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Mark Jacobson - The Lampshade: A Holocaust Detective Story from Buchenwald to New Orleans

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Mark Jacobson The Lampshade: A Holocaust Detective Story from Buchenwald to New Orleans
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The Lampshade: A Holocaust Detective Story from Buchenwald to New Orleans: summary, description and annotation

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Few growing up in the aftermath of World War II will ever forget the horrifying reports that Nazi concentration camp doctors had removed the skin of prisoners to makes common, everyday lampshades. In The Lampshade, bestselling journalist Mark Jacobson tells the story of how he came into possession of one of these awful objects, and of his search to establish the origin, and larger meaning, of what can only be described as an icon of terror.
Jacobsons mind-bending historical, moral, and philosophical journey into the recent past and his own soul begins in Hurricane Katrinaravaged New Orleans. It is only months after the storm, with Americas most romantic city still in tatters, when Skip Henderson, an old friend of Jacobsons, purchases an item at a rummage sale: a very strange looking and oddly textured lampshade. When he asks what its made of, the seller, a man covered with jailhouse tattoos, replies, Thats made from the skin of Jews. The price: $35. A few days later, Henderson sends the lampshade to Jacobson, saying, Youre the journalist, you find out what it is. The lampshade couldnt possibly be real, could it? But it is. DNA analysis proves it.
This revelation sends Jacobson halfway around the world, to Yad Vashem in Jerusalem and to the Buchenwald concentration camp in Germany, where the lampshades were supposedly made on the order of the infamous Bitch of Buchenwald, Ilse Koch. From the time he grew up in Queens, New York, in the 1950s, Jacobson has heard stories about the human skin lampshade and knew it to be the ultimate symbol of Nazi cruelty. Now he has one of these things in his house with a DNA report to prove it, and almost everything he finds out about it is contradictory, mysterious, shot through with legend and specious information.
Through interviews with forensic experts, famous Holocaust scholars (and deniers), Buchenwald survivors and liberators, and New Orleans thieves and cops, Jacobson gradually comes to see the lampshade as a ghostly illuminator of his own existential status as a Jew, and to understand exactly what that means in the context of human responsibility.
One question looms as his search goes on: what to do with the lampshadethis unsettling thing that used to be someone? It is a difficult dilemma to be sure, but far from the last one, since once a lampshade of human skin enters your life, it is very, very hard to forget.

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ALSO BY MARK JACOBSON American Gangster Teenage Hipster in the Modern World - photo 1

ALSO BY MARK JACOBSON

American Gangster

Teenage Hipster in the Modern World

12,000 Miles in the Nick of Time

Everyone and No One

Gojiro

Simon Schuster 1230 Avenue of the Americas New York NY 10020 - photo 2

Picture 3

Simon & Schuster
1230 Avenue of the Americas
New York, NY 10020
www.SimonandSchuster.com

Copyright 2010 by Mark Jacobson

All rights reserved, including the right to reproduce this book or
portions thereof in any form whatsoever. For information address
Simon & Schuster Subsidiary Rights Department,
1230 Avenue of the Americas, New York, NY 10020.

First Simon & Schuster hardcover edition September 2010

SIMON & SCHUSTER and colophon are registered trademarks
of Simon & Schuster, Inc.

For information about special discounts for bulk purchases,
please contact Simon & Schuster Special Sales at
1-866-506-1949 or business@simonandschuster.com.

The Simon & Schuster Speakers Bureau can bring authors
to your live event. For more information or to book an event,
contact the Simon & Schuster Speakers Bureau at
1-866-248-3049 or visit our website at www.simonspeakers.com.

Designed by Akasha Archer

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

Library of Congress Cataloging-in-Publication Data is available.

ISBN 978-1-4165-6627-4
ISBN 978-1-4165-6630-4 (ebook)

PHOTO CREDITS (by page number):

Courtesy of Mark Jacobson: 12, 63, 82, 95, 212, 287, 299, 313, 327

Courtesy of Skip Henderson: 33, 192, 310

Courtesy of Ken Kipperman: 136

Photograph used with permission of the Muse de la Rsistance et de la Dportation: 10

Photograph by Ruben R. Ramirez, used with the permission of the El Paso Times: 162, 165

Courtesy of Sovfoto: 106

And after my skin has been destroyed, yet in my flesh I will see God.

