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Robert Hughes - Things I Didnt Know: A Memoir

Here you can read online Robert Hughes - Things I Didnt Know: A Memoir full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2006, publisher: Knopf, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Robert Hughes has trained his critical eye on many major subjects: from Francisco de Goya y Lucientes (Goya) to the city of Barcelona (Barcelona) to the history of his native Australia (The Fatal Shore) to modern American mores and values (The Cultureof Complaint). Now he turns that eye on perhaps his most fascinating subject: himself and the world that formed him.
Things I Didnt Know is a memoir unlike any other because Hughes is a writer unlike any other. He analyzes his experiences the way he might examine a Van Gogh or a Picasso: he describes the surface so we can picture the end result, then he peels away the layers and scratches underneath that surface so we can understand all the beauty and tragedy and passion and history that lie below. So when Hughes describes his relationship with his stern and distant father, an Australian Air Force hero of the First World War, were not simply simply told of typical father/son complications, we see the thrilling exploits of a WWI pilot, learn about the nature of heroism, get the history of modern warfare from the air and from the trenches and we become aware how all of this relates to the wars were fighting today, and we understand how Hughess brilliant anti-war diatribe comes from both the heart and an understanding of the horrors of combat. The same high standards apply throughout as Hughes explores, with razor sharpness and lyrical intensity, his Catholic upbringing and Catholic school years; his development as an artist and writer and the honing of his critical skills; his growing appreciation of art; his exhilaration at leaving Australia to discover a new life in Italy and then in swinging 60s London. In each and every instance, we are not just taken on a tour of Bob Hughess life, we are taken on a tour of his mind and like the perfect tour, it is educational, funny, expansive and genuinely entertaining, never veering into sentimental memories, always looking back with the right sharpness of objectivity and insight to examine a rebellious period in art, politics and sex.
One of the extraordinary aspects of this book is that Hughes allows his observations of the world around him to be its focal point rather than the details of his past. He is able to regale us with anecdotes of unknown talents and eccentrics as well as famous names such as Irwin Shaw, Robert Rauschenberg, Cyril Connolly, Kenneth Tynan, Marcel Duchamp, and many others. He revels in the joys of sensuality and the anguish of broken relationships. He appreciates genius and craft and deplores waste and stupidity. The book can soar with pleasure and vitality as well as drag us into almost unbearable pain.
Perhaps the most startling section of Things I Didnt Know comes in the very opening, when Hughes describes his near fatal car crash of several years ago. He shows not just how he survived and changed but also how he refused to soften or weaken when facing mortality. He begins by dealing with what was almost the end of life, and then goes on from there to show us the value of life, in particular the value of exploring and celebrating one specific and extraordinary life

Robert Hughes: author's other books


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Acclaim for Robert Hughess Things I Didnt Know Masterful Hughes tells - photo 1

Acclaim for Robert Hughes's

Things I Didn't Know

Masterful. [Hughes] tells this story in laconic prose coated with humor as dry as a fine Soave [and] makes for a reading experience to be savored just as one would relish seeing the Laocon at the Vatican or Michel-angelo's David for the first time.

Milwaukee Journal Sentinel

Articulate, pugnacious and blunt. This book hops, skips and swims through memories of family, work, art, architecture, sex and love.

Rocky Mountain News

Engaging. An entertaining portrait of the professional curmudgeon as a young man.

San Antonio Express-News

Extraordinarily candid and sometimes boisterously funny. An illumi-nating self-portrait and chronicle of the postwar art world up to 1970.

The Dallas Morning News

Splendid. A great work of reportage, tragic yet laced with human comedy.

Los Angeles Times

Absorbing. Often funny and almost always enjoyable.

Chicago Tribune

An informative, entertaining chronicle of intellectual growth.

The Plain Dealer

[Things I Didn't Know] reminds us what good company Hughes can be and illuminates all too briefly the makingrather than the unraveling of a fine critical intelligence.

Financial Times

Robert Hughes
Things I Didn't Know

Robert Hughes was born in Australia in 1938. Since 1970 he has lived and worked in the United States, where until 2001 he was chief art critic for Time, to which he still contributes. His books include The Shock of the New, The Fatal Shore, Nothing If Not Critical, Barcelona, The Culture of Complaint, and American Visions. He is the recipient of numerous awards and prizes for his work.

