Wheatley - A nest on the waves
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- Book:A nest on the waves
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- Publisher:The Gallery Press
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- Year:2010
- City:Loughcrew, Oldcastle, County Meath, Ireland
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Admirers of his previous books will find the same quick wit and alert persona operating at full tilt, in writing formal and free, eloquent and plain-speaking. Ben Wilkinson, The Guardian Wheatleys poems are particularly alive to dexterities of language and cadence. He exults in manipulating the volte-face possibilities of line-breaks, and the types of heat and light given off when different combinations of words, lines, clauses, rhymes, half-rhymes rub against one another. Rory Waterman, Times Literary Supplement Gallery Books
Editor Peter Fallon
A NEST ON THE WAVES
A lost swan incubates a nest of golf balls and a stray hand replaces the flowers in the bridge-house window: red flowers. House on a bridge, I hear the gears scream, I feel each tooth of the terrible works connect and, greased up, haul you back to the fixity of empty air.
You dodge and move through liquid fixities of past and present, steer by a river whose mudbanks leave you tidal, shifty, bogged down and imprisoned. The sonic boom of the afternoon roar from the stadium tracks your footsteps, blows a dull wound in the boulevards thin air, and your pulse thuds to its drumbeat, win or lose. On the up this year then? Play-off places, blip, slump, plummet, dead in the water: the mustard cuts like fog. Cut your losses, a can kicked into the nearest gutter. Here the last of empire has meandered past the fag-end of the North Sea fleet to a scrapyard sculpture park whose remaindered Edward VII accepts a vain salute from a yawning Ford Fiestas bonnet. The December sun is a lazy eye.
No vistas you can raise will open it and you thirst for the liquid dark to bleed it dry, and so comes evening and beer in a backstreet pub by the bridge where you bank the coal fire down and a dog sips a pint, and onto your tab goes a Schlenkerla, the hobbling man; and fog on the way home, fog all round so I cant see you who are a shadow away, and there are no shadows and there is no ground underfoot for me to feel give way, and what kind of weather is this when all I want, all that I imagine, touch and see finds, not loses, itself in all I cannot grasp, in a fog drifted in from the sea?
Knots of islanders stream from the graveyard to East Town and West Town the infinite riches of if not one thing the other each soul one peg the more to stop the place blowing away with the trees (there are no trees on the island), and the lighthouse beams, blown out to sea and snapped at by Balors teeth where the island runs out. Lighthouse beam, then dash, dark, stop and wait: how it was before streetlights, getting back from the pub; beam, dash, dark, stop, wait in the Atlantic-wide black-out. The island disappears round me in mist, the pier water is transparent black. Believe with the harbours Tau cross in a faith long abandoned, granting you nothing: miss the last boat and look back on a cancelled world through the one bleary eye in the back of your head.
Never was absence of song more blessed than in the ear of one who waits seeking, then finding that not just its but all silence here is a lapwings nest.
Days under wind on a one-in-one slope I have you, mountain, by your long grass root: shake me off your back and you will tumble into the sea and be lost. A mountain with a sheep on its crown is higher than any map allows, but no foot passes my threshold of cloud. I will reach the summit and never have raised my eyes. I will reach the summit and sink gently into the roof of the sky.
Leave the trail of your heels plunge for the next swell to rearrange. Deliquesce in your element. Be past caress. Be all I want.
Most traditional verse forms are too complex to have been ever attempted. Prizes are often awarded but their recipients seldom informed. Resentment of the more glamorous South Georgia School runs high. Annual poetry sales, it must be said, never dip, not a unit. Penguins are rarely mentioned for fear of obviousness though the albatross, where encountered, is a symbol for penguins, and the elephant seal a symbol for the albatross. The local note is especially prized on condition that nobody strike it.
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