INTRODUCTION
T here are mysteries connected with the birth of this Republic, wrote the American army officer Charles A. L. Totten, in 1897. Totten had come face-to-face with such mysteries while researching the history of the Great Seal of the United States. One mystery, which intrigued Totten above all others, was the origin of the magical symbolism of the Seal. He traced this mystery to 1776, when the design of the Great Seal was put in the capable hands of Thomas Jefferson, John Adam, and Benjamin Franklin. It was a mystery that had not been fully revealed, over a century later, when Totten published his book on the subject. It is a mystery that is still with us, even today.
Since the design of the familiar modern dollar bill is based on the symbols of this Great Seal, it is reasonable to amend Tottens words: There are mysteries connected with the design of the dollar bill.
Charles A. L. Totten was by no means the first American to recognize that the Great Seal had been designed on spiritual principles. Nor was he the first to recognize the depth of its secret symbolism, or to link this symbolism with biblical texts. He was, however, the first to write a comprehensive history of the Seal, incorporating a study of these hidden symbols. This it how it happened that the first serious study of the Great Seal of America was written, not by a professional historian, but by an officer of the American army. Totten equated the birth of the United States with the beginnings of what he called the New Atlantisa title given to a work by Francis Bacon, one of the mysterious financial backers of the Virginia colony, in the early seventeenth century. Tottens vision was both mystical and vast, for it stretched from the mythological beginnings of America into the distant future, when, he believed, the spiritual achievements of the United States will be recognized by the world.
Because he was an amateur historian himself, it was only natural for him to appreciate the virtue of amateurism. While writing his history of the Seal, Totten pointed out that, so far as the design of the Great Seal was concerned, the Founding Fathers had been amateurs. Heraldry had not been one of their strong points. No doubt this was all to the good, for heraldry deals with the pastwith bloodlines and aristocratic privilegethe very things against which the early republicans had fought. Even so, the Founding Fathers and the bevy of official helpers who gave us the Seal were the most ardent students of the inner spirit behind heraldry. This interest in a higher symbolism is reflected in the national Seal, andby extensionin the dollar bill.
The dollar bill owes a great deal of its symbolism to the Great Seal of Americathe design of which has evolved for over two centuries. The design of this Sealand those symbols on the dollar bill that were derived from ithas gained a reputation for its magical content. As we shall see, not all this reputation is deserved. Even so, there may be no doubt that the Great Seal and the dollar bill represent the most extraordinary example in history of the public evolution of a magical design.
It is not always easy to trace the evolution of this design. Many of the early documents relating to the design of the Great Seal have survived and may be examined in public archives. The historic Seals themselves, after long use in public government, have found their way into the public archives of America institutions. Much of the documentation survives, yet behind this documentation there is a tantalizing opacity. The Seal and the dollar bill certainly contain magic symbols, yet it is not a matter of public record as to whence these symbols were derived or who introduced them to the roundels. Indeed, it is not always clear to what extent those who introduced them recognized their magical or esoteric content. In this fact lies the unanswered question pertaining to the secret of the dollar bill. Who did ensure that a piece of paper, designed for the most casual and ephemeral transactions, should have been a repository of an arcane and magical knowledge?
There are some who claim the Great Seal to be entirely a product of a secret school, intent on ensuring that every detail within its complex design had a magical quality about it. Such claims may be excessive and, even were they true, the identity of this secret school would still remain shrouded in mystery. The sources of these symbols may have been lost, and it may be an idle attempt to trace them to the arcane sources of the Freemasons, Rosicrucians, or other secret schools. Even so, the magical ideas that stemmed from these sources still live on. As we shall learn in the following pages, the two roundels of the pyramid and eagle, which now figure on the dollar bill, are replete with a magical significance that almost beggars belief.
The magic of the dollar bill resides in its ancient symbols, numerologies, and hidden alignments. These magical elements may be traced back to the curious fact that the Seal was designed by a number of different individuals during a period of over a century. In the course of the past two centuries, a large number of designersmany of them well aware of the nature of magical symbolshave contributed to the evolution of the Seal. A few of these designers have been impelled, by their own inner convictions, to add subtle touches to the national symbols in order to bring these in line with what they themselves believe to be the truth about the destiny of America.
If the design of the dollar bill is complex, the tradition of magic symbolism is even more complex. For this reason, I have tried to approach each of the magical symbols on the bill in a very simple way. Anyone who is interested in exploring more fully the points I raise may find the sequence of explanatory notes of some value. This is by no means intended to be an academic book, yet I feel that when one is making claims about so sacred and important a symbol as the dollar bill, one should be prepared to substantiate such claimsif only with sources and suggestions for further reading.
One should bear in mind that the dollar bill was designed for more reasons than to be the receptacle of magical power. It was designed to be a currencythe lifeblood of the nation. The banking methods that lie behind the issue and maintenance of currency require that each note be marked with its source, date of issue, and an identification code. In turn, this means that some of the figures, numbers, codes, and letters on the dollar bill are ephemeral. These play no part in my numerical analyses. This must be understood, for otherwise, some of the claims I make about the symbolism of the bill may sound questionable. For example, in one part of my analysis I dwell on the number of times the individual figure 1 appears on the face of the note. The note I have before me, as I write, is one I obtained in Washington, D.C., in 1995. This has the series number 1995, the stamp of the Federal Reserve Bank of Richmond, Virginia, and a variety of other bank code numbers and letters that must be ignored, inasmuch as they are not designed to augment the magical design of the note itself. What I claim about the magical background to the dollar bill would be regarded as being nonsensical if one took into account such ephemeral things as the serial number, which includes the year.
Magic does not concern itself with ephemeral matters, but rather with those things that will endure the vicissitudes of time. Although the dollar bill enshrines that sacred date of 1776 in Roman numerals, its essential symbolism is designed to regard that date merely as a starting point. If we are to read the symbolism of the dollar bill aright, this was the year in which began the great experiment in nation building. It was the beginning of a time from which America began to look forward to a New Age during which, with the aid of God, one great nation would grow from the many. When that enterprise is completed, then the symbol of the truncated pyramid will become history. The pyramid will have been completed and will endure upon that sound base first laid down in 1776 by men who were giants, whose lengthened shadows now form our own history.
