• Complain

Jordan - The Unreturning

Here you can read online Jordan - The Unreturning full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Regional;United Kingdom, year: 2019, publisher: Nick Hern Books;Bloomsbury Publishing, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Jordan The Unreturning
  • Book:
    The Unreturning
  • Author:
  • Publisher:
    Nick Hern Books;Bloomsbury Publishing
  • Genre:
  • Year:
    2019
  • City:
    Regional;United Kingdom
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

The Unreturning: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Unreturning" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Anna Jordans play The Unreturning is a drama exploring the profound effect that war has on young peoples lives, particularly in the aftermath of conflict. It was first performed on 20 September 2018 at Theatre Royal Plymouth, before touring the UK in a co-production between Frantic Assembly and Theatre Royal Plymouth. The play revolves around three young men from Scarborough, a coastal town in the north of England, each of them coming home from war. Their stories, set at different times over more than a hundred years, are interwoven throughout: George is an army private, taking leave after the loss of his section in the trenches in 1918; Frankie is a squaddie who is sent back home to face justice for attacking an Iraqi civilian in 2013; and Nat, in 2026, is an exile from civil war in the UK, fleeing a squalid Norwegian refugee camp in the hope of finding his brother. The original production was directed by Neil Bettles, with set and video design by Andrzej Goulding. It was performed by Jared Garfield (as Frankie), Joe Layton (as George), Jonnie Riordan (as Nat) and Kieton Saunders-Browne (as Finn).--;Cover; Title Page; Contents; Original Production; Directors Note; Thanks; Dedication; Characters; Note on Play; Prologue; The Unreturning; Act One; Act Two; Act Three; About the Author; Copyright and Performing Rights Information

The Unreturning — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Unreturning" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
The Unreturning - image 1
Anna Jordan THE
UNRETURNING The Unreturning - image 2 NICK HERN BOOKS London www.nickhernbooks.co.uk ContentsThe Unreturning was produced by Frantic Assembly and Theatre Royal Plymouth and first performed on 20 September 2018 at Theatre Royal Plymouth, before touring the UK. The cast was as follows:
FRANKIEJared Garfield
GEORGEJoe Layton
NATJonnie Riordan
FINNKieton Saunders-Browne
DirectorNeil Bettles
Set and Video DesignerAndrzej Goulding
Lighting DesignerZoe Spurr
Sound DesignerPete Malkin
Costume DesignerLily Arnold
Associate DirectorJessica Williams
Directors Note Back in 2008 when we first launched Ignition, the ambition was to develop young male performers who would potentially be Frantic performers of the future. Ten years on and with over 140 graduates of the project, we get to put our money where our mouth is. A full-scale touring show that has been developed with Ignition graduates and finally cast from the same pool. Through Ignition we travel the country finding young men who we hope will benefit from our way of making theatre. Young men who may not have found themselves in a theatre before, let alone on stage performing.

Having directed all twelve Ignition performances it has been incredible to develop this play with Anna Jordan and various teams of Ignition graduates. We told stories, worked physically, made scenes and eventually landed on a simple idea. What does it mean to return to your home after a life-changing experience? To return home and for your world to feel a little different. Maybe you have changed, or maybe the place you are returning to no longer recognises you. War was something we talked about a lot, and with the centenary of World War One very present in our thoughts we started to develop stories about how that experience can have a profound effect on the people involved. That is how we find ourselves where we are now.

Three young men returning to their hometown of Scarborough in different periods in time: 1918, 2013 and 2026. Anna Jordan has built a complex and poetic play with interwoven stories that imagines three very different reasons to return home. All driven by conflict. The exciting task has been to find a way for all three stories to exist at the same time in the same space. To be together but worlds apart. Neil BettlesThanks Thomas Scurr Ben Newton Tim Briggs Karan Gill Sam Newton Gareth Morgan James Tobin Gary Duncan Dan Parr Ryan Hutton Victor Oshin David Hemsted Chris Urch Camilla Young Scott Chaloff Phone Credit for Refugees Charity A.J.For Chris Urch
whose support never ends
and whose personality never fizzles
Characters NAT FRANKIE GEORGE OFFICER ARMY BUDDY ONE ARMY BUDDY TWO ARMY BUDDY THREE ELIAS TRAFFICKER KIM ALDO ROSE REBEL MUM (FRANKIES) DOCTOR MOTHER (GEORGES) FATHER (GEORGES) TONY RYAN LUKE KET FINN DR COHEN TIBBS CHORUS (PLURAL) Note on Play Chorus should be played by various members of the company.

