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Margaret Sankey - Blood Money: How Criminals Militias Rebels and Warlords Finance Violence

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Blood Money: How Criminals Militias Rebels and Warlords Finance Violence: summary, description and annotation

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It isconvenientto think that bad guys are drumming up money for their activities far away and in shady back alleys, but the violent non-state actors (VNSAs) of the world arehiding in plain sight. They peddleknockoff sneakers, pass the hat at ethnic festivals, takea cut of untaxed booze sales,swindlesenior citizens with bogus phone calls about needing bail in Mexico,and run money through mainstream banksto buyup rental properties (just to name a few). On a grand scale, their behavior erodes rule of law, creates moral injuries from corruption,and emboldens bad actors to steal and back violent tactics with impunity.
Blood Moneyanalyzesthe ways in which VNSAs find money for their operations and sustainment, from controlling a valuable commodity to harnessing the grievances of a networked diaspora, andit looks atthe channels through which they can flip the positives of globalization into flat, fast, andfrictionlessmovement of people, funds,and materials needed to terrorize and coerce their opponents.AuthorMargaret Sankey highlightsthe mundane and everyday nature of these tactics, occurring under our noses online, in legitimate marketplaces,and with the aegis of intelligence services and national governments.
While reforms attempt to curtail these options, their utility andefficacyas tools of financehave provedinadequateforsovereignstates. VNSAsdefiance of rulesand their capable adaptation and innovationmake them extremely difficult to pin down or prosecute.
Manysecurity publications stress legislation and enforcement or frame illicit finance as a military or police problem. WithBlood Money,Sankey pointsoutthemanyways VNSAs evade lawenforcement,andsheoffers options for involving consumers and activists in exercising agency and choicesin how they apply their money and where it goes.Blood Moneyalsoprovidescontext for whole-of-government approaches to attacking underlying supports for illicit financing channels.How these groups finance themselves is key to understanding how they function and what actions might be taken toderail their plans or dismantle their structure.

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BLOOD MONEY

How Criminals, Militias, Rebels, and Warlords Finance Violence

MARGARET D. SANKEY

Naval Institute Press

Annapolis, Maryland

Naval Institute Press

291 Wood Road

Annapolis, MD 21402

2022 by Margaret Sankey

All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher.

ISBN 978-1-68247-437-2 (hardcover)

ISBN 978-1-68247-751-9 (eBook)

Library of Congress Cataloging-in-Publication Data is available.

Picture 3Print editions meet the requirements of ANSI/NISO z39.48-1992 (Permanence of Paper).

Printed in the United States of America.

30 29 28 27 26 25 24 23 22 9 8 7 6 5 4 3 2 1

First printing

The appearance of U.S. Department of Defense (DoD) visual information does not imply or constitute DoD endorsement.

CONTENTS
PREFACE

When the U.S. Air Force Air War College hired me in 2015, it was not because of my historical expertise in eighteenth-century Scotland but because I could wrangle their computer systems and coax good research out of O-5 and O-6 students as their director of research and electives. Quickly, however, Uncle Sam and my dean, Dr. Chris Hemmer, offered generous support and opportunities for transforming what I knew about determined Jacobite efforts to hide money, lie to the courts, fund their exiles, and generate subsequent waves of insurgency in the British Isles into something of more twenty-first-century interest. Thanks to a Minerva grant (and prodding from my colleague Dr. Paul Springer), I began work on a new elective course, Dirty Money, and on the research that has turned into this book, starting with visits to the Interdisciplinary Art Crimes Conference and the Carabinieri of Italys Il Comando Carabinieri Tutela Patrimonio Culturale.

Along the way, I discovered that not much had changed since the eighteenth century. Illicit actors were not plying their trades in dark corners but out in the open, entwined with everyday activities and tolerated to various degrees by the local authorities (it just takes a lot less time these days to hide money in the Cayman Islands). Violent nonstate actors reach into every sector of the mainstream financial system, from charities to car lots to real estate, not to mention innovative spaces like internet commerce and synthetic drug manufacturing.

Another substantial chunk of money and leave from my new boss, Dr. Mehmed Ali, at Air Universitys Academic Services allowed me to attend a Marshall Center seminar on Countering Trans-National Crime, an opportunity that put me in rooms with Ukrainian anticorruption auditors, Seychelles tax fraud prosecutors, and Senegalese customs inspectors. Their experiences and insights, as well as those of the four years of Air Command and Staff College students in Dirty Money, have added immeasurably to this project.

Most of my research before this book has involved sitting quietly in temperature- and humidity-controlled archives, puzzling out eighteenth-century handwriting, so it has been a professional upheaval to be out talking to Border Patrol agents in Arizona and seeing a demonstration of a confiscated marijuana-bale canon, sitting in on online art auctions, and getting a crash course in Bitcoin. Much of the scholarship on twenty-first-century illicit finance sits not in manuscript archives but online, in the form of blogs, caches of documents like the Panama Papers and Wikileaks, and the brave and relentless work of reporters who, in the absence of local print journalism, go to meetings, blow whistles, and cover things that sometimes risk their lives. Many thanks to the people who shared their expertise and continue to do the hard work.

The buckle down and write it portion of this project took place in the very strange year 2020, necessitating the extremely efficient and inventive efforts of the Air University Library, director Alisha Miles, and her outstanding staff to get me an eccentric roster of interlibrary loans and collection requests under challenging circumstances. That this was completed without throwing my laptop into the yard is due to my amazing in-house computer wizard, steady household manager, and human/genius, Ian.

The conclusions and opinions expressed in this research are those of the author and do not necessarily reflect the official policy or positions of the U.S. government, Department of Defense, or the Air University.

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