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Berkley Hudson - O. N. Pruitts Possum Town: Photographing Trouble and Resilience in the American South

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O. N. Pruitts Possum Town: Photographing Trouble and Resilience in the American South: summary, description and annotation

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Photographer O. N. Pruitt (18911967) was for some forty years the de facto documentarian of Lowndes County, Mississippi, and its county seat, Columbus--known to locals as Possum Town. His body of work recalls many FSA photographers, but Pruitt was not an outsider with an agenda; he was a community member with intimate knowledge of the town and its residents. He photographed his fellow white citizens and Black ones as well, in circumstances ranging from the mundane to the horrific: family picnics, parades, river baptisms, carnivals, fires, funerals, two of Mississippis last public and legal executions by hanging, and a lynching. From formal portraits to candid images of events in the moment, Pruitts documentary of a specific yet representative southern town offers viewers today an invitation to meditate on the interrelations of photography, community, race, and historical memory.Columbus native Berkley Hudson was photographed by Pruitt, and for more than three decades he has considered and curated Pruitts expansive archive, both as a scholar of media and visual journalism and as a community member. This stunning book presents Pruitts photography as never before, combining more than 190 images with a biographical introduction and Hudsons short essays and reflective captions on subjects such as religion, ethnic identity, the ordinary graces of everyday life, and the exercise of brutal power.

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Contents
Church of Christ tent revival circa 1955 Oliver Murray preacher seated to - photo 1

Church of Christ tent revival circa 1955 Oliver Murray preacher seated to - photo 2

Church of Christ tent revival circa 1955 Oliver Murray preacher seated to - photo 3

Church of Christ tent revival, circa 1955. Oliver Murray, preacher, seated to right of tent pole.

Businessman Thomas J Locke Jr at his lake retreat zoo and lodge south of - photo 4

Businessman Thomas J Locke Jr at his lake retreat zoo and lodge south of - photo 5

Businessman Thomas J Locke Jr at his lake retreat zoo and lodge south of - photo 6

Businessman Thomas J. Locke Jr. at his lake retreat, zoo, and lodge, south of Friendship Cemetery, by the Tombigbee River, August 18, 1934.

Girl with live canebrake rattlesnake circa 1920s30s - photo 7

Girl with live canebrake rattlesnake circa 1920s30s - photo 8

Girl with live canebrake rattlesnake circa 1920s30s - photo 9

Girl with live canebrake rattlesnake circa 1920s30s Boy with bloodied - photo 10

Girl with live canebrake rattlesnake, circa 1920s30s.

Boy with bloodied nose Florist and nurseryman Herman Owen at left with - photo 11

Boy with bloodied nose Florist and nurseryman Herman Owen at left with - photo 12

Boy with bloodied nose.

Florist and nurseryman Herman Owen at left with his 1937 Ford V8 and an - photo 13

Florist and nurseryman Herman Owen (at left) with his 1937 Ford V8 and an unidentified man in a field of oats, circa 193839.

Bethel Presbyterian Church in the Black Belt Prairie Lowndes County O N - photo 14

Bethel Presbyterian Church in the Black Belt Prairie, Lowndes County.

O. N. Pruitts POSSUM TOWN

Photographing TROUBLE & RESILIENCE in the American South

Berkley Hudson

Published in association with the Center for Documentary Studies at Duke University by the University of North Carolina Press, Chapel Hill

The Martha and Spencer Love Foundation, as a longtime champion of civil rights, welcomes this books helpful perspective on race relations in the American South.

2022 Berkley Hudson

All rights reserved

Manufactured in Canada

Designed and set by Kim Bryant in Miller and Acie types

The University of North Carolina Press has been a member of the Green Press Initiative since 2003.

Cover illustration courtesy of the Pruitt-Shanks Collection, Southern Historical Collection, Wilson Library, University of North Carolina at Chapel Hill

Library of Congress Cataloging-in-Publication Data

Names: Hudson, Fraser Berkley, author.

Title: O.N. Pruitts Possum Town : photographing trouble and resistance in the American South / Berkley Hudson.

Other titles: Documentary arts and culture.

Description: Chapel Hill : The University of North Carolina Press ; [Durham, North Carolina] : Published in association with the Center for Documentary Studies at Duke University, 2021. | Series: Documentary arts and culture | Includes bibliographical references and index.

Identifiers: LCCN 2021038334 | ISBN 9781469662701 (cloth ; alk. paper) | ISBN 9781469662718 (ebook)

Subjects: LCSH: Pruitt, O. N., 18911967. | Documentary photographyMississippiColumbus. | Photographs as information resources. | PhotographsSocial aspects. | PhotographsPsychological aspects. | PhotographersMississippiColumbusBiography. | Columbus (Miss.)Social life and customsPictorial works. | BISAC: PHOTOGRAPHY / Photoessays & Documentaries | HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV)

Classification: LCC TR820.5 .P73 2021 | DDC 770.9762/973dc23

LC record available at https://lccn.loc.gov/2021038334

DOCUMENTARY ARTS AND CULTURE

Edited by Alexa Dilworth, Wesley Hogan, and Tom Rankin of the Center for Documentary Studies at Duke University

In a time when the tools of the documentary arts have become widely accessible, this series of books, published in association with the Center for Documentary Studies at Duke University, explores and develops the practice of documentary expression. Drawing on the perspectives of artists and writers, this series offers new and important ways to think about learning and doing documentary work while also examining the traditions and practice of documentary art through time.

Center for Documentary Studies at Duke University

documentarystudies.duke.edu

To Pruitts photographic subjects and to their families

And especially to the memory of my parents, Russell Hudson Sr. and Eva Byrd Fraser Hudson, and my brothers, Russell Jr., Don, and Carrollwhose photographs live forever in the archive of Otis Noel Pruitt

SUQUA TOMAHA OR POSSUM TOWN

Original inhabitants of northeast Mississippi, the Choctaw and Chickasaw, called the white settlement located between Luxapalila Creek and Tombigbee River by the name of Suqua Tomaha. This translates as Possum Town, a nickname for Columbus, Mississippi. This early nineteenth-century name derived from the local trading posts wizened-looking manager, Spirus Roach. His face reminded people of a possums.

CONTENTS
EDITORS NOTE

O. N. Pruitts Possum Town: Photographing Trouble and Resilience in the American South embodies the capacity of a single archive to speak powerfully about race, class, historical memory, and the lasting resonance of images. Berkley Hudsons careful, relentless investigations into Pruitts forty years of photographing provide not only a record of the life of a single Mississippi community in the twentieth century but also a window on the long and shifting meaning of photographs through and across time. Pruitts compelling body of work, along with Hudsons associated narratives of Columbus, Mississippi, and the surrounding county, stand as a visual record and expression of wider truths about the cultural history of the American South. There is both privilege and tragedy in this kind of documentary remembrance; ordinary and mundane scenes coexist alongside ones of extraordinary violence. As with other titles in our Documentary Arts and Culture series, this book presents the work of a photographer who was engaged in one locale for an extended period of time and who was deeply familiar with many of the people and places he photographed. While Pruitt was a commercial photographer, often hired to photograph people as they wanted to be seen, he also never went far without a camera, seemingly forever attuned to the possibilities of photographing. Though Pruitt left little articulation of his overall intent, it is through the depth of documentation created by his persistent and layered visionin the studio and beyondthat we witness an unfolding documentary view that speaks to the complexity and multiplicity of voices within O. N. Pruitts photographic vision and archive.

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