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Dorothy Gallagher - Stories I Forgot to Tell You

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Dorothy Gallagher Stories I Forgot to Tell You

Stories I Forgot to Tell You: summary, description and annotation

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A delicate and darkly witty reflection on loss, marriage, writing, and life in New York from an acclaimed biographer and memoirist.
Dorothy Gallaghers husband, Ben Sonnenberg, died in 2010. He had suffered from multiple sclerosis for many years and was almost completely paralyzed, but his wonderful, playful mind remained quite undimmed. In the ten sections of Stories I Forgot to Tell You, Gallagher moves freely and intuitively between the present and the past to evoke the life they made together and her life after his death, alone and yet at the same time never without thoughts of him, in a present that is haunted but also comforted by the recollection of their common past. She talksthe whole book is written conversationally, confidingly, unpretentiouslyabout small things, such as moving into a new apartment and setting it up, growing tomatoes on a new deck, and as she does she recalls her missing husbands elegant clothes and British affectations, what she knew about him and didnt know, the devastating toll of his disease and the ways they found to deal with it. She talks about their two dogs and their cat, Bones, and the role that a photograph she never took had in bringing her together with her husband. Her mother, eventually succumbing to dementia, is also here, along with friends, an old typewriter, episodes from a writing life, and her husbands last days. The stories Gallagher has to tell, as quirky as they are profound, could not be more ordinary, and yet her glancing, wry approach to memory and life gives them an extraordinary resonance that makes the reader feel both the logic and the mystery of a couples common existence. Her prose is perfectly pitched and her eye for detail unerring. This slim book about irremediable loss and unending love distills the essence of a lifetime.

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This is a New York Review Book published by The New York Review of Books 435 - photo 1

This is a New York Review Book

published by The New York Review of Books

435 Hudson Street, New York, NY 10014

www.nyrb.com

Copyright 2020 by Dorothy Gallagher All rights reserved.

The following chapters have previously appeared, in slightly different form, as follows: Yalta in The Kenyon Review; Ballerina, Mea Culpa, Julie, and Bones in Epoch.

Cover photograph: Sylvia Plachy, Untitled, 1987 Sylvia Plachy

Cover design: Katy Homans

Library of Congress Cataloging-in-Publication Data

Names: Gallagher, Dorothy, author.

Title: Stories I forgot to tell you / Dorothy Gallagher.

Description: New York : New York Review Books, 2020.

Identifiers: LCCN 2020004666 (print) | LCCN 2020004667 (ebook) | ISBN 9781681374802 (hardcover) | ISBN 9781681374819 (ebook)

Subjects: LCSH: Gallagher, Dorothy. | Authors, American20th centuryBiography. | Sonnenberg, Ben. | EditorsUnited StatesBiography. | Multiple sclerosisPatientsUnited StatesBiography.

Classification: LCC PS3557 . A4115547 Z46 2020 (print) | LCC PS3557 . A4115547 (ebook) | DDC 818/.5409 [B]dc23

LC record available at https://lccn.loc.gov/2020004666

LC ebook record available at https://lccn.loc.gov/2020004667

ISBN 978-1-68137-481-9

v1.0

For a complete list of titles, visit www.nyrb.com or write to:

Catalog Requests, NYRB, 435 Hudson Street, New York, NY 10014

Contents
Yalta

T ELL ME THIS : Do you think that in the years since you died my life has continued as before? Do you think that I still walk through our rooms, that my clothes hang in the closets, our pictures crowd the walls, the bookcases are crammed full, all our belongings remain in place? Do you imagine that when evening comes I light the lamps and our friends gather?

No, none of that. Im not there anymore. Almost everything is gonesold or given away. When I closed the front door for the last time the rooms were empty, the shelves and walls were bare, not a clue to our life remained. Strangers walk through those rooms now. They look through the windows at the sun setting over the Hudson, they invite their friends to make merry, they think our apartment belongs to them.

Shall I tell you where I live now? In two rooms that would fit into our old dining room. No, dont worry. You havent left me in penury. I live in a penthouse, I have a terrace, the sky is all around, I look out at Central Park at the pond where weeping willows grow, I see across to Fifth Avenue where the buildings glow like fire in the setting sun.