ALSO BY ROBERT HUGHES

The Art of Australia (1966)

Heaven and Hell in Western Art (1969)

The Shock of the New (1980)

The Fatal Shore (1987)

Lucian Freud (1988)

Frank Auerbach (1990)

Nothing If Not Critical (1990)

Barcelona (1992)

The Culture of Complaint (1993)

American Visions (1997)

Goya (2003)

For Lucy Daisy Alex and Malcolm with WUs love and gratitude CONTENTS - photo 2

For Lucy, Daisy, Alex, and Malcolm,
with WU's love and gratitude

CONTENTS

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

I would like particularly to thank my sister, Constance Hughes, and my brother, Thomas Hughes, QC, for sharing their reminiscences of my parents and of family life in Australia with me. Susanne Lloyd-Jones, tireless researcher, was able to find me previously unavailable material concerning the Eucharistic Congress and my father's role in its celebrations. My chief debt, in addition, is to Mark Hildebrand, director of the Mitchell Library in Sydney, where the archive of the Hughes familyin particular, the correspondence between my father, Geoffrey Hughes, and his father, Sir Thomas Hughesis preserved.

CHAPTER ONE
A Bloody Expat

The most extreme change in my life occurred, out of a blue sky, on the 30th of May, 1999, a little short of my sixty-first birthday.

I was in Western Australia, where I had been making a TV series about my native country. I had taken a couple of days off, and chosen to spend them fishing off the shore of a resort named Eco Beach with a friend, Danny O'Sullivan, a professional guide. We went after small offshore tuna, with fly rods, in an open skiff. It had been a wonderful day: fish breaking everywhere, fighting fiercely when hooked, and onea small bluefin, about twenty poundskept to be eaten later with the crew in Broome.

Now, after a nap, I was on my way back to the Northern Highway, which parallels the huge flat biscuit of a coast where the desert breaks off into the Indian Ocean.

After about ten kilometers, the red dirt road from Eco Beach ended in a cattle gate. I stopped short of it, got out of the car, unhooked the latching chain, swung the gate open. I got back in the car, drove through, stopped again, got out, and closed the gate behind me. Then I hopped back in the car again and drove out onto the tar and concrete of the Great Northern Highway, cautiously looking both ways in the bright, almost horizontal evening light. No road trains galloping toward me: nothing except emptiness. I turned left, heading north for Broome, on the left side of the road, as people have in Australia ever since 1815, when its colonial governor, an autocratic laird named Lachlan Macquarie, decreed that Australians must henceforth ride and drive on the same side as people did in his native Scotland.

It was still daylight, but only just. I flipped my lights on.

There was no crash, no impact, no pain. It was as though nothing had happened. I just drove off the edge of the world, feeling nothing.

I do not know how fast I was going.

I am not a fast driver, or in any way a daring one. Driving has never been second nature to me. I am pawky, old-maidish, behind the wheel. But I collided, head-on, with another car, a Holden Commodore with two people in the front seat and one in the back. It was dusk, about 6:30 p.m. This was the first auto accident I ever had in my life, and I retain absolutely no memory of it. Try as I may, I can dredge nothing up, not even the memory of fear. The slate is wiped clean, as by a damp rag.

I was probably on the wrong (that is, the right-hand) side of the road, over the yellow linethough not very far over. I say probably because, at my trial a year later, the magistrate did not find that there was enough evidence to prove, beyond reasonable doubt, that I had been. The Commodore was coming on at some 90 m.p.h., possibly more. I was approaching it at about 50 m.p.h. Things happen very quickly when two cars have a closing speed of more than 130 m.p.h. It only takes a second for them to get seventy feet closer to one another. No matter how hard you hit the brakes, there isn't much you can do.

We plowed straight into one another, Commodore registered 7 EX 954 into Nissan Pulsar registered 9 YR 650: two red cars in the desert, driver's side to driver's side, right headlamp to right headlamp. I have no memory of this. From the moment of impact for weeks to come, I would have no short-term memory of anything. All I know about the actual collision, until after almost a year, when I saw the remains of my rented car in a junkyard in Broome, is what I was told by others.

The other car spun off the highway, skidded down a shallow dirt slope, and ended up half-hidden in the low desert scrub. Its three occupants were injured, two not seriously. Darren William Kelly, thirty-two, the driver, had just come off a stint working on a fishing boat and was heading south to Port Hedland to find any work he could get. He had a broken tibia. Colin Craig Bowe, thirty-six, a builder's laborer, was riding in the front seat and sustained a broken ankle. Darryn George Bennett, twenty-four, had been working as a deckhand on the same boat as Kelly, the True Blue. Kelly and Bowe were mates; they had known each other for two years. Neither had known Bennett before. He had heard they were driving south to Port Hedland, and he asked for a ride. He was a young itinerant worker in his midtwenties, whose main skill was bricklaying.

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