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Phyllis Smallman - Champagne for Buzzards: A Sherri Travis Mystery (Sherri Travis Mysteries)

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Phyllis Smallman Champagne for Buzzards: A Sherri Travis Mystery (Sherri Travis Mysteries)
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Champagne for Buzzards: A Sherri Travis Mystery (Sherri Travis Mysteries): summary, description and annotation

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With its seven foot snakes and nasty horses, Florida ranch country can be as dangerous as the mean streets of any big city. Sherri Travis doesnt do country. She likes it even less when she meets Clay Adams psychotic neighbors and finds a dead man in the back of her pickup. With fairy lights dancing through the Spanish moss and violent men closing in, the surprise party Sherri plans for Clay turns deadly.

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ALSO BY PHYLLIS SMALLMAN Sherri Travis Mysteries Margarita Nights Sex in - photo 1
ALSO BY PHYLLIS SMALLMAN

Sherri Travis Mysteries

Margarita Nights

Sex in a Sidecar

A Brewski for the Old Man

C H A M P A G N E

for B U Z Z A R D S

P H Y L L I S

S M A L L M A N

Champagne for Buzzards A Sherri Travis Mystery Sherri Travis Mysteries - image 2

McArthur & Company

Toronto

First published in 2011 by

McArthur & Company

322 King Street West, Suite 402

Toronto, Ontario

M5V 1J2

www.mcarthur-co.com

Copyright 2011 Phyllis Smallman

All rights reserved.

The use of any part of this publication reproduced, transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise stored in a retrieval system, without the expressed written consent of the publisher, is an infringement of the copyright law.

Library and Archives Canada Cataloguing in Publication

Smallman, Phyllis

Champagne for buzzards / Phyllis Smallman.

(A Sherri Travis mystery)

ISBN 978-1-55278-912-4 (pbk)

ISBN 978-1-55278-999-5 (ebook)

I. Title. II. Series: Smallman, Phyllis. Sherri Travis mystery.

PS8637.M36C43 2011 C813.6 C2010-907605-2

The publisher would like to acknowledge the financial support of the Government of Canada through the Canada Book Fund and the Canada Council for our publishing activities. The publisher further wishes to acknowledge the financial support of the Ontario Arts Council and the OMDC for our publishing program.

Cover and text design by Tania Craan

Cover illustration Dynamic Graphics, 2007

eBook development by Wild Element www.wildelement.ca

for

Hazel Elizabeth Havard my mother ~ my friend

CHAPTER 1

The back door to the bar opened, filling the hot Florida night with foot-stomping loud zydeco music. A man stumbled through the open door and down the single step. Cursing, he grabbed hold of the tailgate of a red pickup to stop his fall. Slumped against the truck, the drunken man gave a loud belch and cursed again.

While he clung to the truck and waited for the world to right, the door to the bar opened behind him. He threw his right arm back along the tailgate, swiveling his body to face the new arrival. With arms splayed along the tailgate for support, the drunk looked up. What the fuck do you want? His voice was slurred and thick but showed no fear.

At the door, the second man looked down the empty hallway behind him and then reached back inside. The gooseneck light over the exit went out, leaving the alley lit only by a faint glow from the window of the mens room. The door sighed shut. What the hell? the drunk mumbled.

The shadow leapt off the step to where the drunken man was still splayed against the truck. Get the fuck away from me, the drunk said. Those were his last words. A hammer came down on his head.

With a soft exhale of surprise, the victim slowly released the truck and began to slide down to the ground. His attacker stopped his descent, lifting and heaving the unconscious man into the bed of the pickup, grunting with the effort. Then the killer began smashing his victims head in with the hammer, giving a harsh groan of exertion with each blow, like a tennis player returning a serve. When he was done, the murderer leaned over the side and pulled up a tarp from the bed of the truck, tucking it around the dead man and hiding the body.

The killer looked around to make sure he was unobserved before he ran down the alley to the street, taking the weapon with him.

It was more than an hour before the back door to the bar opened again and a man came out. He stumbled off the step and fell forward into the tailgate of the red pickup. What happened to the f-ing light? Its darker than a whores heart out here.

His companion, still on the step, muttered, Shouldve parked on the street.

They looked up at the light over the door while a third man, still standing in the doorway, blocked the door open with the toe of his cowboy boot and leaned inside to switch on the light above the door. Someone forgot to turn it on.

No longer interested, the two men went to their vehicle. But the man on the step made no move to follow them. He stood by the door and watched, his hands smoothing the shirt over his paunch while he waited for the vehicle to exit the alley. Then he went to the red pickup and got in.

It began to rain. A soft rain, it did little to wash away the heat of the day or the smell of garbage and vomit from the alley.

CHAPTER 2

In a strange awkward dance, a large black creature, its wings stretched out for balance, hopped around on the roof of the red pickup. Another perched on the tailgate while a whole convocation of the ugly creatures conferred on the ground around the truck.

Whats with the frigging birds on Big Red? I asked Tully. Tully came and stood at my shoulder and looked out the kitchen window. Buzzards. Theyre not just birds theyre buzzards looking for a meal.

Oh yeah? Well, Ive got all the freeloaders I can handle.

Are you referring to me and your Uncle Ziggy? I turned and grinned at my father over my coffee mug.

Youve cut me deeply, Sherri, Tully Jenkins said with his hand on his heart and a hurt look on his face. But he couldnt sustain his impression of damaged pride. Tully was about as sensitive as old leather. Actually that pretty much described my old man. His gaunt face looked like it was made of old rawhide. In his early sixties, his dark hair had only a little gray and his black eyes still shone, the sparkle in them saying he wasnt quite dead yet, thank you. Still a little dangerous, he wasnt a man to be messed with. Well, at least not by anyone but me. Lately I found trashing my dad a whole lot of fun.

My father and I were out at Riverwood, an hour and a bit northeast of my normal stomping grounds of Jacaranda, Florida. These three hundred acres of jungle were my partners new passion in life.

I dont do country. For me Riverwood was only a place to stash my old man and spend an occasional weekend. And yet, to be honest, I seemed to be spending more and more of my free time hanging out at Riverwood with my dad, just sitting on the porch and having long conversations that went nowhere.

Clay Adams, my business partner and lover, seemed to treat Tullys stay at Riverwood as part of the normal course of events. Tully hadnt said he was moving to Clays ranch, certainly no one had asked him to; he just sort of went out there and hung around for longer and longer periods of time, moving more of his junk into a bunkhouse that had once housed hired men. The day his fish smoker arrived in the back of his rusted-out pickup, I knew Tully was there to stay.

And Tully wasnt my only family at Riverwood. Uncle Ziggy had moved in with Clay and me after a fire wiped out his home and left his face and hands badly scarred. Hed moved out to the ranch when he had stopped needing his dressings changed. The idea had been that he would stay at the ranch while he looked for a new place to live. It had become the longest property search known to man so long, I no longer asked how it was going.

Now Uncle Ziggy stepped through the door of the kitchen, letting the screen slam closed behind him. The polar opposite of my father, Uncle Ziggy is about six-foot-three and pushing up near three hundred pounds, a huge barrel of love and joy.

Mornin, sweet pea, he said.

Where you been, Uncle Zig?

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