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Wareness - Meatheads, or, How to diy without getting killed

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Wareness Meatheads, or, How to diy without getting killed
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Youth of today dont know fuckall of history. Theyre just swinging through the bank vaults on liana vines, setting bonfires, throwing shurikens at hogs. Born here and talking like the yuppies came to us. Like humped in overnight cross the freeway with brain sludge mustaches and the air all mergency broadcasts. Fact is yuppies built this town. Their money brought in mowers for the jungle, insta freeway mix to stop the rivers. Were the mutants here. Were the mutants here, and its our crews got the crazy story ... Punks on acid keep on yelling past the bamboo fence, yelling stupid revelations. Maybe all the corpses in Kaliforonia did wake up once, but thats history, and no one cares enough to care. Youve got this sweet bedroom overlooking the radioactive swamp, its one short suspension bridge to the spam factory, and kids are calling Meatheads the best band in the world. Still. You miss the days when nobody came to your shows, nobody was feeding you the innerest secret mysteries of Lost Angeles, and they hadnt formed a single death cult in your honor. Lately its all last-minute brain transplants, telepathic silkscreen ink and tripping by accident into electrostatic ghost vortexes. Its like drinking palm wine solves nothing anymore, and you can barely remember when the way of the samurai just meant chopping shit up with swords ...;Intro; The AaAargh You Meant; The Recline Of Western Civilization // We Got TheNeuron Balm; NEGATIVE REPROACH // WHAT WE BLEW WAS SECRET; A GNOSTIC FRONT // SMALL PARTS ABNEGATED AND DEPLOYED; HOW A LOW PUNK CAN GET // THREE WAY TIE FOR ALAS; THE THNEEDING OF THE 5000 // IN GOD WE THRUST, INCARNADINE // THE SHAVE OF PUNK TO COME // DARBY CRASH WRITHES AGAIN.

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FIRST TRADE EDITION Meatheads 2016 by Noah Wareness Cover artwork 2016 by - photo 1
FIRST TRADE EDITION Meatheads 2016 by Noah Wareness Cover artwork 2016 by - photo 2

FIRST TRADE EDITION
Meatheads 2016 by Noah Wareness
Cover artwork 2016 by Erik Mohr
Cover design 2016 by Samantha Beiko

Interior design 2016 by Jared Shapiro

This work is released under a Creative Commons BY-NC-SA 25 license you are - photo 3

This work is released under a Creative Commons BY-NC-SA 2.5 license: you are encouraged to share and redistribute the text in any way you like, and to build on it with other works (such as shared-world stories or adaptations) so long as you release them under the same Creative Commons license. Under these terms you have to give credit to Noah Wareness, and you cant use the work for commercial purposes without prior written permission from the publisher.

Noah Wareness does not use government funding for his work. All the money he makes from this edition of Meatheads goes to the Red Door, a family shelter in his neighbourhood.

This book is a work of fiction. Names, characters, places, and incidents are either a product of the authors imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Distributed in Canada by
Publishers Group Canada
76 Stafford Street, Unit 300
Toronto, Ontario, M6J 2S1
Toll Free: 800-747-8147
e-mail: info@pgcbooks.ca

Distributed in the U.S. by
Consortium Book Sales & Distribution
34 Thirteenth Avenue, NE, Suite 101
Minneapolis, MN 55413
Phone: (612) 746-2600
e-mail: sales.orders@cbsd.com

Library and Archives Canada Cataloguing in Publication

Wareness, Noah, author
Meatheads, or, How to diy without getting killed / Noah Wareness.

Previously published by the author.
Issued in print and electronic formats.
ISBN 978-1-77148-388-9 (paperback).--ISBN 978-1-77148-389-6 (pdf)

I. Title. II. Title: How to diy without getting killed.

PS8645.A7567M43 2016 C813.6 C2016-901766-4
C2016-901767-2

CHIZINE PUBLICATIONS
Peterborough, Canada
www.chizinepub.com

Edited by Brett Savory
Proofread by Tove Nielsen

We acknowledge the support of the Canada Council for the Arts which last year - photo 4

We acknowledge the support of the Canada Council for the Arts which last year invested $20.1 million in writing and publishing throughout Canada.

