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Jean Marie Stine - FUTURE EVES: Classic Science Fiction About Women By Women

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5 STARS! -Good Reads. How Did Visionary Women See the Future? Written between 1931 and 1979, these thirteen stories show how different women have, in different eras, envisioned the future of their sex. Selecting its contents from lesser known writers, Future Eves presents Leslie F. Stones novelette, The Conquest of Gola (1931), an encounter with Earth males told from the point-of-view of an alien matriarch, so far ahead of its time, nothing like it would be attempted again in science fiction until the work of Alice Sheldon (AKA James Tiptree, Jr.) in the 1970s. Hazel Healds novelette, The Man of Stone, is searingly feminist, all the more so since her heroine, like so many women of the time, takes her brutalized situation so much for granted. In Miss Millies Rose (1959), Joy Leache manages what so few male science fiction writers of the era seemed able to do: portray a character whose psychology arises out of her future world and not our own. Betsy Curtis The Goddess of Planet Delight is a short novel in the classic mode that mixes a sociological puzzle with pointed satire, high-adventure and romance. Brace yourself for Djinn Faines Daughter of Eve, a story you will never forget, no matter how hard you try. Plus stories by Florence Engel Randall, Evelyn Goldstein, Beth Elliot, Evelyn E. Smith, Marcia Kaimien, and others. Future Eves is fascinating reading, both as science fiction and as an eye-opening view into futures past.

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FUTURE EVES

Great Science Fiction About Women by Women

Edited by

Jean Marie Stine

A Futures-Past Science Fiction Classic Selected and Introduced by Jean Marie Stine

A Renaissance E Books publication

ISBN 1-58873-070-0

All rights reserved

Special Contents Copyright 2002 by Jean Marie Stine

This book may not be reproduced in whole or in part without written permission.

For information contact:

Renaissance E Books

P. O. Box 494

Clemmons, NC 27012-0494

USA

Email comments@renebooks.com

CONTENTS

Introduction

PART I: FROM THE 1920s '30s

Conquest of Gola Leslie F. Stone

Delilah Margaretta W. Rea

The Man of Stone Hazel Heald

PART II: FROM THE 1940s '50s

Days of Darkness Evelyn Goldstein

Alien Invasion Marcia Kamien

Miss Millie's Rose Joy Leache

The Goddess of Planet Delight Betsy Curtis

Cocktails at Eight Beth Elliott

The Last Day Helen Clarkson

INTRODUCTION

"Eve."

It's a name freighted with negative associations: Temptation. Sin. Deception. The fall of man. For some three or four thousand years, this venerable lady's name has been blackened in every way imaginable.

But, when the story is examined, a diametrically opposite picture emerges. For, old Eve did pretty well by humankind. To her, if the tale be accurate, we owe: Knowledge. Science. Progress. Long life. Physical comforts. Perhaps even freedom from tyranny (if this be the step-child of knowledge and progress).

Clearly, Mother Eve must have been a remarkable and courageous woman.

Nor did the gifts end with Eve's generation. Today's Eves, equally remarkable and courageous women, have given us: Anti-fungal antibiotics. Egalitarian relationship models. Eyeglasses. Consciousness of social justice. And, of course, much, much more.

But what of Future Eveson Earth and among the Stars? What gifts will they bestow? Group consciousness? Immortality? Universal cheap power? A perfected economic and social system? Faster-than-light star drives?

There is no way to know, of course. But who is more qualified to give an educated guess than the women who write science fiction? It is into their stories we must peer if we wish a glimpse of the gifts future Eves may hold out to us. As futurists and feminists, they are in the best position to imagine the parts women may play and the contributions they may make in the world of tomorrow.

This anthology showcases nine classic tales by female science fiction writers, penned between 1926 (the publication of the first science fiction magazine) and 1960 (the dawn of modern SF), each featuring its own, unique future Eve. Although it is generally assumed that no or few women were writing science fiction during this period, research reveals a strikingly different picture. Recently a review was conducted of every issue of every SF magazine published from the debut first science fiction magazine in 1926 (Amazing Stories) and the modern age in SF magazine publishing in 1959 (when Imagination, the last pulp-influenced periodical went broke and the more literary, purse-sized magazines typical today became dominant). An unsuspected one hundred women contributed stories to their pages during those three and a half decades. Some researchers estimate the true number may well be twice that, as doubtless many women believing, perhaps rightly, that their work would find readier acceptance concealed their gender behind androgynous names, the anonymity of initials or beneath male pseudonyms.

