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Bob Saenz - Thats Not The Way It Works: a no-nonsense guide to the craft and business of screenwriting

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Bob Saenz Thats Not The Way It Works: a no-nonsense guide to the craft and business of screenwriting
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THATS NOT THE WAY IT WORKS
a no-nonsense guide to the craft and business of screenwriting
Bob Saenz
Contents
THATS NOT THE WAY IT WORKS

Copyright 2019 by Bob Saenz

Published by Bob Saenz

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part o this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of Bob Saenz.

Ebook ISBN: 978-1-7343479-0-6

Paperback ISBN: 978-1-7343479-1-3

Picture 1 Created with Vellum

About the Author

Bob Saenz has a dozen plus produced credited films. Hes optioned or sold multiple scripts and one TV pilot to production companies, producers, and studios. He does for hire rewrites, adaptations, and polishes for producers / production companies.

As an actor: Many roles in film, including Zodiac, Jack, Woman on Top, Unleashed, Murder in the First, and a six season recurring character on the TV series Nash Bridges, among many others. Voiceover on video games, documentaries, commercials.

On the Radio: in San Francisco in the late 90s as an on air disk jockey on KYCY.

Music: He was a member of the 60s rock band The BSides for 10 years.

Married for 44 years to his wife Margie, they have three children and two grandchildren.

FILMOGRAPHY

2012: Help for the Holidays (writer)

2013: Sweet Surrender (writer)

2014: Rescuing Madison (writer)

Perfect on Paper (writer)

2015: The Right Girl (writer)

On the 12th Day of Christmas (script consultant)

Romantically Speaking (script consultant)

2016: Sound of Christmas (writer)

2018: Christmas in Love (writer)

2019: Extracurricular Activities (writer)

2020: Church People (writer)

The Farmer & the Belle (writer)

Bobs book is full of blunt-force honesty every screenwriter should digest, even if it means choking it down. It'll save them years of missteps! As Script magazines Balls of Steel writer and Editor in Chief, I deeply appreciate Bobs candor in telling writers what we need to hear, not what people think we want to hear. If knowledge is power, then Bob has supplied us with a mighty arsenal to take over the writing world. Without reservation, Ill be enthusiastically recommending it to every writer who calls me for advice.

Jeanne Veillette Bowerman

Editor-in-Chief Script, Senior Editor Writer's Digest

"I think some people will read this book and feel disheartened and discouraged, because they haven't a clue what screenwriting is about. They have their ideas, and this shatters lofty, misguided dreams. But for those who really want to make it, who really want to do this, who are willing to put in the hard work, they'll understand they've just been given a treasure trove."

Rene Gutteridge

Head Writer @ The Skit Guys

This is the best screenwriting book I have ever read, its way beyond in its scope for help with storytelling and format. Every chapter a gem. Bob shines light on every corner of the scriptwriting process - and how to make it work. It kinda makes me want to write a script - and after reading this book that says a lot - so much work.

Debbie Brubaker

Producer

"I LOVE this book. It is so simple to understand and easy to follow. It is a step by step guide to screenplay writing that helps you find your way to creating your script. Bob's use of illustrating what works, and why, and what doesn't work and how to fix it, is amazing. If you want to write a screenplay READ THIS BOOK."

Michael Monks

Actor, Writer, Producer

It didn't take that many pages for me to realize I was hearing your voice. I pulled up your script Help for the Holidays and saw the same voice. This is good. Reading your book is like having a conversation with you. All in all, a terrific book.

Garrsion Piatte

Screenwriter

"Screenwriter Bob Saenz has carved a new benchmark in the edifice of screenwriting tomes. While other screenwriting books concern themselves with teaching you to imitate successful movies -- Saenz traps screenwriting in a net, slaps it on the examination table, and performs a vivisection on the practicalities and functions of each little detail of screenplay anatomy. This is a no-nonsense, no-bull, no-gurus nor scam artists book that pulls no punches and tells you the simple, straightforward truth you wont usually learn until youve worked in the industry long enough to know which studios serve scones on Mondays. Thats Not The Way It Works is a must read for writers on any level who want the simple, unadorned facts about what you need to know to write scripts that sell. Want to be taken seriously as a writer? Seen as a professional? Wipe the stardust out of your eyes read this book, and get back to writing.

-Adam Skelter

Author The Lost Art of Story

Introduction

Ok. So, there are like a zillion screenwriting books out there. Amazon has twenty pages of them. I havent read them all. Truth? Ive hardly read any of them.

Why? Because of what I havent seen there. A no-nonsense look at the craft and business aspects of screenwriting that any new, and even some not so new, writers need to know, that cuts through all the clutter and myths and rules and formulas you read and hear about everywhere.

My intent for this book is less of a dry instructional manual and more of a conversation. A personal communication that gives insight into the realities of screenwriting, in general, and a glance at my own screenwriting journey of discovery. I think I had an advantage by knowing nothing when I started and plowing into it without finding out some people think there are rules. I wasnt distracted by trying to write my scripts to what other people say is expected. Ive written this book the way I write my scripts. No rules, and in my own voice.

So how did I learn? I learned by reading scripts, a lot of them, and being on set as an actor before I was a writer. Watching scripts in use, seeing them interpreted in front of me by actors and directors. Learning from producers on set and later in production meetings. I learned by paying attention and writing and writing and writing.

Ive gotten to work on set for some of the most iconic directors of any generation. I got to spend time watching, among others, Coppola, Eastwood, Scorsese, Ron Howard, David Fincher, and some of the best TV directors in the business. But, lets not kid ourselves about my acting career, such as it is. Lots of extra work. One scene parts. One line, maybe two or three. If I was lucky, two scenes instead of one. It was more of an education on set than it was a career. That didnt take away from how much fun it was to experience.

It took a while, but I finally figured out I wasnt going to have a stellar acting career. Mostly denial, I think, but I finally came to understand my limitations as an on-screen performer. Right now, Im holding my hands about three inches apart. That would be the sum total of my range as an actor. You give me a character in there and Im gold. Outside of that? Not so much. Yes, I had aspirations of being a successful actor at one point in my life, but after experiencing it firsthand in auditions and on set, I could see I was getting typecast.

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