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Helen Taylor - Why Women Read Fiction: The Stories of Our Lives

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Helen Taylor Why Women Read Fiction: The Stories of Our Lives
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Ian McEwan once said, When women stop reading, the novel will be dead. This book explains how precious fiction is to contemporary women readers, and how they draw on it to tell the stories of their lives. Female readers are key to the future of fiction and--as parents, teachers, and librarians--the glue for a literate society. Women treasure the chance to read alone, but have also gregariously shared reading experiences and memories with mothers, daughters, grandchildren, and female friends. For so many, reading novels and short stories enables them to escape and to spread their wings intellectually and emotionally. This book, written by an experienced teacher, scholar of womens writing, and literature festival director, draws on over 500 interviews with and questionnaires from women readers and writers. It describes how, where, and when women read fiction, and examines why stories and writers influence the way female readers understand and shape their own life stories. Taylor explores why women are the main buyers and readers of fiction, members of book clubs, attendees at literary festivals, and organisers of days out to fictional sites and writers homes. The book analyses the special appeal and changing readership of the genres of romance, erotica, and crime. It also illuminates the reasons for womens abiding love of two favourite novels, Pride and Prejudice and Jane Eyre. Taylor offers a cornucopia of witty and wise womens voices, of both readers themselves and also writers such as Hilary Mantel, Helen Dunmore, Katie Fforde, and Sarah Dunant. The book helps us understand why--in Jackie Kays words--our lives are mapped by books.

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Great Clarendon Street, Oxford, OX2 6DP, United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Helen Taylor 2019

The moral rights of the author have been asserted

First Edition published in 2019

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Control Number: 2019949804

ISBN 9780198827689

ebook ISBN 9780192562678

Printed and bound in Great Britain by
Clays Ltd, Elcograf S.p.A.

Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.

P1 Marilyn reading Ulysses Eve ArnoldMagnum Photos Dedicated to all those - photo 3

P.1 Marilyn reading Ulysses

Eve Arnold/Magnum Photos

Dedicated to all those women who love fiction and who generously shared with me life stories, anecdotes, reflections on and comments about their reading.

Preface: A Friend, a Bible, a Perfume

I have a book with me at ALL timesthe thought of being stuck anywhere, or worse still on a motorway with nothing to do and all that free reading time lost is a complete fear.

A good memory for me is sitting in a car at the seaside even on bitter cold, windy days, looking out to sea and reading. I used to spend a lot of time as a child with my aunt (who reads back-to-back romance novels even today) and uncle who loved fishing. Stormy weather was good for the mackerel at Seaford and my aunt and I would stay in the warm in the car facing the sea front talking, reading and dozing. I no longer live near enough to the sea to do this regularly but I have on occasions made a trip out to the coast on my own and sat in the car with a view out to sea reading, for a lazy day-out, whatever the weather.

Marie B

My reading life has always been a joy. A way of connecting with the world at your own pace, lighting the imagination and creating characters and places within it, challenging and supporting your own views. Its an ongoing romance.

Esther W

Such are the pleasures of a lifetimes reading. Reading as escape; a joyous connection with the world beyond the self; a challenge to the imagination and intellect; a solitary luxury; an activity in special shared times and places with people close to us; a life-enhancer and lifesaver in many situations. Ive spent my life reading, teaching English in universities, writing and speaking about literary culture, organizing, chairing events at and directing literature festivals. Ive seen how much the act of readingespecially fictionmeans to people and how deeply literary works can affect readers lives, helping free us temporarily from the burdens of daily life, to see, explain, and transform our worlds through a literary lens. Ive also become increasingly intrigued by the fact that the large majority of fiction purchasers, library users, and readers, are women.

If I look back at my own life, in childhood magical worlds were illuminated for me through fiction and poetry; in my teenage years, the mysteries of adult life, especially sexuality, were fleshed out through novel reading in ways that both heightened and also rendered somewhat disappointing real-life experiences. I went to fiction to fantasize, find out how to aspire to be a grown-up individual, creative citizen, companion, friend, and lover. Emulating my reading, I scribbled in exercise books little stories about girls in boarding schools with ponies, and even recreated (to miserable effect) a midnight feast for my best friend in my bedroom. The stories novels told narrated my own secret lives, richer and more colourful than life in a Birmingham suburb. Some years later, while studying and teaching in Louisiana, I discovered American literature by men and women of all races and especially African American novelists, which deeply affected my politics. As an adult reader, my preoccupations with the meaning of life, death, the body, ageing, and bereavement have found voice and shape in fiction. Through fiction Ive expanded my limited perspectives by empathizing with characters of different lived experience, racial and ethnic identity, class position and sexual orientation. All my reading has enriched and helped shape my life.

When a child, I enjoyed a visceral, sensual relationship with novels. I loved their smell and touch. I would sit in bed gazing at, sniffing, and fondling them, placing them lovingly on my little bookshelf or bedside table and feeling enlarged by their ownership. Having them in my hands made me feel happy, mature, and serious; I knew they were powerful talismans. So my first intense love affair was with novels as objects. Like Patti Smith, I felt Oh, to be reborn within the pages of a book. When I began researching womens reading, I hadnt realized just how common those feelings areand why the book is winning the war against the tablet.

My family bought very few books, usually as Christmas presents, but my mother, brothers, and I went weekly to the Selly Oak Library, a modest space redolent of old paper, bookbinders glue and the librarians talcum powder (a mlange of sweet smells I can still recall). I once looked round the shelves and thought that here was all knowledge. How quickly I would read my way through it and then know everything. And I was not alone. Julian Barnes describes the bookshop (a fancy-goods and stationery store with books) in his childhood home town, Northwood, Middlesex: Part of me assumed that these were all the books that there were.

Becoming curious about others reading histories, in the mid-1990s I interviewed my bookish mother Ida. Her story is not untypical. Born in 1916 into a working-class Lancashire family, forced to leave school at fourteen and go to work to pay her sisters medical bills in a pre-NHS society, she nevertheless read voraciously. Discovering libraries when youngastonished to be told she could borrow any book thereshe borrowed for the rest of her life. She never bought books since purchasing books was extravagant and they only harbour dust. Like many another, she chose from librarians recommendations and the piles of recently returned books on library trolleys, while in later lifeuntil macular degeneration set inpursued writers mentioned or adapted on radio and TV.

She recalled to me the solitary, secretive nature of her childhood reading punctuated by trips to the library unknown to her parents or sister. Like many women of her generation, she was encouraged at school to read aloud and learn by heart, and found pleasure in the sounds of language

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