Crimp - Childhood As Memory, Myth and Metaphor
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![CHILDHOOD AS MEMORY MYTH AND METAPHOR PROUST BECKETT AND BOURGEOIS Legenda - photo 1](/uploads/posts/book/188636/Images/Cover.jpg)
CHILDHOOD AS MEMORY, MYTH AND METAPHOR
PROUST, BECKETT AND BOURGEOIS
lEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.
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The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.
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Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.
www.routledge.com
Chairman
Professor Colin Davis, Royal Holloway, University of London
Professor Malcolm Cook, University of Exeter (French)
Professor Robin Fiddian, Wadham College, Oxford (Spanish)
Professor Anne Fuchs, University of St Andrews (German)
Professor Paul Garner, University of Leeds (Spanish)
Professor Andrew Hadfield, University of Sussex (English)
Professor Marian Hobson Jeanneret, Queen Mary University of London (French)
Professor Catriona Kelly, New College, Oxford (Russian)
Professor Martin McLaughlin, Magdalen College, Oxford (Italian)
Professor Martin Maiden, Trinity College, Oxford (Linguistics)
Professor Peter Matthews, St Johns College, Cambridge (Linguistics)
Dr Stephen Parkinson, Linacre College, Oxford (Portuguese)
Professor Suzanne Raitt, William and Mary College, Virginia (English)
Professor Ritchie Robertson, The Queens College, Oxford (German)
Professor David Shepherd, Keele University (Russian)
Professor Michael Sheringham, All Souls College, Oxford (French)
Professor Alison Sinclair, Clare College, Cambridge (Spanish)
Professor David Treece, Kings College London (Portuguese)
Managing Editor
Dr Graham Nelson
41 Wellington Square, Oxford OX1 2JF, UK
legenda@mhra.org.uk
www.legendabooks.com
Proust, Beckett and Bourgeois
CATHERINE CRIMP
![Modern Humanities Research Association and Routledge 2013 First published 2013 - photo 4](/uploads/posts/book/188636/Images/fig00003.jpg)
Modern Humanities Research Association and Routledge 2013
First published 2013
Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
LEGENDA is an imprint of the
Modern Humanities Research Association and Routledge
Routledge is an imprint of the Taylor & Francis Group, an informa business
Modern Humanities Research Association and Taylor & Francis 2013
ISBN 9-781-907975-39-4 (hbk)
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
This book would not have been possible without Martin Crowley, who supervised the doctoral thesis on which it is based. I would like to thank him very warmly for the invaluable support and inspiration he has supplied throughout this project. For their assistance and encouragement at the thesis stage and beyond, I also wish to thank Mary Bryden and Emma Wilson. My meeting with Louise Bourgeois at the start of this project, and the insights that she afforded me, have been a constant source of encouragement and inspiration. I regret that she did not live to see the publication of this book, which I dedicate to her memory. Very many thanks are due to the Louise Bourgeois Trust, for their extremely kind permission to reproduce the images of Bourgeoiss work that appear in this volume. In addition I would like personally to thank Wendy Williams, the Managing Director of the Louise Bourgeois Studio, and Jerry Gorovoy, Louise Bourgeoiss Assistant, for generously giving me their time, help and advice. I am grateful to the Arts and Humanities Research Council, who funded the doctoral thesis that became this book; to Frances Morris and Robert Storr, who helped me a great deal in the early stages of the project; to Bill Burgwinkle, for being as helpful and supportive as ever; and to Legendas Managing Editor Graham Nelson for his professional advice. I also wish to express my gratitude to Pierre Gaide, whose work appears on the cover of this book, for his time and generosity. Last but certainly not least, I would like to thank Blaise Bonneville and my parents for their immeasurable encouragement and support.
Where abbreviations have been used for ease of reference, these are given in parentheses after the publication details supplied below. All secondary texts are cited using the author-date system. Full details for all works consulted may be found in the bibliography.
Becketts works are quoted in the language of the original composition throughout the book, except where otherwise indicated. For works originally composed in French, the published translation is supplied alongside the original; unless otherwise stated, works are translated by the author and I have not modified the translations. The page reference to the English edition immediately follows the reference to the French.
All That Fall , in The Complete Dramatic Works (London: Faber and Faber, 2006), pp. 16999 ( ATF )
Bing , in Ttes-mortes (Paris: ditions de Minuit, 1972), pp. 5966
Le Calmant , in Nouvelles et Textes pour rien (Paris: ditions de Minuit, 1958), pp. 3969 ( LC )
The Calmative , in The Complete Short Prose, 19291989 , Edited and with an Introduction and Notes by S.E. Gontarski (New York: Grove Press, 1995), pp. 6177 ( TC )
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