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Jonah Lehrer - Mystery: A Seduction, A Strategy, A Solution

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Jonah Lehrer Mystery: A Seduction, A Strategy, A Solution
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New York Timesbestselling author Jonah Lehrer unravels the mystery of mysteries in this absolute delight (Malcolm Gladwell) of a book that blends psychology, neuroscience, and anthropology to shine a new light on everything from the formulas of our favorite detective shows to the tricks of successful advertising campaigns and the calculated risks of the stock market.
Why is mystery so compelling? What draws us to the unknown? Jonah Lehrer sets out to answer these questions in a vividly entertaining and surprisingly profound journey through the science of suspense. He finds that nothing can capture a persons attention as strongly as mystery, and that mystery is the key principle in how humans view and understand the world. Whenever patterns are broken, we are hard-wired to find out why. Without our curiosity driving us to pursue new discoveries and solve stubborn problems, we would never have achieved the breakthroughs that have revolutionized human medicine, technologyand culture. From Shakespeares plays to the earliest works of the detective genre, our entertainment and media have continually reinvented successful forms of mystery to hook audiences.
Here, Lehrer interviews individuals in unconventional fieldsfrom dedicated small-business owners to innovative schoolteacherswho use mystery to challenge themselves and to motivate others to reach to new heights. He also examines the indelible role of mystery in our culture, revealing how the magical world of Harry Potter triggers the magic of dopamine in our brains, why the baseball season is ten times longer than the football season, and when the suspect is introduced in each episode of Law & Order.
Fascinating, illuminating, and fun, Mystery explores the many surprising ways in which embracing a sense of awe and curiosity can enrich our lives.

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Following Jonah Lehrers curiosity as he unravels the mystery of mysteries was - photo 1

Following Jonah Lehrers curiosity, as he unravels the mystery of mysteries, was an absolute delight. I loved this book and learned something on every page.

MALCOLM GLADWELL, author of Talking to Strangers

Mystery

A Seduction, a Strategy, a Solution

Jonah Lehrer

A VID R EADER P RESS An Imprint of Simon Schuster Inc 1230 Avenue of the - photo 2

A VID R EADER P RESS

An Imprint of Simon & Schuster, Inc.

1230 Avenue of the Americas

New York, NY 10020

www.SimonandSchuster.com

Copyright 2021 by Jonah Lehrer

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Avid Reader Press Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Avid Reader Press hardcover edition August 2021

AVID READER PRESS and colophon are trademarks of Simon & Schuster, Inc.

For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or .

The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

Interior design by Carly Loman

Jacket design by David Litman

Author photograph Leah Lehrer

Library of Congress Cataloging-in-Publication Data has been applied for.

ISBN 978-1-5011-9587-7

ISBN 978-1-5011-9589-1 (ebook)

For my family

O known Unknown! from whom my being sips Such darling essence

JOHN KEATS, Endymion

Art has something to do with an arrest of attention in the midst of distraction.

SAUL BELLOW

The one thing people never forget is the unsolved. Nothing lasts like a mystery.

JOHN FOWLES, The Enigma

INTRODUCTION THE MYSTERY OF MYSTERY

The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom the emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.

ALBERT EINSTEIN

The Case of the Missing Writer

On the night of December 3, 1926, Agatha Christie put her young daughter to bed, grabbed her fur coat and suitcase, and left the house in a gray Morris Cowley. She told the maid she was going out for a drive.

The next morning, Agathas car was found near a chalk pit. It had been driven down a rutted dirt road, before careening off the track onto a grassy slope. The lights were left on; the brakes had never been applied.

Agatha was gone.

At the time, she was a little-known mystery writer. That spring, shed published The Murder of Roger Ackroyd, her third novel featuring the detective Hercule Poirot. The book was ingeniously constructedthe narrator turned out to be the killerbut only sold a few thousand copies. (She depended on three household servants.) To add insult to economic injury, her husband, Archie Christie, had fallen in love with a younger woman. He kept asking for a divorce.

The police initially suspected suicide. Agatha had visited her chemist a few days before; they had a morbid conversation about the best drafts for a painless death. Near her crashed car, the police found an open bottle of poison lead and opium. It seemed like a simple tragedy: a spurned wife had taken her own life.

But if Agatha had killed herself, where was the body? The police hired divers and drained a nearby pond. They scoured the Surrey Downs with bloodhounds. After the authorities put out a call for volunteers, thousands of amateur detectives showed up to look for the missing woman. But the crowds found nothing, not even footprints. It was as if Agatha had vanished into thin air.

The police officer in charge of the investigation, Deputy Chief Constable Kenward, began to suspect that Agatha had been murdered. Kenward was the kind of detective that Agatha Christie liked to invent in her novelsa man of deduction, hed been awarded the Kings Police Medal for closing several difficult murder cases. Kenward had a trim mustache, a bulging belly, and a fondness for fedoras.

When it came to Agathas disappearance, Kenward fixated on the fur coat shed left behind in the back seat. As Kenward noted, the temperature at midnight was thirty-six degrees. A damp wind was blowing in from the northeast. Why, then, hadnt Agatha taken her coat? Even suicidal people want to stay warm.

Kenward was also suspicious of the crash. The car had been driven down a hill, but there were no skid marks on the dirt. Why hadnt the driver tried to brake? The canvas roof was still attached, and the paint remained unscratched. It was as if, Kenward thought, someone had carefully driven the car to the edge of the cliff.

And then there was the Archie problem. Kenward knew Archie wanted a divorce. The servants said hed had a bitter fight with Agatha the day before. When Kenward asked Archie where hed been the night of her disappearance, he admitted that he was with his mistress at a friends house. Worst of all, hed burned the letter Agatha had left for him, telling the police that it was a private matter. Kenward found the husband vague and defensive.

Yet, Archie had a solid alibihis friend swore Archie had been with him all evening. (The car was in the garage, and he would have heard the dog bark.) And even if Archie had snuck out, Kenward couldnt figure out how hed have returned before morning. It was too long a walk and there was no sign of a second car. And why would the killer have left the poison behind?

Days passed. A reward of 100 was posted, but that only led to errant sightings. Agatha was dressed as a man on a London bus. She was wandering around Battersea. She was on a train to Portsmouth. The more Kenward learned about the case, the more mysterious it became. Every lead was a dead end.

As the press swarmed, Archie panicked. In an interview given to the Daily Mail, six days after Agatha went missing, he speculated that Agatha had staged her own disappearance. It was a literary exercise, not a crime. Some time ago she told her sister, I could disappear if I wished and set about it properly, he remembered.

The public didnt buy it, but Archie was right: Agatha hadnt been kidnapped or murdered. She had vanished herself. As the biographer Laura Thompson observes, Agathas disappearance was, in many respects, her finest mystery story. She had turned her own life into an irresistible whodunit, artfully placing clues that captivated the public. It was, the Times declared, one of the most sensational disappearances that ever enlivened the columns of the English newspapers.

Before she vanished, the public didnt know who she was. They only cared because she couldnt be found.

On December 14, eleven days after Agatha Christie was first reported missing, a banjo player at the Swan Hydropathic Hotel in Harrogate noticed that a woman on the dance floor closely resembled the missing writer. The musician told the police, who passed on the tip to Archie.

When Archie arrived at the Swan, he was told by the police to wait in the lobby. The hotel manager said that Agatha would soon descend for dinner; shed already made a reservation. After a few minutes, Archie spotted her on the staircase, dressed for another night of dancing in a pink georgette evening dress. Agatha calmly returned his gaze, then took a seat by the fireplace in the lounge. After a few minutes of awkward silence, the couple headed into the hotel restaurant for dinner.

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