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Bennet Alan Weinberg - The World of Caffeine: The Science and Culture of the Worlds Most Popular Drug

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Bennet Alan Weinberg The World of Caffeine: The Science and Culture of the Worlds Most Popular Drug

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This book covers the history and social effects of the principal beverages that contain caffeine, notably coffee and tea. Products of cacao, chocolate that is eaten and drunk, and the soft drinks that contain caffeine (principally colas) are also covered. The historical origins of coffee, tea, and cacao are described, as are the various fascinating ways they made their way into world culture. Some of the main features of this story are told with a theme of geographic spread and with a description of effects of the arrival of the drug, as the authors often refer to caffeine, on existing cultures. How the different beverages were received (or rejected) by different cultures and by different strata and segments of each culture makes a rich and exciting story. Insights emerge as to how the various civilizations worked. The pleasure of reading is enhanced by the authors eye for beauty and the many appropriate half-tone illustrations. The scholarship is impressive; many of the most famous figures of the past 500 and more years make brief appearances. Among them are Chinese emperors, Zen Buddhist monks in Japan, nameless Olmecs of Mesoamerica, and then Corts and Montezuma and Charles V. The conquest of Europe by the drug from Turkish and African sources is also covered. The familiar names of great historical figures appear on almost every page, tying this account in with our knowledge of history and making it more real. The text is rich with information, yet it is easy and pleasant to read.Social factors are discussed. For example, there are comparisons of the tea culture of England with that of Japan and comparisons of both with the coffee culture of the United States. The duality of the culture of coffee (as in coffee houses) and the culture of tea (as in tea shops, tea gardens, and afternoon tea) is emphasized and illustrated with a list of more than 30 word pairs. One word in each pair is labeled the coffee aspect and the other the tea aspect. The list of coffee aspects starts with male, boisterous, and bohemian and ends with Balzac, whereas the list of tea aspects starts with female, decorous, and conventional and ends with Proust. Cola beverages are said not to have a long enough history to have features as well differentiated as these, but they do have distinctive associations, such as youth, high energy, America, pop culture, and `good clean fun. Although the authors emphasize that all these popular beverages contain the drug caffeine, the diversity of the cultures associated with the different beverages suggests that caffeine is only one factor leading to their consumption.True to its title, the book has little to say about alcohol, but the authors do make the important point that, at least in Europe and North America and at least in the large towns, raw water was not fit to drink until late in the 19th century. The increase in tea and coffee drinking offered an alternative to the usual beverages: beer, gin, and rum. The authors credibly associate this shift with a decrease in alcohol intake, to the benefit of society.In the second half of the book, the nature of the story changes. The urbane historical perspective gives way to more recent concerns, including a discussion of what might be called huckstering by purveyors of caffeine products. Almost the final third of the book is devoted to the chemistry, pharmacology, and medical aspects of caffeine. I do not think that in a book of this size it is possible to present enough of an understanding for readers to reach their own conclusions on adequate grounds about the health and safety aspects of caffeine, and in many instances the original sources must be scrutinized for the adequacy of the evidence. In addition, there are errors. For example, a woman is said to have had a serum caffeine concentration of almost 300 mg per milliliter, which is many times the solubility of caffeine. Readers can remain confused, they can accept the often implicit conclusions of the writers, or they can opt out and simply trust the Food and Drug Administration (FDA).A number of minor matters follow. Pure caffeine is variously described as highly toxic or extremely toxic. An agent that can be ingested in amounts of several grams with relative impunity would not customarily be considered very toxic. A number of common foods dry mustard, horseradish, or cayenne pepper, for instance would not go down well as boluses of several grams. The poison of the puffer fish, whose flesh is eaten in Japan, is highly toxic, being hazardous in quantities thousands of times smaller than ordinarily consumed quantities of caffeine.Finally, the authors aver that the International Life Sciences Institute (ILSI) was founded to help forestall efforts to regulate caffeine. But the FDA was regulating caffeine long before the ILSI was formed. The Caffeine Technical Committee of the ILSI was formed by interested companies to sponsor research on questions on caffeine raised by the FDA and others. It is prohibited from lobbying.

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Praise for THE WORLD OF caffeine An amazing booka challenging mix of - photo 1
Praise for THE WORLD OF caffeine

An amazing booka challenging mix of history, science, medicine, anthropology, sociology, and popular music, then add a dash of humor, a pinch of polemic, and a dollop of healthful skepticism. Briskly written, full-bodied, and flavorful.

Kirkus Reviews

With chapters devoted to the history, science, and cultural significance of coffee, tea, and caffeinated soft drinks, TheWorld of Caffeine reveals a great deal of surprising information about the chemical that we all take for granted.

Wired Magazine

This book holds everything we ever wanted to knowabout the drug that helps many of us keep up with the fast pace of our lives.

Boston Herald, Editors Choice

Here at last is a lavishly produced history of the worlds favourite mood enhancer, from Mayan chocolate to the Japanese tea ceremony.

London Guardian

With impressive felicity, Weinberg and Bealer marshal the forces of history, chemistry, medicine, cultural anthropology, psychology, philosophy and even a little religion to tell caffeines complicated story. Fascinating, generously illustrated volume.

Cleveland Plain Dealer

The scholarship is impressive. The text is rich with information, yet is easy and pleasant to read.

