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David Pilling - Bending Adversity: Japan and the Art of Survival

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[A]n excellent book... --The Economist
Financial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pillings Bending Adversity captures the dynamism and diversity of contemporary Japan.
Pillings exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japans vulnerabilities and its resilience and pushes him to understand the countrys past through cycles of crisis and reconstruction. Japans survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japans own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miraclethe manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the countrys blind, aborted climb to #1. With the same rigor, he revisits 1990the year the economic bubble burst, and the beginning of Japans lost decadesto ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunitiesin particular for the young and for womenhave diversified.
Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pillings many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people.
The Financial Times
David Pilling quotes a visiting MP from northern England, dazzled by Tokyos lights and awed by its bustling prosperity: If this is a recession, I want one. Not the least of the merits of Pillings hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly lost decades in the context of what the country is really like and its actual achievements.
The Telegraph (UK)
Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the worlds third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: When we were rich, I hated this country... well-written... valuable.
Publishers Weekly (starred):
A probing and insightful portrait of contemporary Japan.

David Pilling: author's other books


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Bending Adversity Japan and the Art of Survival - image 1

THE PENGUIN PRESS

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street

New York, New York 10014

Bending Adversity Japan and the Art of Survival - image 2

USA Canada UK Ireland Australia New Zealand India South Africa China

penguin.com

A Penguin Random House Company

Published by The Penguin Press, a member of Penguin Group (USA) LLC, 2014

Copyright 2014 by David Pilling

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

First published in Great Britain by Allen Lane, an imprint of Penguin Books Ltd.

Photograph credits appear .

ISBN 978-0-698-14121-6

Version_1

To Ingrid, Dylan and Travis

And to my Mum and Dad

With love and gratitude

Contents
List of Illustrations

One of Commodore Perrys Black Ships (copyright Denver Post/Getty Images)

Yukichi Fukuzawa (18351901) (copyright Keio University)

Citizens of Edo take their revenge on Onamazu

The tsunami sweeping into the northeast coast of Japan (copyright Reuters)

Ofunato after the tsunami (copyright Toshiki Senoue)

Members of the Self Defence Forces, 2011 (copyright Toshiki Senoue)

Hiromi Shimodate and Yasuko Kimura, Ofunato (copyright Toshiki Senoue)

Hiromi Shimodate and Yasuko Kimura re-establish Hys caf (copyright Toshiki Senoue)

Seizaburo Sato amid the wreckage of his home (copyright Toshiki Senoue)

The author at Capital Hotel, Rikuzentakata (copyright Toshiki Senoue)

Ippon matsu: Rikuzentakatas solitary surviving pine (copyright Toshiki Senoue)

Tokyo after the massive fire bombing of 1945 (copyright Time & Life Pictures/Getty Images)

Still from Tokyo Story (copyright 1953/2011 Shochiku Co., Ltd)

Chewing gum and chocolates, Yokuska, 1959 (copyright Shomei Tomatsu, c/o Tepper Takayama Fine Arts)

Author Haruki Murakami (copyright Per Folkver)

Cherry blossom against a castle wall in Kumamoto (copyright Ingrid Aaroe)

Tofu hotpot in Kyoto (copyright Ingrid Aaroe)

Foot onsen at a railway station in Kyushu (copyright Ingrid Aaroe)

Ginza at night (copyright Ken Straiton/Corbis Images)

Junichiro Koizumi campaigning, 2005 (copyright Noboru Hashimoto/Corbis Images)

Junichiro Koizumi visiting Graceland with George W. Bush (copyright Christopher Morris/VII/Corbis Images)

A 21-year-old hostess (copyright Shiho Fukada/Pulitzer Cntr/Panos)

Author Natsuo Kirino (copyright Getty Images)

Artist Yayoi Kusama in her New York studio (copyright Yayoi Kusama)

Noriaki Imai (copyright Reuters)

Members of Japans Self Defence Forces at the Sapporo Ice Festival (copyright Reuters)

Anti-Japan protestors in Wuhan, Hubei province (copyright Reuters)

Testing for radiation after the Fukushima explosion (copyright Reuters)

Shinzo Abe waves from a tank, 2013 (copyright AFP/Getty Images)

List of Maps

Japan and its Neighbours

Principal Cities of Japan

Northeast Honshu

We are lost and we dont know - photo 3
We are lost and we dont know which way we should go But this is a very natural - photo 4
We are lost and we dont know which way we should go But this is a very natural - photo 5
We are lost and we dont know which way we should go But this is a very natural - photo 6

We are lost and we dont know which way we should go. But this is a very natural thing, a very healthy thing.

Haruki Murakami,
Tokyo, January 2003

Foreword

All books come from somewhere. This one was swept into existence by a giant wave. For me, the catalyst for writing about Japan was the earthquake and tsunami of March 2011. I had lived in Japan as a foreign correspondent from 2001 to 2008, and had often thought about writing a book back then. But the daily pressures of news reporting and my own lack of urgency ensured that the idea of a book remained just that an idea. I left Japan at the end of 2008 and went on to other things. When the earthquake struck on 11 March 2011, I flew to Japan to cover the disaster both in the immediate aftermath and over the ensuing months. The scale and horror of the catastrophe, and the way the Japanese sought to confront it, provided impetus for an idea that had lain dormant in my mind for several years. My aim was to create a portrait of a stubbornly resistant nation with a history of overcoming successive waves of adversity from would-be Mongolian invasions to repeated natural disasters. The portrait would be rooted in my own seven years experience of reporting and living in the country during a time of economic slowdown and loss of national confidence, but one told, as far as possible, through the voices of Japanese people themselves. It would largely be a portrait of contemporary Japan, a country that, in spite of its obvious difficulties, is changing and adapting in ways that are often invisible to the outside world. But it would also be a depiction rooted in its historical context, since events in the present are rarely fully comprehensible without reference to the past. That is certainly true of Japan, where history and tradition are ubiquitous, peeping from behind the endless concrete of what can seem one of the most relentlessly modern urban landscapes on earth.

The disaster revealed, too, if only for an instant, Japans continuing relevance to the world. Even most Japanese were unaware that the northeast of their country, where the tsunami hit, produced anything other than rice, fish and sake. Though hardly Japans industrial heartland, the northeastern Tohoku region turned out to be a vital link in the global supply chain. One factory alone produced 40 per cent of the worlds micro-controllers, the little brains that run power steering in cars and the images on flat-screen televisions. After the tsunami destroyed the plant that makes them, halfway round the world in Louisiana, General Motors was forced to suspend vehicle production. Likewise, because of electricity shortages after the Fukushima nuclear crisis, Japan already the worlds biggest importer of liquefied natural gas stepped up its purchases of LNG, oil and subsequently coal, becoming an important swing factor in global energy demand.

What the Japanese call Japan bashing stems partly from the countrys continued importance to the global economy. No one bothers much to bash Switzerland, which also grew at approximately 1 per cent a year in the 1990s, thus suffering, by the Japanese yardstick, its own lost decade. But Switzerland, though an important financial centre, is a smallish economy. Japan has shrunk in relative terms, but still accounts for 8 per cent of global output against 3.4 per cent for Britain and 20 per cent for the US. Japan is the worlds biggest creditor nation, not its biggest debtor as is sometimes supposed. It has the second highest foreign exchange reserves and by 2012 was again vying with China to be the biggest holder of US debt. The tsunami briefly reminded people of these neglected facts. It was ironic that, just when Japan was truly in the midst of crisis, some people should be reminded of how important it still was.

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