Job 19:26

THE
LAMPSHADE

The Lampshade A Holocaust Detective Story from Buchenwald to New Orleans - image 4
PROLOGUE
The Lampshade A Holocaust Detective Story from Buchenwald to New Orleans - image 5

I must say I didnt put much stock in the possibility that a Dominican spiritualist working out of a basement in Union City, New Jersey, would have much to say about a human skin lampshade reputedly made in a Nazi concentration camp. But there I was sitting across from Doa Argentina, a large woman wearing a ceremonial headdress and smoking a pair of cigars, one on either side of her mouth. A friend of mine, a devotee, had recommended the medium, saying that if the lampshade had truly once been part of a person, the spirit would still be present. If so, then Doa Argentina would make contact with it, bring its secrets to light.

There was a bit of desperation in my visit, an anxiety that had been mounting since I had first come into possession of the lampshade, which a friend had purchased at a rummage sale in New Orleans, Louisiana, in the aftermath of Hurricane Katrina. Later, after DNA testing proved that the lampshade had been fashioned from the skin of a human being, Id spent many, many months attempting to track down its true nature, its origin and meaning, a search that had taken me halfway around the world. So I was willing, if not too excited, to drive the ten miles from my Brooklyn home, through the Lincoln Tunnel, to Union City, where everyone speaks Spanish, to hear what the mystic had to say.

Doa Argentina, who said she had learned the ways of contacting the dead from her mother, whose portrait could be seen on the wall behind a six-foot-tall plaster of Paris likeness of the Virgin, began the session auspiciously. Taking the lampshade from its box, she took one look and said, Oh, they kill him. This was quite possibly accurate, considering there was every chance the shade had been constructed from the skin of one of the eleven million people, six million Jews among them, who had been killed by the Nazis during their twelve-year reign of terror. On the other hand, spiritualists had their tricks. They like to impress their needy supplicants. I did not know what my friend had told Doa Argentina about the lampshade before Id arrived.

A few moments later, Doa Argentina placed a candle beside the lampshade, which was alarming. After making a number of trips to Buchenwald, the Nazi camp most associated with the lampshade story, and spending much time in New Orleans, where the object had been scavenged from an abandoned building wrecked in the catastrophic hurricane, I had no desire to see it incinerated in the basement of a Jersey spiritualists parlor. This seemed a real possibility as the candle flame grew higher.

Mira! The spirit is strong, Doa Argentina said, taking a chug of rum. It is speaking There was a pause now, as she stiffened in her velveteen chair. Her eyelids were fluttering. He says he says

Id always assumed the skin of the lampshade came from a male, but this was the first time Id heard it identified by the pronoun. Until this moment it had always been an it, a frightening, intentionally depersonalized it.

He says they are all bad to him. They hurt him. They cut him. Stab him with knives. They throw him in the closet. Lock him away. But you you are different. You are kind to him. You give him attention.

Yes. I was paying attention to the lampshade. For months Id thought of little else.

The candle flame shot higher. Doa Argentina swigged more rum. The picture of her mother loomed above. He says he feels safe with you. He wants to stay with you.

Stay with me?

He says he wants to stay with you always. He never wants to leave you.

Youre kidding. Ever since the lampshade had arrived at my door as an unsolicited parcel of terror, Id been trying to get rid of it. It was, I thought, like the black spot in Robert Louis Stevensons Treasure Island, a dark circle inscribed on a page ripped from a purloined Bible, a floating accusation of ultimate guilt a pirate might find shoved in his breeches some bad night. The idea was to divest yourself of the spot before its curse took hold, to pass it to the next unsuspecting fool, if need be.

He cant stay with me. Thats crazy.

Doa Argentina leveled her gaze at me. For the moment it seemed as if shed separated herself from her trance and had returned to the temporal world. She lowered her voice, as if to keep her thoughts from the spirit.

Por qu? she asked. Por qu he cant stay with you?

Because because it is a Nazi lampshade. It doesnt belong to me. I cant keep a Nazi lampshade.

You dont want him? He is not a Nazi.

I know hes not a Nazi. I know that. Doa Argentina was recommending I keep the lampshade near me as much as possible, to keep it at my bedside. I cant have a Nazi lampshade in my house.

But this is what he wants. You cannot do it? You want me to tell him that he cannot stay with you. That you dont want him.

It isnt that I dont want him. I just cant keep him.

Suddenly this trip to Union City had become very complicated. I couldnt become the permanent guardian of a human skin lampshade. Itor should I now be referring to the shade as he?was a dead person. A murder victim, a former human being, not a curio, a grim collectors item. Id spoken to rabbis, to museum officials, professors, geneticists, policemen, politicians. Dozens of serious people had weighed in with opinions concerning the lampshade and what should be done with it. Now this spiritualist, this lottery number picker, was advocating this radical course of action.

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