Dr. Peter B.Dews in the New England Journal of Medicine

Caffeine shows no signs of surrendering its sovereign position in the hierarchy of humanitys drugs of choice and I know of no other book that better explains how and why it got there.

New Scientist

Well-researched and entertainingcontains a wealth of fascinating cultural anecdotes, historical information, and scientific facts which provide a unique perspective on the worlds most commonly used mood-altering drug.

Dr. Roland R.Griffiths, Johns Hopkins University School of Medicine

Frontispiece from Dufours Traitez Nouveux curieux Du Caf Du Th et Du - photo 2

Frontispiece from Dufours Traitez Nouveux & curieux Du Caf, Du Th, et Du Chocolate. This French engraving, frontispiece for Dufours famous 1685 work on coffee, tea, and chocolate, depicts a fanciful gathering of a Turk, a Chinese, and an Aztec inside a tent, each raising a bowl or goblet filled with the steaming caffeinated beverage native to his homeland. On the floor to the left is the ibrik, or Turkish coffeepot, on the table at center the Chinese tea pot, and on the floor to the right the long-handled South American chocolate pot, together with the molin, or stirring rod, used to beat up the coveted froth. Baker, writing in 1891, commented that this image demonstrates how intimate the association of these beverages was regarded to be even two centuries ago. It is evident from the conjunction of subjects in the engraving that, long before anyone knew of the existence of caffeine, Europeans suspected that some unidentified factor united the exotic coffee, tea, and cacao plants, despite their dissimilar features and diverse provenances. (The Library Company of Philadelphia)

THE WORLD OF caffeine
The Science and Culture of the Worlds Most Popular Drug

BENNETT ALAN WEINBERG
BONNIE K.BEALER

ROUTLEDGE
New York and London


Published in 2002 by
Routledge
29 West 35th Street
New York, NY 10001

Published in Great Britain by
Routledge
11 New Fetter Lane
London EC4P 4EE

Routledge is an imprint of the Taylor & Francis Group.

This edition published in the Taylor & Francis e-Library, 2005.

To purchase your own copy of this or any of Taylor & Francis or Routledges

collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.

Copyright 2001 by Bennett Alan Weinberg and Bonnie K.Bealer

Design and typography: Jack Donner

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the publishers. Any omissions or oversights in the acknowledgments section of this volume are purely unintentional.

Library of Congress Cataloging-in-Publication Data
Weinberg, Bennett Alan.
The world of caffeine: the science and culture of the worlds most popular drug/
Bennett Alan Weinberg and Bonnie K.Bealer.
p. cm.
Includes bibliographical references and index.
ISBN 0-415-92722-6 (hbk.)0-415-92723-4 (pbk.)
1. Caffeine. I. Bealer, Bonnie K. II. Title.
QP801.C24 W45 2001
613.84dc21 00059243

ISBN 0-203-01179-1 Master e-book ISBN

eISBN: 978-1-13595-817-6


Bennett Alan Weinberg
dedicates his efforts on this book to his parents,
Herbert Weinberg, M.D., and Martha Ring Weinberg,
who made so much possible for him.

Bonnie K.Bealer
dedicates her efforts to Ms. P.H.,
who knows who she is.



Argument
Health and history seen
Through the crystal caffeine

acknowledgments

The authors acknowledge with thanks the research assistance of the staff of the Library Company of Philadelphia; the staffs of the Free Library of Philadelphia and the New York Public Library; the staff of the Philadelphia Museum of Art, Rights and Reproductions Department; Lynn Farington and John Pollack, librarians of the University of Pennsylvania Rare Book Collections; Charles Kline, director of the University of Pennsylvania Photo Archives; Charles Griefenstein, Historical Reference Librarian at Philadelphias College of Physicians; Ted Lingle, then director of the Specialty Coffee Association of America; and Paul Barrow, photographer at the Bio-medical Imaging Center of the University of Pennsylvania School of Medicine.

We also thank Thomas Meinl of Julius Meinl, A.G., for generously supplying photographs, posters, and especially for providing us a transparency of and permission to reproduce the painting Kolschitzkys Caf, which hangs in the boardroom of Julius Meinl, A.G.

Three books deserve special mention as rich sources for our text: Coffee and Coffee-houses, by Richard Hattox; above all, All about Coffee and All about Tea, by William H. Ukers, merchant and scholar, whose masterworks have been drawn upon extensively for information and illustrations by nearly every book on coffee and tea written in the seventy years since their publication.

Our warmest thanks extend to Professor Roland R.Grifftths, Professor of Behavioral Biology and Neuroscience, Johns Hopkins University School of Medicine, who encouraged our work from the beginning, advised us throughout its early development, and performed a professional and meticulous review of the medical and scientific portions of our manuscript in its early stage for which we are very grateful.

And, of course, we thank our editor, Paula Manzanero, who saw merit in our book and applied her talents and experience to win acceptance for it at Routledge and who, together with our copy editor, Norma McLemore, and our proofreader, Roland Ottewell, contributed the insight and diligence that turned our sometimes rough manuscript into a finished text of which we are proud. For our cover, which is itself a work of art, we thank Jonathan Herder, art director for Routledge. For the book design and typography, we thank Jack Donner. And for putting the many pieces together and graciously accommodating our last-minute emendations, we thank Liana Fredley.

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