Published with the generous assistance of the Ontario Arts Council N oahs - photo 5

Published with the generous assistance of the Ontario Arts Council.

N oahs not my name. I live in a toner cartridge in a copier on a painted wood desk next to a bed in a little room at the top of eighteen stairs in a house of friends in the middle of a big city. Ive never made anything like this before.

In the order we met, this is for Melanie Lambrick, Nathan Garfat, Jessica Yeandle-Hignell, Emese Boyko, Justine Sawyer, Simon Frankson, Anthony Crage, Andy Anderson, Alexis Hogan, and Caela Butt.

I only know LAs founding punk scene through printed histories. Mostly thats Lexicon Devil by Brendan Mullen, Wild-Eyed Boy by Lori Wiener, American Hardcore by Steven Blush, and We Got The Neutron Bomb by Mark Spitz. I should have read them better, too.

Writers owe their supports and sources, but a story owes the stories behind it. Some of this ones closest links are called Cruddy, Peace, Riddley Walker, Blood Meridian, The Troika, and Nine Hundred Grandmothers. The last two are nearly forgotten, and you need to go find them. Thats actually the most important thing.

Meatheads or How to diy without getting killed - image 6
The AaAargh You Meant
Meatheads or How to diy without getting killed - image 7

B efore my parents were born, Saint Phil was writing about teenagers who spiked their hair, put bones through their noses and threw out all their inherited rules of space and time. You cant ever tell what comes true. Hardcore punk was a real thing that really happened and continues to mutate in the modern underground. Its shockwaves are still remaking peoples understanding of genuineness, ethics, and craft. When I was a teenager I was too scared and lazy to do more than put up my hair. This book is an attempted work of thanks.


Hardcores also young enough that most of the original kids who built it are still around. That means in the real world theyre people first, historical persons second, and myth persons third. I got the order backward and I hope this is okay with everybody. In particular, some of the myth people in the streets and stories of Lost Angeles are distortions of real historical people. Punks name themselves, mostly, and I didnt change those names, but when they do horrific or stupefying things, I dont mean to suggest the original people were capable of those actions.


That goes hardest for Darby Crash, who led the band Germs. During his quick life in the real world he pulled all kinds of manipulative stunts and positioned himself as this kind of messy teenage cult leader, but never anything like this. I know he was your friend, and you loved each other. Im sorry to be one more clueless traveller pissing at his grave. Darby Crash really did invent hardcore. He invented consciousness, too. Both those parts are true.

The Recline Of Western Civilization // We Got The
Neuron Balm

An escalator can never break It can only become stairs Mitch Hedberg If - photo 8

An escalator can never break. It can only become stairs.

Mitch Hedberg

If you cut a face lengthwise, urinate on it, and trample on it with straw sandals, it is said that the skin will come off. This was heard by the priest Gyojaku when he was in Kyoto. It is information to be treasured.

Yamamoto Tsunetomo, Hagakure kikigaki

We wouldnt of played if I knew there was a barricade.

Jerry A, intro spiel at the last Poison Idea show

Back before all that shit went down and the punks had to take it to core, a crew we all know found a cheap house on the edge of the park, and they lived there for a couple of years. And it was the House of the Unfinished Basement, right, and the House of All Ways In. This is the joke of how it all began, and the house was called Anything Goes.

They stood sticks in the dirt til tomatoes grew. They pulled down a wall in the basement and did shows. Punkerd jump from the washer and dryer into the crowd. They had a dumpster copymachine they fixed with the guts from a lamp, and theyd truck it around in a sideless shopping cart, back when the roads were flat as your hand, so if your crew wanted to do zines theyd bring it out. They had to flush the parrot when it broke its neck fucking the windowpane, and then they got wasted on sugar cider and packed eight kids into the shitter, stuffing the corpse down with a mophandle and watching the feathers float up. They put the sofa up on phonebooks, punks sleeping underneath, and in the bathtub they made chowder and smokebombs.

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