves will find useful guidance because when you know the why, the how is natural Independent on Sunday
Even for a convinced sceptic, John Yorkes book, with its massive field of reference from Aristotle to Glee, and from Shakespeare to Spooks, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told Dominic Dromgoole, Artistic Director, The Globe Theatre
Its strength is Yorkes acute perception of the wellsprings of universal narrative structures relevant to all artistic activities The Times
A superb study of how stories work, from Hamlet to Citizen KaneSunday Times
Part How-to manual, part why-to celebration, Into The Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises exciting and thought-provoking Emma Frost, writer The White Queen, Jamaica Inn and Shameless
Every TV writer should read the first chapter alone Simon Ashdown, writer/series consultant, EastEnders
Testing the adage that in theory theres no difference between theory and practice but in practice there is, this is a love story to story erudite, witty and full of practical magic. Its by far the best book of its kind Ive ever read. I struggle to think of the writer who wouldnt benefit from reading it even if they dont notice because theyre too busy enjoying every page Neil Cross, creator/writer of Luther, Crossbones and writer of Dr Who, Spooks
Books on story structure are ten a penny but Mistah Yorkes is the real deal Kathryn Flett
Terrific Its a great read, wise and cogent, and a must for all screenwriters David Eldridge, writer Festen, In Basildon
Its a great read. It makes me smile and say Yes! aloud. Only this and PG Wodehouse do that. Lucy Gannon, writer/creator Soldier Soldier, Peak Practice, Frankie, The Best Of Men
A mind-blower an incredibly dense but very readable tome about the art of storytelling Really worth a read Lenny Henry, Independent
Anyone considering a career in television should read this book. Anyone with a career in television should read this book too Tony Grounds, writer, Our Girl, Gone To The Dogs, Births, Marriages and Deaths
Art consists of limitation. The most beautiful
part of every picture is the frame.
G. K. Chesterton
Introduction
A ship lands on an alien shore and a young man, desperate to prove himself, is tasked with befriending the inhabitants and extracting their secrets. Enchanted by their way of life, he falls in love with a local girl and starts to distrust his masters. Discovering their man has gone native, they in turn resolve to destroy both him and the native population once and for all.
Avatar or Pocahontas? As stories theyre almost identical. Some have even accused James Cameron of stealing the Native American myth. But its both simpler and more complex than that, for the underlying structure is common not only to these two tales, but to all.
Take three different stories:
A dangerous monster threatens a community. One man takes it on himself to kill the beast and restore happiness to the kingdom
Its the story of Jaws, released in 1976. But its also the story of Beowulf, the Anglo-Saxon epic poem published some time between the eighth and eleventh centuries.
And its more familiar than that: its The Thing, its Jurassic Park, its Godzilla, its The Blob all films with real tangible monsters. If you recast the monsters in human form, its also every James Bond film, every episode of Spooks, Casualty, House or CSI. You can see the same shape in The Exorcist, The Shining, Fatal Attraction