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Geary - Lovelocks Dream Run

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Geary Lovelocks Dream Run
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    Lovelocks Dream Run
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    Victoria University Press
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    2013;2012
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    Wellington
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I would like to acknowledge James McNeishs novel Lovelock (Hodder and Stoughton, 1986) as being the inspiration for the Otto Peltzer Theory and the Cabaret Scene, both of which form part of LovelocksDreamRun. For anyone interested in further information on the life of Jack Lovelock, I strongly recommend this novel and also James McNeishs collection of prose, TheManfromNowhere (Godwit Press, 1991). Many thanks to Alison Quigan, Centrepoint Theatre, and to the QE II Arts Council for commissioning the play. Mick Rose and Tim Spite for script editing. Stephen Danby for playing me These Foolish Things. Bruce Leadley and Timaru Boys High School for access to the Lovelock collection. And the Alexander Turnbull Library for the archive material and slides.

Finally, thanks to Playmarket for workshopping the play at the 1992 Australasian Playwrights Conference. The plays success owes much to the workshop director, Lisa Warrington, and dramaturg, Murray Edmond. It was with their much appreciated help, and the considerable talents of the cast below, that LovelocksDreamRun was first realised.

J ACK L OVELOCKJames Beaumont
H OWARD C URTISTimothy Balme
N ICK H URIWAIHone Kouka
P IKEStuart Devenie
H EADNathaniel Lees
S ILVERSLani Tupu
M ATRONHilary Norris
Directed by Lisa Warrington Dramaturg, Murray Edmond
LovelocksDreamRun was premiered at the Watershed Theatre by the Auckland Theatre Company on 11 March 1993 with the following cast:
J ACK L OVELOCKRobert Pollock
H OWARD C URTISDamon Andrews
N ICK H URIWAIHone Kouka
P IKEBruce Hopkins
H EADMichael Mizrahi
S ILVERSErik Thomson
M ATRONPatrick Griffiths
Directed by Raymond Hawthorne
The physical set should be relatively neutral, so that a few simple set units and props can establish each new setting. Costumes, too, need only suggest the identity of the several characters played by each actor. The exception is Jack Lovelock, who should be in period dress.

The slides should be projected on a screen above or behind the action. It is indicated where the slides should come in but up to each production whether they stay up or it reverts to a blank screen. The play should never lose as one of its levels of reality the sense of a bunch of schoolboys putting on a play.

  1. J ACK L OVELOCK
  2. H OWARD C URTIS / O TTO P ELTZER / L ENI R IEFENSTAHL / C UNNINGHAM 2 / J EAN B ATTEN
  3. N ICK H URIWAI / R EPORTER 3 / J AZZ S INGER / C AMERAMAN / L UIGI B ECCALI / K IDDIE
  4. P IKE / F RITZ / R EPORTER 2 / K IDDIE / K EENE
  5. H ITLER / H ANS / R EPORTER 4 / T HE H EAD / C ABARET P ATRON / C HUBBS / C AMPBELL / N Y / D IGNITARY / K IDDIE / W ALTER 1
  6. S ILVERS / C UNNINGHAM 1 / C ECIL M ATTHEWS / R EPORTER 1 / C ABARET P ATRON / N OLAN / S TARTER / H AROLD A BRAHAMS / K IDDIE / W ALTER 2
  7. P IT R AKER / H ELGA / C ABARET P ATRON / A UTOGRAPH H UNTER / M ATRON / G REEN / K LAUS / C ORNES / R EPORTER 5 / K IDDIE / A LICE
1a-e.Jacks smiles
2.Lovelocks Oakclose up
3.Lovelocks Oakwide shot
4.Lovelock Prefab
5a.Torch leaves Olympia
5b.Torch in street
5c.Torch lights Olympic flame
5d.Aerial of stadium
5e.Marchpast on straight
5f.Marchpast on corner
6.Stadium crowd doing Nazi salute
7.Jack and the flag
8.Howard and Nicks cubicle
9.Jack beats Bonthron with a smile
10.Memorial Library
11.Medal case
12.Winners dais
13.Backstreet Berlin
14.Interior of Berlin cabaret
15.Otto Peltzer
16a-e.Jesse Owens
17.1930s film studio
18.Leni Riefenstahl and Adolf Hitler
I9a-e.TriumphoftheWill stills
20a-e.Olympia stills
21.Christs College quad
22.Worcester St punts for hire
23.Chartered bus
24a-e.Race stills
25.Railway station
26.Auckland welcome
27.San Romani wins
28.Hamilton
29.Waitomo
30.New Plymouth
31a-b.Jean Batten
32a-b.Jean at Mangere
33.Jack and Jean cartoon
34.Desert Road
35a-c.Jack courting
36.Jack, Cynthia and baby
37.The laughing loser
38.Old Boys
Slides 1a-e:Jackssmiles, alternate.Musicfromtheshowplays,ie:TheseFoolishThings,thethemeto Brideshead Revisited, Deutschland,GodSavetheKingandtheMarseillaise.
Slide2:LovelocksOakcloseup. H OWARD iswearingaperfectlyfittingBoysHighSchoolsummeruniform.HesingstohimselfpartofTheseFoolishThingswhilepickingupacornsandputtingthemina bucket. H OWARD : Oh will you never let me be Oh will you never set me free The ties that bound us are all around us Slide 1a: Jacks smile Theres no escape that I can see. Pause. These foolish things remind me of you. To audience: Its a charming smile, dont you think? Pause. Hmm? Pause. Well, I think its charming.

I used to walk around Intermediate imitating Jacks smile. Hestrollsaroundwithafixedgrinacknowledgingimaginarypeople.Wideningthegrinwithhisfingers: Course other kids thought I was mental. But people thinking I was mental wasnt exactly news. Slide2:LovelocksOakcloseup.Araggedgroupofthirdformersentermarchingbadly.Theyareharanguedbyaprefect, P IKE . P IKE : Keep your dressing! Somethirdformerschecktheirdressingandlose time. But stay in step! Left, left, left, right, left. Left N ICK stillcant getin step. Dont get up his bum.

You, whats your handle? Pause. Whats your handle? N ICK : I havent got a handle. P IKE : Your name, have you got a name? N ICK : Nick. P IKE : No, your second name?

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