Donald S. Vogel - The boardinghouse: the Artist Community House, Chicago 1936-37
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The boardinghouse: the Artist Community House, Chicago 1936-37
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The Boardinghouse : The Artist Community House, Chicago 1936-37
author
:
Vogel, Donald S.
publisher
:
University of North Texas Press
isbn10 | asin
:
1574410016
print isbn13
:
9781574410013
ebook isbn13
:
9780585269498
language
:
English
subject
Vogel, Donald S.,--1917- , Painters--United States--Biography, Artist Community House (Chicago, Ill.) , Art Institute of Chicago.--School--Student housing, Art students--Illinois--Chicago--Attitudes.
publication date
:
1995
lcc
:
ND237.V62A2 1995eb
ddc
:
759.13
subject
:
Vogel, Donald S.,--1917- , Painters--United States--Biography, Artist Community House (Chicago, Ill.) , Art Institute of Chicago.--School--Student housing, Art students--Illinois--Chicago--Attitudes.
Page iii
The Boardinghouse
by Donald S. Vogel
THE ARTIST COMMUNITY HOUSE Chicago 193637
Page iv
Donald Vogel 1995
10 9 8 7 6 5 4 3 2 1
Book design and illustration by author.
Typography by Defae Weaver and advisor Eric Vogel.
Edited by Billie Anastasi.
The paper in this book meets the minimum requirements of the American National Standard for Permanence of paper for printed materials Z39.48.1984.
Requests for permission to reproduce material from this book should be sent to:
University of North Texas Press P.O. Box 13856 Denton, Texas 76203
All rights reserved under International and Pan American Conventions. Published in the United States by UNT Press, Denton, Texas
Library of Congress Cataloging-in-Publication Data
Vogel, Donald S., 1917 The Boardinghouse: The Artist Community House, Chicago 193637 by Donald S. Vogel; edited by Billie Anastasi. p. cm. ISBN 1-57441-001-6 1. Vogel, Donald S., 1917- 2. PaintersUnited StatesBiography. 3. Artist Community House (Chicago, Ill.) 4. Art Institute of Chicago. SchoolStudent housing. 5. Art studentsIllinoisChicagoAttitudes. I. Anastasi, Billie. II. Title. ND237.V62A2 1995 759. 13dc20 95-16287 [B] CIP
Page v
This story is dedicated to all the students who will share their talents to enhance our quality of life and to the memory of Malcolm Hackett.
This book was made presentable with the invaluable help of Billie Anastasi, Peggy Goad, Courtney Gorwin, Heather Mahaley, Defae Weaver, Arthur Osver, Paul Stoddard and my sons, Eric and Kevin, to whom I am greatly indebted
Page vi
If you are true to yourself your talent will last a lifetime. If you are true to your talent it will live beyond you, joining those of the past
Page 1
It was mid-afternoon when I arrived. The oppressive heat was at its height as I stood before the building that would become my home for a few years. I stepped back off the curb to gain a better view of it after checking the quiet street for possible oncoming traffic. Before knocking on the door to make my presence known, I wanted to view its facade. If memory serves, it was fifty-eight years ago, the end of August 1936, and I was about to enter a new world that would shape my future, if my dreams of becoming a painter were to be realized.
There was an emptiness in the street, a sense that all life had fled to seek possible coolness elsewhere, for no breeze, or sound of radios, or voices, or music disturbed the heat waves I felt rising from the pavement. As I first viewed this three-story, cherry red, English bond, brick structure, its patina gave evidence of its age. Later I learned that it was built during the turn of the century. It was not unlike several others on the street. No sign was visible to state that it was the Artist Community House, a boardinghouse.
I first learned that such a place existed after signing up to become a student at the Chicago Art Institute. When asked for a home address and where I was going to rest my head that night, I had no answer. The lady in charge of admissions was slender and bright eyed with a welcoming smile that showed a genuine warmth. She suggested I try the Artist Community House and talk to a Malcolm Hackett. She scribbled a number and address and advised me to call before going to be sure that a room was
Page 2
available. She suggested that it might be difficult to be accepted, but somehow she felt I would qualify, if there were space available. Coming in at the last moment had not been a very smart move.
When I left San Antonio earlier that year to spend the summer in the village of Cary, Illinois, I had no thought of going to art school or any other school. Jobs were scarce as hen's teeth, but such problems, for some reason, didn't concern me. The one thing I knew was that I was going to be a painter. This, I never questioned. At age ten, after making my first lines with charcoal on the surface of a pad of newsprint paper, I discovered enough magic to fill a lifetime. Seeing images come into being because I willed them did the trick. Later, on my fourteenth birthday, when a box of oil paints was placed into my hands, I truly discovered color. I knew the world was mine. All fear of the future vanished, for my muse held out its hand.
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