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Jonathan Clements - The Anime Encyclopedia: A Century of Japanese Animation

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Jonathan Clements The Anime Encyclopedia: A Century of Japanese Animation

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Impressive, exhaustive, labyrinthine, and obsessiveThe Anime Encyclopedia is an astonishing piece of work.Neil GaimanOver one thousand new entries . . . over four thousand updates . . . over one million words. . .This third edition of the landmark reference work has six additional years of information on Japanese animation, its practitioners and products, plus incisive thematic entries on anime history and culture. With credits, links, cross-references, and content advisories for parents and libraries.Jonathan Clements has worked as a translator, voice actor or dubbing director on over 70 anime, including Grey: Digital Target, Sol Bianca and Musashi: Dream of the Last Samurai. He was formerly the editor of Manga Max magazine, a contributing editor of Newtype USA, and is now a contributing editor to The Encyclopedia of Science Fiction, with special responsibility for China and Japan. He is currently a Visiting Professor at Xian Jiaotong University, China, and his latest solo book is Anime: A History (British Film Institute, 2013).Helen McCarthy was the founding editor of Anime UK magazine, editor of Manga Mania magazine, and the author of Anime! A Beginners Guide, the first book in the English language on the medium. She has appeared in several anime as a voice actress and produced the UK release of Beast Warriors. Her books include Hayao Miyazaki: Master of Japanese Animation, 500 Essential Anime You Must Own, Manga Cross-Stitch and The Art of Osamu Tezuka: God of Manga, which won the Harvey Award. She has just completed A Brief History of Manga for Ilex Press.

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THE ANIME ENCYCLOPEDIA THIRD EDITION A Century of Japanese Animation - photo 1

THE ANIME ENCYCLOPEDIA

THIRD EDITION

A Century of Japanese Animation

Jonathan Clements
Helen McCarthy

Stone Bridge Press Berkeley, California

ABBREVIATIONS AND KEY

The following abbreviations are used throughout the listings:

*available in English
JPNreleased in Japan as
AKAalso known as (alternative title)
DIRdirected by
SCRscript by
DESdesign by
ANIlead animation by
MUSmusic by
PRDproduction by
N/Cnot credited
N/Dno data available
(b/w)black and white
(m)movie
(TV)[made for] TV
(TVm)TV movie
(v)video
?uncertain (data; usually episode count)
ca.circa, approximately
ep., eps.episode(s)
min., mins.minute(s)
BOLDFACE TYPEcross-reference to main entry (in the e-edition, boldface main-entry headings for most nonrestricted films are Internet hyperlinks)
*DEcross-reference to The Dorama Encyclopedia
Picture 2language advisory
Picture 3nudity advisory
Picture 4violence advisory

Acknowledgments

This edition incorporates hundreds of clarifications, corrections, and outright rewrites of some entries, based both on our own research and the comments of our readers, for which we are eternally grateful. We hope we have remembered all of those who helped us, but if some have fallen through the cracks, our apologies in advance.

We would like to thank the following people for their help and additional suggestions for the third edition: Matt Alt, David Banuelos, C. D. Carson, Gemma Cox, John Dunne, Frank Guo, Andrew Hewson, Tony Kehoe, Vlasta Konvicna, Freddy Litten, Jerome Mazandarani, Martin Minar, Neil Nadelman, Andrew Osmond, Fraser Overington, Andrew Partridge, Publius, Adam Rambousek, Clive Reames, James Reed, Bella Sabbagh, Julia Sertori, Megan Taylor, Reiko Tokoro, Mike Toole, Gorm Thomsen, Greg Wicker, Wang Xueer, and Patsy Zukav. Peter Goodman of Stone Bridge Press continues to hurl his money into this particular pit, seemingly just to see the pretty colors it makes as it burns. A very special thanks is due to Lawrence P. Hayes and John C. Watson, who voluntarily conducted thorough audits of the information in the previous edition, and whose detailed comments have measurably improved this third iteration. Special recognition should also go to our editor Beth Cary, back for a third sentence of misery with a mouse-click, who went far beyond the call of duty in chasing down the names of obscure pornographers, rescuing animators from the oblivion of misread kanji, arguing for the difference between Jeanie (who has light-brown hair) versus Jeannie (the genie), and similar issues of semantics and nomenclature. Our beta-readers in order of passes, John C. Watson (again), Andrew Osmond, and Marc Hairston, have steered us toward many other corrections and alterations, although we have not always followed their adviceany remaining errors are, of course, ours.

