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Friel - Philadelphia, Here I Come

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Friel Philadelphia, Here I Come
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    Philadelphia, Here I Come
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Philadelphia, Here I Come: summary, description and annotation

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Fed up with the dreary round of life in Ballybeg, with his uncommunicative father and the humiliating job in his fathers grocery shop, with his frustrated love for Kathy Doogan who married a richer, more successful young man and with the total absence of prospect and opportunity in his life at home, Gareth ODonnell has accepted his aunts invitation to come to Philadelphia. Now, on the eve of his departure, he is not happy to be leaving Ballybeg. With this play Brian Friel made his reputation and it is now an acknowledged classic of modern drama.

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For my Father and Mother Contents The first performance of Philadelphia - photo 1

For my Father and Mother

Contents

The first performance of Philadelphia, Here I Come! was given at the Gaiety Theatre, Dublin, on 28 September 1964 by Edwards-MacLiammoir: Dublin Gate Theatre Productions Ltd in association with the Dublin Theatre Festival and Oscar Lewenstein Ltd. It was directed by Hilton Edwards, and the setting was by Alpho OReilly. The cast was as follows:

Madge Maureen OSullivan

S B ODonnell amonn Kelly Kate Doogan Mire Hastings Senator Doogan Cecil - photo 2

S. B. ODonnell amonn Kelly

Kate Doogan Mire Hastings

Senator Doogan Cecil Barror

Master Boyle Dominic Roche

Lizzy Sweeney Ruby Head

Con Sweeney Tom Irwin

Ben Burton Michael Mara

Ned amon Morrissey

Tom Brendan OSullivan

Joe Emmet Bergin

Canon Mick OByrne Alex McDonald

Madge Housekeeper

S B ODonnell Gars father Kate DooganMrs King Daughter of Senator Doogan - photo 3

S. B.ODonnell Gars father

Kate Doogan/Mrs King Daughter of Senator Doogan

Senator Doogan

Master Boyle Local teacher

Lizzy Sweeney Gars aunt

Con Sweeney Lizzys husband

Ben Burton Friend of the Sweeneys

Canon Mick OByrne The parish priest There is an interval at the end of Episode - photo 4

Canon Mick OByrne The parish priest

There is an interval at the end of Episode I and at the end of Episode II.

Time: the present in the small village of Ballybeg in County Donegal, Ireland. The action takes place on the night before, and on the morning of, Gars departure for Philadelphia.

Whenthecurtainrisestheonlypartofthestagethatislitisthekitchen,i.e.theportionontheleftfromthepointofviewoftheaudience.Itissparselyandcomfortlesslyfurnishedabachelorskitchen.Therearetwodoors;oneleftwhichleadstotheshop,andoneupstageleadingtothescullery (off).Besidetheshopdoorisalargedealtable,nowsetforteawithoutclothandwithroughcupsandsaucers.Besidethescullerydoorisanold-fashioneddresser.Onthescullerywallisalargeschool-typeclock.

Stageright,nowindarkness,isGarsbedroom.Bothbedroomandkitchenshouldbemovedupstage,leavingagenerousapron.Garsbedroomisfurnishedwithasinglebed,awash-handbasin (crockeryjugandbowl),atablewitharecord-playerandrecords,andasmallchestofdrawers.

ThesetwoareaskitchenandGarsbedroomoccupymorethantwo-thirdsofthestage.Theremainingportionisfluid:inEpisodeIforexample,itrepresentsaroominSenatorDooganshome.

ThetwoGars,PublicGarandPrivateGar,aretwoviewsoftheoneman.PublicGaristheGarthatpeoplesee,talkto,talkabout.PrivateGaristheunseenman,themanwithin,theconscience,thealterego,thesecretthoughts,theid.PrivateGar,thespirit,isinvisibletoeverybody,always.NobodyexceptPublicGarhearshimtalk.ButevenPublicGar,althoughhetalkstoPrivateGaroccasionally,neverseeshimand never looks at him. Onecannotlookatonesalterego.

Music

MendelssohnsViolinConcertoinEMinor,Op.64

Ceilidhmusic

AllRoundMyHatFirstVerse.

SheMovedthroughtheFairSecondVerse.

California,HereICome!

GivetheWomanintheBedmorePorter

KitcheninthehomeofCountyCouncillorS.B.ODonnellwhoownsageneralshop.AsthecurtainrisesMadge,thehousekeeper,entersfromthescullerywithatrayinherhandsandfinishessettingthetable.Sheisawomaninhersixties.Shewalksasifherfeetwereprecious.Shepausesonherwaypasttheshopdoor.

Madge Gar! Your tea!

Public (off) Right!

ShefinishessettingthetableandisabouttogotothescullerydoorwhenPublicGarmarchesonstage.Heisecstaticwithjoyandexcitement:tomorrowmorningheleavesforPhiladelphia.

Gar (singing)

Philadelphia, here I come, right back where I started from

(BreaksoffandcatchesMadge.) Come on, Madge! What about an old time waltz!

Madge Agh, will you leave me alone.

Heholdsonto

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