BOOKS BY SAMUEL ADAMS DRAKE
a book of new england legends and folk lore
historic mansions and highways around boston
old landmarks and historic personages of boston
Boston in 1830, from City Point, Windmill Point in Foreground.
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FIRST YOU TAKE A LEEK: A Guide to Elegant Eating Spiced with Culinary Capers by Maxine J. Saltonstall
FIVE WOMEN WHO LOVED LOVE by Saikaku Ihara; translated by William Theodore de Bary
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THE JAPANESE ABACUS by Takashi Kojima
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JAPANESE ETIQUETTE: An Introduction by the World Fellowship Committee of the Tokyo Y.W.C.A.
THE JAPANESE FAIRY BOOK compiled by Yei Theodora Ozaki
JAPANESE FOLK-PLAYS: The Ink-Smeared Lady and Other Kyogen translated by Shio Sakanishi
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JAPANESE TALES OF MYSTERY & IMAGINATION by Edogawa Rampo; translated by James B. Harris
JAPANESE THINGS: Being Notes on Various Subjects Connected with Japan by Basil Hall Chamberlain
THE JOKE'S ON JUDO by Donn Draeger and Ken Tremayne
THE KABUKI HANDBOOK by Aubrey S. Halford and Giovanna M. Halford
KOREAN FOLK TALES by Im Bang and Yi Ryuk; translated by James S. Gale
KWAIDAN: Stories and Studies of Strange Things by Lafcadio Hearn
LET'S STUDY JAPANESE by Jun Maeda
THE LIFE OF BUDDHA by A. Ferdinand Herold
MODERN JAPANESE PRINTS: A Contemporary Selection edited by Yuji Abe
MORE ZILCH: The Marine Corps' Most Guarded Secret by Roy Delgado
PHYSICAL FITNESS: A Practical Program by Clark Hatch
POO POO MAKE PRANT GLOW by Harvey Ward
PROFILES OF MODERN AMERICAN AUTHORS by Bernard Dekle
READ JAPANESE TODAY by Len Walsh
SALMAGUNDI VIETNAM by Don Pratt and Lee Blair
SELF DEFENSE SIMPLIFIED IN PICTURES by Don Hepler
SHADOWINGS by Lafcadio Hearn
A SHORT SYNOPSIS OF THE MOST ESSENTIAL POINTS IN HAWAIIAN GRAMMAR by W. D. Alexander
THE STORY BAG: A Collection of Korean Folk Tales by Kim So-un; translated by Setsu Higashi
SUMI-E: An Introduction to Ink Painting by Nanae Momiyama
SUN-DIALS AND ROSES OF YESTERDAY by Alice Morse Earle
THE TEN FOOT SQUARE HUT AND TALES OF THE HEIKE: Being Two Thirteenth-century Japanese classics, the "Hojoki" and selections from the "Heike Monogatari" translated by A. L. Sadler
THIS SCORCHING EARTH by Donald Richie
TIMES-SQUARE SAMURAI or the Improbable Japanese Occupation of New York by Robert B. Johnson and Billie Niles Chadbourne
TO LIVE IN JAPAN by Mary Lee O'Neal and Virginia Woodruff
THE TOURIST AND THE REAL JAPAN by Boye de Mente
TWO CENTURIES OF COSTUME IN AMERICA by Alice Morse Earle
TYPHOON! TYPHOON! An Illustrated Haiku Sequence by Lucile M. Bogue
ZILCH! The Marine Corps' Most Guarded Secret by Roy Delgado
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CHARLES E. TUTTLE CO., INC.
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CHAPTER I.
king's chapel and the neighborhood.
History of the Chapel.Establishment of the Church of England.Chapel Burial-Ground.Boston Athenum.Academy of Arts and Sciences.Historical Society.The Museum.The Old Corner.Royal Custom House.Washington.H. G. Otis.Daniel Webster.Tremont Street.Howard Street.Pemberton Hill.Endicott.Captain Southack.Theodore Lyman, Senior.John Cotton.Sir Henry Vane.Samuel Sewall.Gardiner Greene.Earl Percy.Bellingham.Faneuil.Phillips.Davenport.Oxenbridge.Beacon Street.School Street.Latin School.Franklin Statue.City Hall.Otis.Warren.Mascarene.Cromwell's Head.The Old Corner Bookstore.Anne Hutchinson.The French Church.Catholic Church.Second Universalist.Province Street.Chapman Place.James Lovell.Wendell.
W E choose King's Chapel for our point of departure, as well from its central position as from the fact that its vicinage is probably the oldest ground built upon in Boston, Blackstone's lot alone excepted.
The exterior of King's Chapel does not present any remarkable architectural features. It has an air of solidity and massiveness that seems to bespeak the intention of its builders that it should remain where it was placed. This purpose is likely to be set at naught by the proposed removal of the Chapel northwardly, to widen School Street. So improbable an idea never entered the heads of the founders; but we make nothing nowadays of taking up blocks of brick or stone bodily, and moving them whither we list.
governor shirley.
King's Chapel is the fifth in the order of Boston churches. The architect was Peter Harrison, of Newport, R. I., and the plan embraced a steeple, which Mr. Harrison thought essential to his general design, and would have a "beautiful effect." For want of funds, however, the steeple was never built. Governor Shirley laid the corner-stone on the 11th of August, 1749, and after giving the workmen 20 (old tenor) to drink his health, went into the old church, which was still standing, where a service appropriate to the occasion was held by Rev. Mr. Caner, the rector.
king's chapel as it appears in 1872.
Mr. Harrison had been requested to present drawings with both a double and single tier of windows. Two rows were adopted, the lower ones giving that prince of punsters, Mather Byles, an opportunity of saying that he had heard of the canons of the church, but had never seen the port-holes before.
The stone for the chapel came from Braintree, and was taken from the surface of the ground, no quarries being then opened. The rough appearance of the stone is due to the limited knowledge of the art of dressing it which then prevailed.