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Elisabeth Tova Bailey - The Sound of a Wild Snail Eating

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In a work that beautifully demonstrates the rewards of closely observing nature, Elisabeth Bailey shares an inspiring and intimate story of her uncommon encounter with a Neohelix albolabris --a common woodland snail. While an illness keeps her bedridden, Bailey watches a wild snail that has taken up residence on her nightstand. As a result, she discovers the solace and sense of wonder that this mysterious creature brings and comes to a greater under standing of her own confined place in the world. Intrigued by the snails molluscan anatomy, cryptic defenses, clear decision making, hydraulic locomotion, and mysterious courtship activities, Bailey becomes an astute and amused observer, providing a candid and engaging look into the curious life of this underappreciated small animal. Told with wit and grace, The Sound of a Wild Snail Eating is a remarkable journey of survival and resilience, showing us how a small part of the natural world illuminates our own human existence and provides an appreciation of what it means to be fully alive.

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THE SOUND OF A WILD SNAIL EATING

The SOUND of a WILD SNAIL EATING

ELISABETH TOVA BAILEY Published by ALGONQUIN BOOKS OF CHAPEL HILL Post - photo 1

ELISABETH TOVA BAILEY

Published by ALGONQUIN BOOKS OF CHAPEL HILL Post Office Box 2225 Chapel Hill - photo 2

Published by

ALGONQUIN BOOKS OF CHAPEL HILL
Post Office Box 2225
Chapel Hill, North Carolina 27515-2225

a division of
WORKMAN PUBLISHING
225 Varick Street
New York, New York 10014

2010 by Elisabeth Tova Bailey. Illustrations Kathy Bray. All rights reserved.
Printed in the United States of America.
Published simultaneously in Canada by Thomas Allen & Son Limited.

This book is based on an essay that appeared in The Missouri Review.
Permissions for other material reprinted in this book appear on pages 18790,
which constitute an extension of the copyright page.
Design by Anne Winslow.

Library of Congress Cataloging-in-Publication Data
Bailey, Elisabeth Tova.

The sound of a wild snail eating / Elisabeth Tova Bailey.1st ed.

p. cm.

ISBN 978-1-56512-606-0

1. Snails as petsAnecdotes. 2. GastropodaPhysiology.

3. GastropodaAnatomy. 4. Bailey, Elisabeth TovaHealth.

5. Chronically illBiography. I. Title.

SF459.S48B35 2010

594.38dc22

2010018603

10 9 8 7 6 5 4 3 2 1

First Edition

To biophilia

A small pet is often an excellent companion.

FLORENCE NIGHTINGALE, Notes on Nursing, 1912

The natural world is the refuge of the spirit...
richer even than human imagination.

EDWARD O. WILSON, Biophilia, 1984

TABLE OF CONTENTS PROLOGUE Viruses are embedded into the very fabric of all - photo 3

TABLE OF CONTENTS
PROLOGUE

Viruses are embedded into the
very fabric of all life.

LUIS P. VILLARREAL,
The Living and Dead Chemical
Called a Virus, 2005

FROM MY HOTEL WINDOW I look over the deep glacial lake to the foothills and the Alps beyond. Twilight vanishes the hills into the mountains; then all is lost to the dark.

After breakfast, I wander the cobbled village streets. The frost is out of the ground, and huge bushes of rosemary bask fragrantly in the sun. I take a trail that meanders up the steep, wild hills past flocks of sheep. High on an outcrop, I lunch on bread and cheese. Late in the afternoon along the shore, I find ancient pieces of pottery, their edges smoothed by waves and time. I hear that a virulent flu is sweeping this small town.

A few days pass and then comes a delirious night. My dreams are disturbed by the comings and goings of ferries. Passengers call into the dark, startling me awake. Each time I fall back into sleep, the lakes watery sound pulls at me. Something is wrong with my body. Nothing feels right.

In the morning I am weak and cant think. Some of my muscles dont work. Time becomes strange. I get lost; the streets go in too many directions. The days drift past in confusion. I pack my suitcase, but for some reason its impossible to lift. It seems to be stuck to the floor. Somehow I get to the airport. Seated next to me on the transatlantic flight is a sick surgeon; he sneezes and coughs continually. My rare, much-needed vacation has not gone as planned. Ill be okay; I just want to get home.

After a flight connection in Boston, I land at my small New England airport near midnight. In the parking lot, as I bend over to dig my car out of the snow, the shovel turns into a crutch that I use to push myself upright. I dont know how I get home. Arising the next morning, I immediately faint to the floor. Ten days of fever with a pounding headache. Emergency room visits. Lab tests. I am sicker than I have ever been. Childhood pneumonia, college mononucleosisthose were nothing compared to this.

A few weeks later, resting on the couch, I spiral into a deep darkness, falling farther and farther away until I am impossibly distant. I cannot come back up; I cannot reach my body. Distant sound of an ambulance siren. Distant sound of doctors talking. My eyelids heavy as boulders. I try to open them to a slit, just for a few seconds, but they close against my will. All I can do is breathe.

The doctors will know how to fix me. They will stop this. I keep breathing. What if my breath stops? I need to sleep, but I am afraid to sleep. I try to watch over myself; if I go to sleep, I might never wake up again.

THE SOUND OF A WILD SNAIL EATING

Part 1
THE VIOLET - POT ADVENTURES

Try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Dont search for the answers, which could not be given to you now, because you would not be able to live them. And the point is, to live everything. Live the questions now.

RAINER MARIA RILKE, 1903,
from Letters to a Young Poet, 1927

1 FIELD VIOLETS at my feet when did you get here snail KOBAYASHI ISSA - photo 4

1. FIELD VIOLETS

at my feet
when did you get here?
snail

KOBAYASHI ISSA (1763 1828)

IN EARLY SPRING, a friend went for a walk in the woods and, glancing down at the path, saw a snail. Picking it up, she held it gingerly in the palm of her hand and carried it back toward the studio where I was convalescing. She noticed some field violets on the edge of the lawn. Finding a trowel, she dug a few up, then planted them in a terra-cotta pot and placed the snail beneath their leaves. She brought the pot into the studio and put it by my bedside.

I found a snail in the woods. I brought it back and its right here beneath the violets.

You did? Why did you bring it in?

I dont know. I thought you might enjoy it.

Is it alive?

She picked up the brown acorn-sized shell and looked at it.

I think it is.

Why, I wondered, would I enjoy a snail? What on earth would I do with it? I couldnt get out of bed to return it to the woods. It was not of much interest, and if it was alive, the responsibilityespecially for a snail, something so uncalled forwas overwhelming.

My friend hugged me, said good-bye, and drove off.

AT AGE THIRTY-FOUR, on a brief trip to Europe, I was felled by a mysterious viral or bacterial pathogen, resulting in severe neurological symptoms. I had thought I was indestructible. But I wasnt. If anything did go wrong, I figured modern medicine would fix me. But it didnt. Medical specialists at several major clinics couldnt diagnose the infectious culprit. I was in and out of the hospital for months, and the complications were life threatening. An experimental drug that became available stabilized my condition, though it would be several grueling years to a partial recovery and a return to work. My doctors said the illness was behind me, and I wanted to believe them. I was ecstatic to have most of my life back.

But out of the blue came a series of insidious relapses, and once again, I was bedridden. Further, more sophisticated testing showed that the mitochondria in my cells no longer functioned correctly and there was damage to my autonomic nervous system; all functions not consciously directed, including heart rate, blood pressure, and digestion, had gone haywire. The drug that had previously helped now caused dangerous side effects; it would soon be removed from the market.

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