I found this place a year after you died. At first I thought, No, too small; then I remembered: I live alone now. That first hot summer I grew tomatoes in planters and cosmos in pots. Mockingbirds built a nest on the rooftop. They sang all day long and hatched babies that grew big enough to flap into my open door. One day I saw a hawk hovering, the next morning there was no birdsong.

For a long time after I moved here I felt a mistake had been made, as if Id gotten on the wrong bus and ended up in someone elses life. Every day I sent you an email, the same message each time: Wish you were here wish you were here wish you were here. Sometimes I called our old telephone number and stayed on the line, trying to hear something in the silence.

Ive grown used to silence, I live without voices or footfalls. Sometimes a siren shrieks on the street below, sometimes the telephone rings, but most of the time I hear only the ringing in my ears and the refrigerator cycling on and off. And the wind: how it howls up here on the seventeenth floor! But then comes a day like today, in the middle of February, when there is no breath of wind. The sky is solid pewter, snow is hanging in the air like a gauze curtain, the buildings across the park look like a painted set behind a scrim. And, if youll believe it, two mourning doves are huddled on the terrace rail.

Didnt I tell you to be careful? Dont catch my cold, I said. Wasnt that dumb? I was the careless one, and you were at my mercy. Maybe I leaned over to kiss you, we shared a fork, I coughed. Sure enough, a few mornings later my cold sniffled in your nose, by nighttime it rattled in your chest, by morning you were laboring for breath. It was only a cold; a bad cold, yes, but youd had colds before. What could happen on that perfect, sunny June morning?

I came back from the drug store with the antibiotic. I made you some tea with honey and lemon. Just for a moment I looked down to read the instruction label on the pill bottle. I looked up. To see what? Your mouth slackly open, a dark stream of tea spilling down your chin. And your brown eyes, lighter and clearer than the tea, wide open, staring at nothing. Life gone! In the blink of an eye! While I was talking to you! Were you still in the room? Did you hear me scream your name?

I know, I know. We talked about it often enough. When death came, I was to let it be, you were to die when you died. We didnt think to reckon on panic. And so it all happened as we agreed it would not: the frantic 911 call, the medics, the chest compressions, the respirator, the ambulance racing to the hospital, the ICU where you lay for six days, on a ventilator, sedated into coma, except for a few minutes every now and then when you rose to consciousness, when, during one of those moments, I asked you: Do you love me? And you, who couldnt speak for the tubes down your throat and the oxygen mask on your face, flashed your eyebrows three times. Like Groucho Marx. I took that as yes. What if Id asked: Do you forgive me?

Sometimes I think about a horror story I read long ago. On a moonless winter night a poor miller and his wife sit by the fireside in their cottage. They are grieving for their only son, accidentally killed by falling into his fathers threshing machine. Suddenly a genie materializes. He offers to grant the parents one wish. Naturally, they wish to have their son restored to life. Very well, says the genie, and vanishes in a puff of smoke. Soon there is a knock at the door of the cottage. Joyfully the miller and his wife fling open the door. There stands their son, his body mangled and dripping with blood, just as he had been in the last moment of his life.

Whats the meaning of that story? Never trust a genie? No one gets the better of death? But just let the genie appear to me and Id give him a try. Id ask that you be restored to sentient life for an hour, even half an hour. Id specify a date: Friday, June 11, 2010, when the calendar Ive kept from that last year shows me that we were alone in the apartment. Id specify a time, five oclock in the afternoon, when the sun inclines over New Jersey, making the river sparkle like fireworks, and you wake up from your nap.

An ordinary afternoon then, except that I seem to be starting a cold. Were in the bedroom as we usually are at that hour: you in bed, me sitting at the table between the windows. Youve had a two-hour nap but youre still tired; youre always tired these days. Your voice is so weak that I lean forward to hear you. What did we talk about on that actual afternoon? I cant remember, nothing important: What happened today... who called... what will I cook for dinner. But on this day that the genie has granted us well have no idle chat. We know what will happen: we know that our time together is coming to an end; that in seven days, just as Im reading to you from the label on the container of the pills meant to cure you, you will die of the virus that is showing its first symptoms in me today. Do you see what Ive asked the genie for? Not so much. Everything. Just a few minutes when we can say goodbye.

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