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W. S. Merwin - Unframed Originals: Recollections

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Unframed Originals: Recollections: summary, description and annotation

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In this haunting, elegantly written memoir, W. S. Merwin recalls in utterly unsentimental prose his youth, growing up in a repressed Presbyterian household in the small river towns of New Jersey and Pennsylvania. The complex portrait that emerges of a family without language or history, transforms the story of their isolated lives into the development of a writers conscience and a warning about the fate of a middle class eager to obliterate origins. This book is superbly written, offering deep glimpses into the complexities and mysteries of family bonds, with just that distancing from people and events necessary for artistic control.Edmund Fuller, Wall Street Journal

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Unframed Originals Books by W S Merwin POEMS Selected Poems The - photo 1

Unframed Originals

Books by W S Merwin POEMS Selected Poems The Pupil The River Sound - photo 2

Books by W. S. Merwin

POEMS

Selected Poems

The Pupil

The River Sound

The Folding Cliffs

The Vixen

Travels

The Rain in the Trees

Opening the Hand

Finding the Islands

The Compass Flower

The First Four Books of Poems

The Carrier Ladders

The Lice

The Moving Target

The Drunk in the Furnace

Green with Beasts

The Dancing Bears

A Mask for Janus

PROSE

The Mays of Ventadorn

The Lost Upland

Unframed Originals

Regions of Memory

Houses and Travellers

The Miners Pale Children

TRANSLATIONS

Sir Gawain and the Green Knight

Dantes Purgatorio

East Window: The Asian Translations

From the Spanish Morning

Four French Plays

Vertical Poetry (Poems by Roberto Juarroz)

Pieces of Shadow: Selected Poems of Jaime Sabines

Selected Translations 19681978

Osip Mandelstam, Selected Poems (with Clarence Brown)

Asian Figures

Transparence of the World (Poems by Jean Follain)

Voices (Poems by Antonio Porchia)

Products of the Perfected Civilization (Selected Writings of Chamfort)

Twenty Love Poems and a Song of Despair

(Poems by Pablo Neruda)

Selected Translations 19481968

The Song of Roland

Lazarillo de Tormes

Spanish Ballads

The Satires of Persius

The Poem of the Cid

Recollections by

W. S. Merwin

UNFRAMED ORIGINALS COUNTERPOINT BERKELEY Copyright 1980 1981 1982 1994 by - photo 3

UNFRAMED

ORIGINALS

COUNTERPOINT

BERKELEY

Copyright 1980, 1981, 1982, 1994 by W. S. Merwin

First published in hardcover in 1982 by Atheneum.

First Shoemaker & Hoard paperback edition 2005.

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the Publisher, except in the case of brief quotations embodied in critical articles and reviews.

Tomatoes first appeared in Grand Street; Mary and The Skyline first appeared in Antaeus. Excerpts from Hotel and La Pia appeared in The New Yorker with the titles A House Abroad and Anna; Laurie first appeared in The Iowa Review.

Library of Congress Cataloging-in-Publication Data

ISBN 978-1-59376-034-2

Merwin, W. S. (William Stanley).

Unframed originals: recollections / by W. S. Merwin.

p. cm.

1. Merwin, W. S. (William Stanley.Childhood and youth. 2 Poets, American20th centuryBiography

I. Title.

PS3563.E75Z4761994

811.54dc209343426

Printed in the United States of America

COUNTERPOINT

2560 Ninth Street, Suite 318

Berkeley, CA 94710

www.counterpointpress.com

Distributed by Publishers Group West

109876543

FOR MY SISTER RUTH

Note The different sections of this book were written as separate pieces - photo 4

Note

The different sections of this book were written as separate pieces at - photo 5

The different sections of this book were written as separate pieces, at intervals over a period of several years. Each was intended to stand by itself, but each was part of the whole enterprise; they are the product of a single impulse.

The aim was not a chronological reconstruction, but a presentation of things that originally happened in sequence but now occur in the same moment in my mind, and so have become simultaneous, like flakes of snow that have fallen from different heights into the sea.

Each of the pieces is made up of reflections of other people. The one memory in which all those lives still appear is what now unites them.

Contents

Foreword to the 1994 Edition A S most children do I suppose I took it - photo 6

Foreword to the 1994 Edition

A S most children do I suppose I took it for granted that the things I saw - photo 7

A S most children do, I suppose, I took it for granted that the things I saw around me every day had always been just as they appeared when I saw them. That was the way they were. At the same time, I learned quite early that they had come to be from a time before, when they had been different. The contradiction, after all, survives childhood and becomes part of what we continue to think of as the present. But when I tried to inquire where things and people had come from and what they had been like before, I knew then it was like trying to fly. No one else seemed to encourage the enterprise, and again and again silence closed over it. The urge to know, and the frustration that accompanied it, continued through my childhood, and when my parents died, my efforts to find out their own stories and origins had not come to much.

They had told me odds and ends, from time to time. There were little collections of old photographs that I had not seen in my parents lifetimes. Some were pictures of people I could not identify, and whom nobody by then would ever be able to identify. There were scraps of diaries, not journals, but simply recordsvisits, appointments, expendituresmost of them my mothers, for she was a careful and orderly person. Indeed, she kept notes of many things as they occurred, including telephone conversations as she listened, but she did so in a shorthand that she herself had evolved, which she declared proudly was an absolute secret and would never be read by anyone else. Even so, she destroyed almost everything of the kind, including letters. Late in life, at my persistent urging, she wrote down some sparse notes about her immediate forebears, on a half-used yellow legal pad, but she stopped after a few pages.

I think I understand something about her reserve. She had been an orphanher own plain word for the plain factsince she had been a small child. Both parents died when she was still virtually in her infancy. Then the grandmother who brought her up in Pittsburgh for several years in respectable poverty died, too. Then her elder brother, her only brother, Morris, took care of her out of his first wages for a few years, and he also died, in his early twenties. By that time she had prepared herself to earn a living as a secretaryand she was proud of her superlative secretarial skills. They became part of her: exact and thorough and not given to divulgence. She made it clear that she preferred not to talk about her early life, and what she remembered of it I can only guess. Its faces were gone, and she did not return physically to its scenes. Once, driving in Ohio, perhaps before I was born (I remember it only because I was told about it), she had asked my father to make a side trip to see Cheshire, the town along the river which she had not seen since she had left as a small child. When my father was driving he did not like stopping at places he had not thought of himself. He took no interest in my mothers family and as I remember the story they did not even drive through the town. She said that she had wanted to see the cemetery.

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