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Pablo Neruda - The Complete Memoirs: Expanded Edition

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The classic memoir of the Nobel Prizewinning poet, now expanded with newly discovered material ...

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The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the authors copyright, please notify the publisher at: us.macmillanusa.com/piracy.

Today I bring you something of the voracious essences of my poetry, of the cold and fire that have joined me on my way, often walking ahead of me, suffusing themselves with all they found open, striking against the sealed wombs of the world in its extension.

I am aware of the many objections and debates that flare up and burn out from one day to the next concerning my words: we will revisit none of that on this journey: in these moments, I wish to be for you nothing more than a kind companion who will accompany you through a region that at times not even I will recognize.

What is my poetry? I dont know. It would be easier to ask my poetry who am I. She has been my guide amid the dark night of the soul, has chained and unchained me, driven me through solitudes, through love, through people.

I regret terribly that today, I should be my voices theme. Accept me among you as just another man, a common man, sometimes wounded, sometimes full of cheer, a man who goes out with you into library and forest, to meetings of the people, to the secret redoubts of the heart.

To the south of my poetry is solitude; to the north, the people. Solitude is the mother of my first verses. In its gulfs and labyrinths I cast the nets of the young and solitary fisherman, the man who wants to shatter the mysteries of the night. In that comic, impassioned, sidereal age of my life, the questions rise up in great bitter flight, in crepuscular indecision, in the solitude of the world

Then, like a blaze in the depths of the forest, the lights of love appear, the disordered flames of first tenderness, the discovery of joy and delight. The dark wind of solitude still echoes in the interstices of pleasure, and loves calls bear deep inside them the distillation of desperate experience. The man lost in the sea of the origin grasps at the thorns of love with the anxiety of a small creature drowning in the waters of the abysmal night.

PABLO NERUDA, Journey Through My Poetry

In these memoirs or recollections there are gaps here and there, and sometimes they are also forgetful, because life is like that. Intervals of dreaming help us to stand up under days of work. Many of the things I remember have blurred as I recalled them, they have crumbled to dust, like irreparably shattered glass.

What the memoir writer remembers is not the same thing the poet remembers. He may have lived less, but he photographed much more, and he re-creates for us with special attention to detail. The poet gives us a gallery full of ghosts shaken by the fire and darkness of his time.

Perhaps I didnt live just in my self, perhaps I lived the lives of others.

From what I have left in writing on these pages there will always fallas in the autumn grove or during the harvesting of the vineyardsyellow leaves on their way to death, and grapes that will find new life in the sacred wine.

My life is a life put together from all those lives: the lives of the poet.

THE CHILEAN FOREST

Under the volcanoes, beside the snow-capped mountains, among the huge lakes, the fragrant, the silent, the tangled Chilean forest My feet sink down into the dead leaves, a fragile twig crackles, the giant rauli trees rise in all their bristling height, a bird from the cold jungle passes over, flaps its wings, and stops in the sunless branches. And then, from its hideaway, it sings like an oboe The wild scent of the laurel, the dark scent of the boldo herb enter my nostrils and flood my whole being The cypress of the Guaitecas blocks my way This is a vertical world: a nation of birds, a plenitude of leaves I stumble over a rock, dig up the uncovered hollow, an enormous spider covered with red hair stares up at me, motionless, as huge as a crab A golden carabus beetle blows its mephitic breath at me, as its brilliant rainbow disappears like lightning Going on, I pass through a forest of ferns much taller than I am: from their cold green eyes sixty tears splash down on my face and, behind me, their fans go on quivering for a long time A decaying tree trunk: what a treasure! Black and blue mushrooms have given it ears, red parasite plants have covered it with rubies, other lazy plants have let it borrow their beards, and a snake springs out of the rotted body like a sudden breath, as if the spirit of the dead trunk were slipping away from it Farther along, eachtree stands away from its fellows They soar up over the carpet of the secretive forest, and the foliage of each has its own style, linear, bristling, ramulose, lanceolate, as if cut by shears moving in infinite ways A gorge; below, the crystal water slides over granite and jasper A butterfly goes past, bright as a lemon, dancing between the water and the sunlight Close by, innumerable calceolarias nod their little yellow heads in greeting High up, red copihues (Lapageria rosea) dangle like drops from the magic forests arteries The red copihue is the blood flower, the white copihue is the snow flower A fox cuts through the silence like a flash, sending a shiver through the leaves, but silence is the law of the plant kingdom The barely audible cry of some bewildered animal far off The piercing interruption of a hidden bird The vegetable world keeps up its low rustle until a storm churns up all the music of the earth.

Anyone who hasnt been in the Chilean forest doesnt know this planet.

I have come out of that landscape, that mud, that silence, to roam, to go singing through the world.

CHILDHOOD AND POETRY

Ill start out by saying this about the days and the years of my childhood: the rain was the one unforgettable presence for me then. The great southern rain, coming down like a waterfall from the Pole, from the skies of Cape Horn to the frontier. On this frontier, my countrys Wild West, I first opened my eyes to life, the land, poetry, and the rain.

I have traveled a lot, and it seems to me that the art of raining, practiced with a terrible but subtle power in my native Araucana, has now been lost. Sometimes it rained for a whole month, for a whole year. Threads of rain fell, like long needles of glass snapping off on the roofs or coming up against the windows in transparent waves, and each house was a ship struggling to make port in the ocean of winter.

This cold rain from the south of the Americas is not the sudden squall of hot rain that comes down like a whip and goes on, leaving a blue sky in its wake. The southern rain is patient and keeps falling endlessly from the gray sky.

The street in front of my house has turned into a huge sea of mud. Out the window, through the rain, I watch a cart stuck in the middle of the street. A peasant wearing a heavy black woolen cloak beats his oxen; the rain and the mud are too much for them.

We used to walk to school, along the unpaved sidewalks, stepping from stone to stone, despite the cold and the rain. The wind carried off our umbrellas. Raincoats were expensive, I didnt like gloves, my shoes got soaked through. Ill always remember the wet socks hanging next to the brazier, and lots of shoes, steaming like toy locomotives. Then the floods would come and wash away the settlements along the river, where the poor lived. The earth shook and trembled. At other times, a crest of terrifying light appeared on the sierras: Mt. Llaima, the volcano, was stirring.

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