We should slip seamlessly between scenes with pace. / indicates an overlap. indicates a trailing-off or a searching for words, but rarely a slowing down. This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.PrologueLonging NAT. I want to return to my home. I want to find myself there.

I want to meet myself coming back! And Ill say to myself what kept you, dickhead? I want to greet the landscape! Disappear into it I wont just look But Ill touch. Bury whole limbs in the sand Lean into the wind Feel the spray on my face Salt on my tongue Nourish my heart. I want to tear across the Valley Bridge Heart thumping in my chest I want to go everywhere we went on our boards With my brother The VRcades The firefight simulators at Luna Park All will reopen just to greet me. I want to scan our front door again Hear that familiar beep and clunk I want to find the ghosts Im looking for Need to find them flesh and bone But if I cant? Ill lie on the floor of every room in Our House. Face down. Soak up our history from the carpet.

Feed on the past. And when my heart is full? I want to leap off the headland in all my clothes. Enter the water with a violent crash No Fear! And then Silence. I allow myself to sink. Watch the bubbles that come from me rise to the light Ill make my peace with the sea Childhood fears And fraught journeys of adulthood Erased as the North Bay envelopes me In the dark and the calm alone I am Home. FRANKIE.

I want to return to my home. I want a heros welcome. I want fanfares, and parades, and brass bands and the back room of The Lion? Luke and Ket and Ryan and banners, and balloons and sausage rolls and Jgerbombs and Golden Balls Frankie is coming home! I want to lose myself in the face of my mum. And my sister. Does that sound gay? I want to speak to my nan for like a whole hour maybe more! Greet the Front Door like an old friend. Rest my forehead on the cold brick of the garage wall lie under the skylight on my mums bed and watch clouds I wanna answer the landline! Run my fingers through the shag pile Stick my head in the fridge! I want to go out.

I want to go out out. Drink and dance and shout for no reason start in the spoons and end up in Vivaz lines of coke in the back of an Astra in a pub car park. Feel invincible (Chants.) SCAR-BA-DOS! I want to sing in the streets And shag lamp posts And puke in the gutter (His tone changes.) And they will never know (Beat.) None of them will ever know what I I want to run on the sand with my dick out. Salt in my nostrils. Wind in my hair. ROAR into them: I OWN THE COAST. ROAR into them: I OWN THE COAST.

Let them dissolve me. Reduce me to mist and foam. Let them take me back with them into the dark forever A shadow A creak in the floorboard Of Home. GEORGE. I want to return to my home. I want to drink tea.

Hear the clink of the china and the glug of the pour. Tea with my kin. Hot. From a pot. I want my mother to read my leaves and tell me Theres nothing to fear, dear George! Just clear flat roads ahead. I want to see Rose.

I want to walk along the front with Rose. I want to hear her voice. Make her laugh. Give her what she wants. A little version of herself to fall in love with! A little version of me Well take the cliff lift down to the bay Catch a show at The Spa Take a rowboat out to sea I want to run along the sand like a kid tearing through back-of-his-hand streets. For no reason but to feel the wind on my cheeks.

The sting of salt. I want to be part of something I understand Good English voices, plump round faces Not dark hollows for eyes and open wounds for mouths I want roast beef. I want to wake in the night shouting for Rose and find shes there. My wife by candlelight. I want to smell her carbolic lavender smell. I want to hide in her petticoats.

I want to rip them. NO. I want to protect her. Ill gather her up in my arms and hold her in my hands like this, see, my little bird and squeeze her and squeeze her until her little bones break. Tear off her wings. No! NO! PLEASE! Beat.

He gathers himself. I want to be with her need to be with her shes Home. ACT ONELeavingFocus: FRANKIE. CHORUS should be more than one voice. CHORUS. Frankie sits on the bed. Sheets stripped, kit neatly folded by his side. Sarge in the doorway Cant look him in the eye.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Unreturning»

Look at similar books to The Unreturning. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Unreturning»

Discussion, reviews of the book The Unreturning and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.