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Myke Cole - The Bronze Lie: Shattering the Myth of Spartan Warrior Supremacy

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Myke Cole The Bronze Lie: Shattering the Myth of Spartan Warrior Supremacy
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The story of the Spartans is one of the best known in history, from their rigorous training to their dramatic feats of arms--but is that portrait of Spartan supremacy true? Renowned novelist and popular historian Myke Cole goes back to the original sources to set the record straight. The Spartan hoplite enjoys unquestioned currency as historys greatest fighting man. Raised from the age of seven in the agoge, a military academy legendary for its harshness, Spartan men were brought up to value loyalty to the polis (the city-state) above all else, and to prize obedience to orders higher than their own lives. The last stand at Thermopylae made the Spartans legends in their own time, famous for their brevity and their ability to endure hardship, to control their emotions, and to never surrender--even in the face of impossible odds, even when it meant their certain deaths. But was this reputation earned? Or was it simply the success of a propaganda machine that began turning at Thermopylae in 480 BC? Examining the historical record, both literary and material, paints a very different picture of Spartan arms--a society dedicated to militarism not in service to Greek unity or to the Spartan state itself, but as a desperate measure intended to keep its massive population of helots (a near-slave underclass) in line, forcing them to perform the mundane work of farming, cleaning, building and crafting to permit the dandified Spartan citizens ( spartiatai ) the time they needed to focus on their military training. Covering Spartas full classical history, The Bronze Lie examines the myth of Spartan warrior supremacy against the historical record, delving into the minutiae of Spartan warfare from arms and armor to tactics and strategy. With a special focus on previously under-publicized Spartan reverses that have been left largely unexamined, it looks at the major battles as well as re-examining major Spartan victories. Most importantly, it re-examines Thermopylae itself, a propaganda victory utterly out of proportion to its actual impact--a defeat that wasnt even accomplished by 300 Spartans, but rather by thousands of allied Greeks, all for the net effect of barely slowing a Persian advance that went on to roam Greece unchecked and destroy Athens itself.

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At this time however since the phalanx of Epaminondas bore down upon them - photo 1

At this time however since the phalanx of Epaminondas bore down upon them - photo 2

At this time, however, since the phalanx of Epaminondas bore down upon them alone and neglected the rest of their force, and since Pelopidas engaged them with incredible speed and boldness, their courage and skill were so confounded that there was a flight and slaughter of the Spartan Peers such as had never before been seen.

PLUTARCH, LIFE OF PELOPIDAS

Contents PART I The Myth of Sparta PART II The Reality of Sparta - photo 3

Contents

PART I
The Myth of Sparta

PART II
The Reality of Sparta

PART III
Tangling Myth and Reality

To say Im both thrilled and surprised to be writing my second history book is - photo 4

To say Im both thrilled and surprised to be writing my second history book is an understatement. The truth is that I never expected to write my first one, much less to have it well received. What began as an obsession with wargaming and a desire to fill a gap I saw in the literature is now maturing into a desire to contribute to the field of military history a field that, despite its immense popularity, still has so many untold stories and unexamined questions.

As I mature as an historian, Im delighted to discover that so many of the skills I built as an intelligence and law enforcement officer, as a manhunter on TV, as a counterterrorism targeter and as a criminal investigator translate perfectly. History is, in the end, detective work sifting through facts, digging up evidence, trying to claw truth from tangled memory in witness accounts, battling your own biases in an effort to come up with cogent analysis that rests on the available data.

But while these skills translate, they do not make me a full-time professional. My only qualification is that I really, really like this stuff and I want to see the widest possible audience falling in love with the topic as much as I have.

I feel that one of the successes of Legion Versus Phalanx was its accessibility. I dont come from academia, so I never really learned to write in an academic style. Im not knocking those who do (I hungrily consume work coming out of academia) but writing Legion Versus Phalanx cemented my belief that its possible to write history that rests on a foundation of rock-solid scholarship and reads like a conversation in a bar with your nerdy friend.

Im writing for those nerdy barflies lovers of games like Rome: Total War II and Seven Wonders , fans of the shows Rome and Spartacus , tabletop wargamers, sword-and-sandal movie dorks, the wide world of folks whove never taken a graduate-level history class in their lives. Id be honored if the scholars out there would read me too, but I must beg their patience as I loosen my tie a bit, so to speak.

Keeping this in mind, youll notice that I sometimes use Greek words only once before switching to their rough English equivalents. Again, my goal here is to make this tent as big as possible, and I dont want to lose readers who dont read classical languages. Sometimes I will not define a word on first use, but only if I think the definition is clear from the context. Hang with me, a definition will surely be coming shortly. A glossary is included in the back of the book for your reference.

I will also try to stick to anglicized versions of Greek names. Lycurgus instead of Lykourgos. Lacedaemon instead of Lakedaimon. Herodotus instead of Herodotos. Again, my goal here is to use terms that are more likely to be recognized, and thus comfortable, for the uninitiated reader.

When I quote historical figures, I will put their words in italics when I am directly quoting from the sources and just in plain quotes when I am paraphrasing for purposes of clarity. Direct quotes from modern figures are also in italics.

While I bring a warfighters lens to this work, I dont want to exclude those who havent served. I have often said that nobody owns the military experience. All society is plagued by war at all times, and so military experience is a thing all people, service member and civilian alike, share. My experience having fought in Iraq is no more authentic than that of a civilian who has had to go through their life watching that same war unfold on TV, reading about it on Twitter, having it impact their pop culture, politics and interpersonal relationships. These are both genuine military experiences, only differing in perspective.

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