J. C., H. M.

ABOUT THE AUTHORS

JONATHAN CLEMENTS (1971) has worked as a translator, voice actor, or dubbing director on over 70 anime, including . He was formerly the editor of Manga Max magazine, a contributing editor of Newtype USA, and is now a contributing editor to The Encyclopedia of Science Fiction, with special responsibility for China and Japan. He is currently a Visiting Professor at Xian Jiaotong University, China. Among his many published works is Anime: A History (British Film Institute, 2013).

HELEN MCCARTHY (1951) was the founding editor of Anime UK magazine, editor of Manga Mania magazine, and the author of Anime! A Beginners Guide, the first book in the English language on the medium. She has appeared in several anime as a voice actress and produced the U.K. release of . Her subsequent publications include Hayao Miyazaki: Master of Japanese Animation, 500 Essential Anime You Must Own, and The Art of Osamu Tezuka: God of Manga, which won the Harvey Award, and A Brief History of Manga (Ilex, 2014).

SELECTED BIBLIOGRAPHY

BOOKS

Acuff, Daniel with Robert Reiher. What Kids Buy and Why: The Psychology of Marketing to Kids. New York: Free Press, 1999.

AJA [Association of Japanese Animations [sic] and Tokyo Bureau of Industrial and Labor Affairs]. Anime no Text; Anime Gyokai o Mezasu Hito no Tame ni [Anime Text: For Those Aiming for the Japanese Animation Industry]. 3 vols. + DVD. Tokyo: AJA, 2008.

Akita, Takahiro. Manga Eiga no Warai to Eiyu: Momotaro to Senso [Laughter and Heroes in Cartoon Films: Momotaro and the War]. In Kenji Iwamoto, ed., Eiga to Dai To-A Kyoeiken [Film and the Greater East Asia Co-Prosperity Sphere], pp. 25568. Tokyo: Shinwasha, 2004.

Animage. The Art of Japanese Animation I: 25 Years of Television Cartoons. Tokyo: Tokuma Shoten, 1988.

_____. The Art of Japanese Animation II: 70 Years of Theatrical Films. Tokyo: Tokuma Shoten, 1989.

_____. Best of Animage: 20th Anniversary. Tokyo: Tokuma Shoten, 1998.

Aosaka, Tomoyuki, et al. Contents Business in China: Hendo suru Shijo, Taito suru Sangyo [Contents Business in China: Fluctuating Markets, Emerging Industry]. Tokyo: Shoeisha, 2007.

Ban, Toshio, and Tezuka Productions. Tezuka Osamu Monogatari: Manga no Yume, Anime no Yume 19601989 [The Tezuka Osamu Story: Dreams of Manga, Dreams of Anime 19601989]. Tokyo: Asahi Shinbunsha, 1992.

Baricordi, Andrea, et al. Cartoonia Anime: guida al cinema danimazione giapponese. Bologna: Granata Press, 1991.

Baskett, Michael. The Attractive Empire: Transnational Film Culture in Imperial Japan. Honolulu: University of Hawaii, 2008.

Beier, Carl. Film Briefing of Air Crews. In Hollywood Quarterly 1:2, January 1946, pp. 23637.

Bernardi, Joanne. Writing in Light: The Silent Scenario and the Japanese Pure Film Movement. Detroit: Wayne State University Press, 2001.

Chun, Jayson. A Nation of a Hundred Million Idiots? A Social History of Japanese Television 19531973. New York: Routledge, 2007.

Clements, Jonathan. The Mechanics of the US Anime and Manga Industry. In Foundation: The Review of Science Fiction, no. 64, Summer 1995, pp. 3244.

_____. Schoolgirl Milky Crisis: Adventures in the Anime and Manga Trade. London: Titan Books, 2009.

_____, and Barry Ip. The Shadow Staff: Japanese Animators in the Toho Aviation Education Materials Production Office 19391945. In Animation: An Interdisciplinary Journal 7(2), July 2012, pp. 189204.

_____, and Motoko Tamamuro. The Dorama Encyclopedia: A Guide to Japanese TV Drama Since 1953. Berkeley: Stone Bridge Press, 2003.

Condry, Ian. Anime Creativity: Characters and Premises in the Quest for Cool Japan. In Theory, Culture & Society, 2009, no. 26, pp. 139163.

_____. The Soul of Anime: Collaborative Creativity and Japans Media Success Story

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