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Farah Stockman - American Made: What Happens to People When Work Disappears

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Farah Stockman American Made: What Happens to People When Work Disappears
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American Made: What Happens to People When Work Disappears: summary, description and annotation

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What happens when Americans lose their jobs? In this illuminating story of ruin and reinvention, Pulitzer Prize-winning journalist Farah Stockman gives an up-close look at the profound role work plays in our sense of identity and belonging, as she follows three workers whose lives unravel when the factory they have dedicated so much to closes down.Shannon, Wally, and John built their lives around their place of work. Shannon, a white single mother, became the first woman to run the dangerous furnaces at the Rexnord manufacturing plant in Indianapolis, Indiana, and was proud of producing one of the worlds top brands of steel bearings. Wally, a black man known for his initiative and kindness, was promoted to chairman of efficiency, one of the most coveted posts on the factory floor, and dreamed of starting his own barbecue business one day. John, a white machine operator, came from a multigenerational union family and clashed with a work environment that was increasingly hostile to organized labor. The Rexnord factory had served as one of the economic engines for the surrounding community. When it closed, hundreds of people lost their jobs. What had life been like for Shannon, Wally, and John, before the plant shut down? And what became of them after the jobs moved to Mexico and Texas?American Made is the story of a community struggling to reinvent itself. It is also a story about race, class, and American values, and how jobs serve as a bedrock of peoples lives and drive powerful social justice movements. This revealing book shines a light on this political moment, when joblessness and uncertainty about the future of work have made themselves heard at a national level. Most of all, it is a story about people: who we consider to be one of us and how the dignity of work lies at the heart of who we are.

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Copyright 2021 by Farah Stockman All rights reserved Published in the United S - photo 1
Copyright 2021 by Farah Stockman All rights reserved Published in the United - photo 2
Copyright 2021 by Farah Stockman All rights reserved Published in the United - photo 3

Copyright 2021 by Farah Stockman

All rights reserved.

Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York.

Random House and the House colophon are registered trademarks of Penguin Random House LLC.

Grateful acknowledgment is made to Counterpoint Press for permission to reprint an excerpt from Poetry and Marriage: The Use of Old Forms (1982) from Standing By Words by Wendell Berry, copyright 1983 by Wendell Berry. Reprinted by permission.

Library of Congress Cataloging-in-Publication Data

Names: Stockman, Farah, author.

Title: American made: what happens to people when work disappears / Farah Stockman.

Description: First edition. | New York: Random House, 2021 | Includes bibliographical references and index.

Identifiers: LCCN 2021019522 (print) | LCCN 2021019523 (ebook) | ISBN 9781984801159 (hardcover; alk. paper) | ISBN 9781984801166 (ebook)

Subjects: LCSH: Plant shutdownsIndianaIndianapolisCase studies. | Working classIndianaIndianapolisCase studies. | WorkSocial aspectsIndianaIndianapolisCase studies. | UnemployedIndianaIndianapolisCase studies. | Indianapolis (Ind.)Economic conditions21st century. | Indianapolis (Ind.)Social conditions21st century.

Classification: LCC HD5708.55.U62 I5377 2021 (print) | LCC HD5708.55.U62 (ebook) | DDC 331.13/787209772dc23

LC record available at https://lccn.loc.gov/2021019522

Ebook ISBN9781984801166

randomhousebooks.com

Illustration by David Lindroth

Cover design: Lucas Heinrich

Cover photograph: Alyssa Schukar

ep_prh_5.8.0_c0_r0

Contents

The forest was shrinking but the trees kept voting for the ax. Because its handle was made of wood, they thought that it was one of them.

Proverb

It may be that when we no longer know what to do we have come to our real work, and that when we no longer know which way to go we have come to our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.

Wendell Berry

AUTHORS NOTE

T HIS IS A work of nonfiction, as true an estimation of events as I am able to tell. A few names have been changed to avoid confusion and protect minors; some people are identified by only a first name, last name, or nickname. I personally witnessed many of the events described in these pages. Many scenes were also narrated from descriptions given by participants, as well as from photos, videos, and other documentary evidence. Thoughts attributed to people in this book were all described to me firsthand in interviews. Quotes from conversations that took place when I was not present were recounted by subjects and checked wherever possible with the other participants.