Whatever names they may have chosen to write under, these pioneering women were so far ahead of most other women and men of their time that that they rightly deserve to be considered future Eves themselves. Take the cases of the nine writers represented here: Leslie F. Stone was so far ahead of her time that nothing like her novelette, "The Conquest of Gola" (1931), an encounter with Earth males told from the point-of-view of an alien matriarch, would be attempted again in science fiction until the work of Alice Sheldon (AKA James Tiptree, Jr.) in the 1970s. The scientific detective story is a subgenre of science fiction that flourished in the early 1900s with the adventures of Arthur B. Reeve's Craig Kennedy character; and Margarette Rea is one of the few women of the time to have, in "Delilah" (1933), written in the subgenre (in this instance utilizing the newly emergent science of "psychology"). Hazel Heald's novelette "The Man of Stone" is searingly feminist, all the more so since her heroine, like so many women of the time, takes her brutalized situation so much for granted; the title can be seen as having both a literal meaning and a metaphorical one in relation to the heart of the principle male character (Lovecraft fans are in for a real treat.) On a more modern note, Evelyn Goldsmith offers what is both a legitimate science fiction puzzle story and one of character in her "Days of Darkness" (1959) the tale of a spinster's encounter with an invisible, vampiric alien invader. Although "Alien Invasion" (1954) by Marcia Kamen is short, it is one many women will sympathize with after all, what else is sex between a man and a woman? In "Miss Millie's Rose" (1959), Joy Leche manages what so few male science fiction writers of the era seemed able to do: portray a character whose psychology arises out of her own future world and not our own. Betsy Curtis is a deceptively mild name for someone able to produce a work like "The Goddess of Planet Delight," a short novel in the classicAstounding mode that mixes a sociological puzzle with pointed satire, high-adventure and romance in its story of a traveling salesman who has to stop over one night at... "Cocktails at Eight" seems a deceptively mild domestic comedy, until you realize what author Beth Elliot is saying about the children her heroine has produced. Finally, the unknown Helen Clarkson offers "The Last Day," a haunting poignant short-short so prophetic that, though chosen prior to 9/11, hits home all the harder in the aftermath of that horrendous tragedy. You will find an Eve of the future at the heart of each of these classic science fiction stories about women by women.

Jean Marie Stine

1/9/2002

Watch for the next Futures-Past/PageTurner E-Books release,and be sure to visitFuture Sagas, our free on-line magazine of classic science fiction to see the original magazine illustrations for some of these stories, as well as forgotten fiction, rare covers, articles and illustrations, plus news of our forthcoming e-books. URL: http://www.hometown.aol.com/pulplady/FUTURES.html/

PART I:

FROM THE 1920s '30s

THE CONQUEST OF GOLA

Leslie F. Stone

(Wonder Stories, April 1931)

I.

HOLA, my daughters (sighed the Matriarch), it is true indeed,

I am the only living one upon Gola who remembers the invasion from Detaxal. I alone of all my generation survive to recall vividly the sights and scenes of that past era. And well it is that you come to me to hear by free communication of mind to mind, face to face with each other.

Ah, well I remember the surprise of that hour when through the mists that enshroud our lovely world, there swam the first of the great smooth cylinders of the Detaxalans, fifty tas in length, as glistening and silvery as the soil of our land, propelled by the man-things that on Detaxal are supreme even as we women are supreme on Gola.

In those bygone days, as now, Gola was enwrapped by her cloud mists that keep from us the terrific glare of the great star that glows like a malignant spirit out there in the darkness of the void. Only occasionally when a particularly great storm parts the mist of heaven do we see the wonders of the vast universe, but that does not prevent us, with our marvelous telescopes handed down to us from thousands of generations before us, from learning what lies across the dark seas of the outside.

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