| Page 18 Debbie Green; 22 Manny Greenhill; 24 Tony Saletan; 26 Clay Jackson; 28 Ethan Signer; 31 Bob Siggins; 47 Joan Baez; 49 Bob Neuwirth; 50 John Nagy; 58 Joan Baez; 65 Eric von Schmidt; 68 Leadbelly; 69 Eric von Schmidt; 75 Eric von Schmidt; 76 Rolf Cahn; 80 Rolf Cahn; 83 Bob Siggins' guitar; 84 Rolf Cahn; 92 Jim Rooney; 96 Bill Keith; 127 Maria Muldaur; 129 Jim Rooney; 136 Jackie Washington; 139 Joe Val; 142 Paul Rothchild; 144 Geoff Muldaur; 155 Jim Rooney; 156 Bill Keith; 162 Ralph Rinzler; 178 Maria & Geoff Muldaur; 189 Mississippi John Hurt; 189 Son House; 204 Mark Spoelstra; 206 Spider John Koerner; 208 Clarence White; 211 "Banana" Levinger; 215 Taj Mahal; 218 Jackie Washington; 220 Manny Greenhill; 222 Bob Neuwirth; 225 Mimi and Mama Joan Baez; 228 Clay Jackson; 232 Betsy Siggins; 236 Eric von Schmidt; 250 Joe Chambers; 274 Jim Field; 276 Tom Rush; 277 Chris Smither; 278 Dick Faria; 280 Bob Dylan and Joan Baez; 287 Judy Collins and John Cooke; 290 Mel Lyman; 292 Fritz Richmond; 296 Bob Dylan; 301 Jim Rooney; 305 Bonnie Raitt |
| "Come All You Fair and Tender Ladies" (traditional); "Leavin' Home" as done by the Charles River Valley Boys, who learned it from Charlie Poole and the North Carolina Ramblers; ''Sail Away, Ladies, Sail Away" as done by Uncle Dave Macon; "Black Is The Color" as done by John Jacob Niles; "Baby, Let Me Lay It On You" as done by Blind Boy Fuller; "We Shall Not Be Moved" as done by Mississippi John Hurt; "Overseas Stomp" as done by Will Shade of the Memphis Jug Band; "California to the New York Island" from "This Land Is Your Land," words and music by Woody Guthrie. TRO Music, copyright 1956, 1958, 1970 Ludlow Music Inc., New York, N.Y. Used by permission; "Ocean of Diamonds" as done by Joe Val with Keith and Rooney. Written by Cliff Carnahan; "Nobody's Business" from "Champagne Don't Hurt Me, Baby" by Eric von Schmidt, copyright 1963 Tru-Sound Music; "Foggy Mountain Top" as done by the Cortez Family; "Storybook Ball" as done by Jim Kweskin and the Jug Band. Written by Montgomery and Perry, Melrose Music; "Fixin' To Die" as done by Booker White; "Where Do You Come From? Where Do You Go?" from "Cotton-Eye Joe" (traditional); "Children of Darkness" by Richard Faria, copyright 1966 Warner Brothers Music. All rights reserved. Used by permission; "It's All Over Now, Baby Blue" by Bob Dylan, copyright 1965, Warner Brothers Music. All rights reserved. Used by permission; "Got My Mojo Workin'" by McKinley Morganfield aka Muddy Waters; "Wet Birds Fly at Night" by Eric von Schmidt, copyright 1970, 1972, 1978 Minglewood |
| Some of Bill Keith's remarks in "We Shall Not Be Moved" were recorded in an interview in England by Pete Frame; some of Geoff Muldaur's remarks in "Ocean of Diamonds," "Storybook Ball," and "Wet Birds Fly at Night" were recorded in an interview by Bob Kimmel; some of Phil Spiro's account describing the rediscovery of Son House in "Fixin' To Die" first appeared in The Broadside, vol. III, no. 11, July 22, 1964; Al Wilson's remarks at the end of "Fixin' To Die" appeared in an interview with Al by Pete Welding called "Just Those Five Notes" in Rolling Stone, Feb. 18, 1971; Joan Baez's remarks in "Sail Away, Ladies, Sail Away," "Children of Darkness," and "Wet Birds Fly At Night" appeared in Daybreak by Joan Baez, copyright 1968 by Joan Baez. Used by permission of the Dial Press; Bob Dylan's remarks in "It's All Over Now, Baby Blue" reprinted from Bob Dylan: An Intimate Biography by Anthony Scaduto, copyright 1971 by Anthony Scaduto. Used by permission of Grosset & Dunlap, Inc. |
Cover design by Rebecca S. Neimark
Cover art copyright 1979 by Eric von Schmidt |
The University of Massachusetts Press edition is published by arrangement with Eric von Schmidt and James Rooney.
Originally published 1979 by Anchor Press / Doubleday, Garden City, N.Y.
Copyright 1979 by Eric von Schmidt and James Rooney
Preface to the second edition 1994 by Eric von Schmidt and James Rooney
All rights reserved
Printed in the United States of America
LC 9348172
ISBN 0-87023-925-2
Library of Congress Cataloging-in-Publication Data are available.
British Library Cataloguing in Publication data are available. |
| This book is published with the support and cooperation of the University of Massachusetts at Boston. |
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