O N A COLD AFTERNOON before the end they sauntered together out to the smoke - photo 4

O N A COLD AFTERNOON, before the end, they sauntered together out to the smoke shack behind the factory in Indianapolis and spent their fifteen-minute break asking one another What would you be, if you could be anything, and money didnt matter at all?

Inside the Rexnord factory, the machines that were still left on the factory floor beeped and whirred, as if calling out to the machines that had already been taken away. The workers lit their cigarettes and wondered what would become of the people whose names had already made the layoff list.

For those workers, the factory had been a world unto itself. Family dynasties had risen and fallen on the factory floor. In its break rooms, rivals had gone to war and made peace. Under those rows of fluorescent lights, forbidden love had flourished and faded. The factory had a hierarchy and its own etiquette and its own lexicon. Years after it closed, a funny thought would strike someone whod worked there that could be understood only by someone else whod worked there, too. It had been a cloistered place, shut off from the world. Inside its walls, each worker had an identity, a role.

Some worked on the loading dock, carrying steel pipes off the trucks and into the plant. Others worked in the turning department, slicing the pipes into steel rings as small as a bracelet or as big as a coffee table. Still others piled the rings into barrels and wheeled them over to the heat-treat department, where a white woman named Shannon Mulcahy, who loved heavy metal music and abandoned dogs, packed them into wire baskets and sent them into furnaces, hardening them with fire. Then Shannon sent the hardened rings across the aisle to the grinding department, where her cousin Lorry honed and polished them. Then Lorry sent them to the open space in the plant where assemblersthe most prolific among them a black man named Wally Hall, who was known for his mouthwatering brisketput them together inside cast-iron housings. The housings came from department 103, where a white man named John Feltner, who had just recovered from a bankruptcy, carved rough-hewn iron hunks to a specific size and drilled the right number of holes.

The finished product? A steel bearing.

Bearings are gadgets designed to reduce friction. The concept has existed since ancient times, when people transported heavy stone blocks by pushing them atop rolling logs instead of dragging them across the ground. Those logs could be considered the earliest roller bearings.

During the Roman Empire, royal boats were equipped with rotating tables to display religious statues. Craftsmen made them by taking circles of wood, digging out little holes around the circumference, and inserting metal balls inside that could spin. A second circle of wood rotated atop the balls, which could be considered the worlds first ball bearings.

Inventors kept adding to the concept. Leonardo da Vinci designed a new kind of bearing around 1500. Galileo invented another one a century later. In 1794, a Welsh ironmaster received the first ball bearing patent in the world, for a carriage axle that used spinning metal balls.

Today, countless varieties of bearings exist. Many of the bearings that the Rexnord factory made had an inner ring that could be tightened around a shaft and an outer ring that was free to spin like a wheel. Bearings are essential for nearly every machine that moves: Bicycles. Cars. Tanks. Conveyer belts. Wheat combines. Fighter jets. Escalators. Fans.

The state-of-the-art 410,000-square-foot factory opened on the West Side of Indianapolis in 1959, to gushing praise in the Chicago Tribune. Link-Belt, the company that built it, made the Cadillac of bearings, so high quality that orders poured in from far-flung corners of the globe: Sugarcane harvesters in Cuba. Iron ore mines in South America. Oil wells in California. In Indiana, Link-Belts name adorned a water tower and a fleet of trucks. Working there conveyed a certain status. You are a member of a great industrial family, declared an employee handbook from 1955. The products you help make bear Link-Belts Symbol of Quality known throughout the world.

More than half a century later, the building had aged. Its roof leaked brown water onto the machines when it rained. About three hundred people worked on its factory floor, half the number it had been designed to hold. The plant had been bought and sold more times than anyone could count. The workers had been passed from owner to owner, just like the machines they ran. Rexnord, a Milwaukee-based industrial supplier, owned it now. But the workers still took pride in the Link-Belt name, which lived on as a brand, written in proud letters on the cast-iron housings of the most expensive bearings they made.

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