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Crimp - The Hamburg Plays

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Crimp The Hamburg Plays

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The rest will be familiar to you from cinema -- Men asleep.

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Contents Leave the central station by the Kirchenallee exit and to the - photo 1

Contents
Leave the central station by the Kirchenallee exit, and to the left, diagonally opposite, across a broad but not very busy street, are the whitish faade and high flat dome of Deutsches Schauspielhaus Hamburg, the theatre which commissioned and produced the two plays in this volume. The first The Rest Will Be Familiar to You from Cinema is a rewriting of Euripides Phoenician Women, in which the eponymous Chorus of women, trapped in Thebes at a crucial moment of civil war, has been replaced by a group of girls young women, who, Sphinx-like, pose a string of unanswerable questions even as they drive through the action to its brutal conclusion: the banishment of Oedipus and Antigones bitter conflict with Creon over the burial of her brother. The second play Men Asleep is a different kind of experiment, based on two separate thefts. The title is stolen from a painting, Schlafende Mnner, by the Austrian artist Maria Lassnig; and the self-destructing scenario of two couples meeting late at night, the younger on the territory of the older, from Albees 1962 play Whos Afraid of Virginia Woolf? What might happen, I asked myself, if Albees scenario was forced to encounter Lassnigs tender image? Writing for a German theatre means writing for a resident company of actors. In The Rest Will Be Familiar a core group from the company was expanded by ten or so young actors still at drama school to play the girls. Five years later I wrote Men Asleep for four specific members of this same company: Paul Herwig, Julia Wieninger, Josefine Israel and Tilman Strauss.

I would like to take this opportunity to thank Katie Mitchell for introducing me to the theatre and for her part in instigating this work, as well as staging it. My thanks too to artistic director Karin Beier for her faith in scheduling these two plays before they were even written. MC, November 2018

(ALLES WEITERE KENNEN SIE AUS DEM KINO) after Euripides
Phoenician Women
The Rest Will Be Familiar to You from Cinema, in a German translation by Ulrike Syha, as Alles Weitere kennen Sie aus dem Kino, was first performed at Atelier 9/10, Studio Hamburg, on 24 November 2013, transferring to the main stage of Deutsches Schauspielhaus Hamburg in April 2014. Jocasta Julia Wieninger Antigone Sophie Krau Minder Ruth Marie Krger Polynices Bastian Reiber Eteocles Christoph Luser Kreon Paul Herwig Teiresias Michael Wittenborn Teiresias Daughter Gala Winter Menoecius Uwe Dreysel Wounded Officer Niklas Bruhn Softly-Spoken Officer Giorgio Spiegelfeld Oedipus Jan-Peter Kampwirth Girls Mieke Biendara, Katharina Bintz, Frederike Bohr, Tinka Frst, Josephine Gehlhaar, Gesa Geue, Mersiha Husagic, Ruth Marie Krger, Johanna Link, Rbecca Marie Mehne, Meike Schmidt, Tamara Theisen, Gala Winter Direction Katie Mitchell Set Design Alex Eales Costumes Laura Hopkins Music Paul Clark Lighting James Farncombe Sound Donato Wharton Dramaturg Jrg Bochow
Jocasta
wife and mother of Oedipus Antigone
daughter of Oedipus and Jocasta MinderPolynices
son of Oedipus and Jocasta Eteocles
son of Oedipus and Jocasta Kreon
Jocastas brother Teiresias
a prophet Teiresias Daughter
a child Menoecius
Kreons son, a child Wounded OfficerSoftly-Spoken OfficerOedipus and a number of
Girls Scene Interior of a large decaying house
GIRLS
If Carolin has three apples and Luise has three apples how many oranges has Sabine got? If Anna has two more ponies than Miriam and Miriams cat Bobby has seven kittens then what is it like to kill? Yes what is it like to kill and what is it like to be Bobby the cat? If a stone weighing seventy-five grams travelling at two hundred kilometres per hour can shatter a human pelvis why are we all so beautiful? Plus what is the value of x if I stand here naked? Well? Pause. What is a Sphinx? Why does a Sphinx kill? What does a Sphinx want plus who does a Sphinx fuck when? Why is the Sphinx girls and why are we all so beautiful? What dyou think? What dyou think of my hair? Yes what dyou think of my hair when I do this with it? Oh and why when the camera moves through the green tree-tops of Thebes at the end of the 1967 film of Oedipus by Pier Paolo Pasolini do you feel that you want to cry? Is it the music? Is it the music or is it because youre angry? Is it youre jealous of Silvana Manganos dress? Or Silvana Manganos mouth or hair? Who is this music by? Schubert? Is it by Mozart? Why do you want to cry? Why do you so much want to cry? And why do you resist crying? Accompanied on either side by two Girls, Jocasta appears in obscurity and is slowly led downstage. Music: the opening bars of Mozart K. Time past. Girl Says Jocasta. Jocasta Says Jocasta. Girl Kadmos. Jocasta Kadmos yes leaves the Phoenician coast in search of Europe and eventually she says founds Thebes. Jocasta Kadmos yes leaves the Phoenician coast in search of Europe and eventually she says founds Thebes.

He founds Thebes here where Thebes is now. Girl His fingers. Jocasta What? Girl His fingers. Jocasta His fingers from the perpetual cracking open of shellfish to obtain dye says Jocasta smell of sex. Pause. He brings with him from the east bright light, the blood-red dye thats made him rich his own human material and the alphabet. Jocasta He marries. Yes. Yes.

He reproduces. Each new generation can now use his alphabet to write. Each copies out the human material of the one before copies but corrupts the human material of the one before until one day is born the unfortunate sum of all these errors: Laios. Laios marries. Girl Me. Jocasta. Say it. Jocasta Laios marries me. Jocasta. Pause. We marry but we have no children. Pause. We marry but we have no children.

Humiliated by his failure to reproduce Laios visits the oracle at Delphi where he pays the entrance fee and prays for a son but Apollo says Dont do it. Your own son will murder you plus your whole family will go sliding across the palace floor on a thin film of blood. End of interview. Laios comes home here to Thebes kicking up dust and the moment hes through the door inserts his penis into my vagina. This ones for Apollo, he says. Pause. Bright light. Time past. Time past.

Laios my husband is hunched over his work-bench threading a steel rod through two holes hes drilled in our newborn babys ankles. Help me, he says Im scared but I cant kill it. Well dont just stand there staring, he says, TAKE IT AWAY. Which is why eighteen years later where two roads converge to make the letter Y Laios rushing back to Delphi this time to be reassured the mutilated child hed forced me to abandon didnt survive encounters without knowing it the child itself Oedipus eighteen years old now and runs him off the road: HEY! The young man pulls out a butchers knife with an ash-wood grip and murders him. My husband dead

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