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Brookstein Steve - Getting Over the X

Here you can read online Brookstein Steve - Getting Over the X full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Great Britain;Kibworth Beauchamp;Leicestershire, year: 2015, publisher: Troubador Publishing Ltd;Matador, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Brookstein Steve Getting Over the X

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It was the stuff dreams were made of. It became the ultimate nightmare. Being the first winner of the X Factor in 2004, Steve Brookstein should have had it all. Instead, he tells a story of a man sold down the river by his own record label as they championed the runner-up, G4, and forced him into an album of cover songs. This is the story of what really happened, from vicious personal attacks by Sharon Osborne and Louis Walsh to threats from Max Clifford about going public. A decade on, and Max Clifford is inside and severely discredited. So is Andy Coulson, an editor who ran many of the untrue stories about Steve. He has been dubbed a pub singer, a fake, a flop and bitter as the narrative that begun on the show became adopted by journalists who thought he was fair game, frequently reviewing gigs that they hadnt been to or inventing quotes he hadnt said, and always regulated by a toothless Press Complaints Commission. Ten years on, Steve is now able to lift the lid on the show itself and analyse for the first time exactly what Max Clifford said when he rang to say, Talk to the press and well bury you.

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Getting Over the X Steve Brookstein Copyright 2015 Steve Brookstein and Tony - photo 1
Getting Over the X

Steve Brookstein

Copyright 2015 Steve Brookstein and Tony Horne

The moral right of the author has been asserted.

Apart from any fair dealing for the purposes of research or private study,

or criticism or review, as permitted under the Copyright, Designs and Patents

Act 1988, this publication may only be reproduced, stored or transmitted, in

any form or by any means, with the prior permission in writing of the

publishers, or in the case of reprographic reproduction in accordance with

the terms of licences issued by the Copyright Licensing Agency. Enquiries

concerning reproduction outside those terms should be sent to the publishers.

Matador

9 Priory Business Park

Kibworth Beauchamp

Leicestershire LE8 0RX, UK

Tel: (+44) 116 279 2299

Fax: (+44) 116 279 2277

Email: books@troubador.co.uk

Web: www.troubador.co.uk/matador

ISBN 978 1784628 536

British Library Cataloguing in Publication Data.

A catalogue record for this book is available from the British Library.

Matador is an imprint of Troubador Publishing Ltd

Converted to eBook by EasyEPUB

This book is dedicated to

my wonderful wife Eileen

and my beautiful children

Hamish and Esm

Acknowledgements

Mum, Dad, Sis, Rob and the rest of the family. You know how much I love you.

The one innocent person who was dragged into my X Factor experience was my then girlfriend, Eileen. Through good and bad weve come a long way, and now married, weve been blessed with Hamish and Esm. I wouldnt have made it without you.

Let our life really begin.

When contemplating writing this book over many years I could never quite bring myself to do it. After the Max Clifford conviction I felt stronger, but it was still with much trepidation that I contacted broadcaster and ghostwriter Tony Horne, even though he was highly recommended by a friend on Facebook, Victoria Hockley. Once we met I was sure that it was time to finally put things behind me the best way I knew how by dealing with it. Against the clock, but with incredible discipline and expertise, Tony has helped share something that was emotionally too heavy a task to take on alone. Warm, considerate and honest: I cant thank you enough.

To John Iley, a man whom I have never met, I thank you for piecing together some bits we couldnt.

To Matt Rance @ProofProfessor, your genius, software and speed make you a must for any writer and publisher.

To the team at Matador, we had a deadline and you delivered where nobody else could. Thank you.

I will state for the record that some of my thoughts expressed herein are feelings that I had at the time; others are conclusions that I have drawn through the passing of time. I hope we make that clear in the book. Equally, in the sections concerning the live TV shows, the date used as a chapter heading invariably represents both that nights show and the week leading up to it. I say that for the avoidance of doubt in the unlikely event that there are grey areas over specific days.

Then came people who have made a direct contribution through supporting me and the book.

You all know how you have helped, and I want you all to understand how grateful I am. Without true friends, supporters and contributors neither my book nor my new album would have happened:

Morag Livingstone

Chris Hayden

David Bradford

Niki Wibrow

Ryan Lee

Lynn Turley

Sandra Ford

Jenny Fortnam

Geraldine Coen

Michael Lamb

Loz Stokley

Connie Gurney

Sandra Colston

Toby Croney

Then there are the unsung heroes and I know a few too many of you by name. If you are in the millions who picked up the phone and voted even just once, I, of course, thank you, especially if you have stayed the course since 2004.

Old friends Clive, Eric and Linda: Im thinking of you.

After 50,000 applicants and sixteen weeks of fierce competition, this is it. Only two acts remain Steve and G4.

One of them is about to become the winner of TheX Factor. The other leaves with nothing.

The public have been voting all night and Im about to deliver their verdict. Good luck to you both. Can I ask the official adjudicator for the vote, please?

Kate announced that it was now 8 million votes.

OK, you ready? she asked.

The winner of TheX Factor is

Thennothingtwenty seconds of silence interspersed with a crowd holding their breath before bursting into a frenzy.

I looked skywards, closing my eyes. Louis was smiling, shaking his head. The G4 boys were all linked their arms around each others shoulders. Simon looked calmly into the distance, whilst Sharon was chatting to her vocal coach in the audience.

Steve, she shouted...

4 June 2004

A plain white envelope sat on the floor. There was no obvious branding. If I had opened it on the day it arrived I wouldnt have been so surprised by what it said.

My dad, who had always been one of my biggest supporters, accompanying me on so many of my late nights, had seen an ad on the TV with Simon Cowell asking people to audition for his new show.

My girlfriend Eileen had also seen it and, as ever, been nothing but encouraging.

I wasnt so sure.

I had been here before in 1997 as runner-up on Jonathan Rosss Big Big Talent Show and little had come from that. I had been too old for Pop Idol when that aired in 2002, and I couldnt even get past the first audition stage of Fame Academy a year later.

All I really wanted was to make music and keep getting more and better gigs. Despite the best intentions of those closest to me, that was my only motivation for entering.

In fact, I was so blas about the whole thing that I had totally forgotten about ringing up for it and requesting an audition.

I only opened the letter that morning because it didnt look like a bill.

I read it and laughed to myself. The letter had sat there for weeks and now I see I have just three days to prepare. I was an X Factor contestant.

Of course, over the years and through that first series, I have come to know many of the hopefuls hanging on such news, and subsequently witnessed some of the tricks TV plays to portray this life-changing moment.

But in 2004, with nobody really knowing what X Factor was going to be in relation to its predecessor, Pop Idol, we were still realistically at the dawn of this era.

I knew one thing only about the new show. Simon Cowell had to have a point of difference from Idol, and that seemed to be that age limits were lifted. There was, for the first time, a real chance for the Over 25s.

This wasnt a defining moment in my life as it would have been for so many others. I didnt even tell one of my closest friends, Livingstone Brown. He first knew when he saw me on TV and later when the audition stages went out, and at every point after that I just lied to him that I had left the competition in a bid to play down expectations. I couldnt hide it anymore obviously by the time the live shows came around.

My life had changed but not because of this moment. I had been badly burnt by a couple of record deals that just fell away due to changes in personnel at the labels.

When I passed 30, some five years back, I had given up on being a recording artist. I had become very realistic about being too old already to be a popstar. That ship had long since sailed.

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