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Matthew F. Delmont - Half American: The Epic Story of African Americans Fighting World War II at Home and Abroad

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Matthew F. Delmont Half American: The Epic Story of African Americans Fighting World War II at Home and Abroad
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Half American: The Epic Story of African Americans Fighting World War II at Home and Abroad: summary, description and annotation

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The definitive history of World War II from the African American perspective, written by civil rights expert and Dartmouth history professor Matthew Delmont
Matthew F. Delmonts book is filled with compelling narratives that outline with nuance, rigor, and complexity how Black Americans fought for this country abroad while simultaneously fighting for their rights here in the United States. Half American belongs firmly within the canon of indispensable World War II books.
Clint Smith, #1 New York Times bestselling author of How the Word Is Passed: A Reckoning with the History of Slavery Across America
Over one million Black men and women served in World War II. Black troops were at Normandy, Iwo Jima, and the Battle of the Bulge, serving in segregated units and performing unheralded but vital support jobs, only to be denied housing and educational opportunities on their return home. Without their crucial contributions to the war effort, the United States could not have won the war. And yet the stories of these Black veterans have long been ignored, cast aside in favor of the myth of the Good War fought by the Greatest Generation.
Half American is American history as youve likely never read it before. In these pages are stories of Black heroes such as Thurgood Marshall, the chief lawyer for the NAACP, who investigated and publicized violence against Black troops and veterans; Benjamin O. Davis, Jr., leader of the Tuskegee Airmen, who was at the forefront of the years-long fight to open the Air Force to Black pilots; Ella Baker, the civil rights leader who advocated on the home front for Black soldiers, veterans, and their families; James Thompson, the 26-year-old whose letter to a newspaper laying bare the hypocrisy of fighting against fascism abroad when racism still reigned at home set in motion the Double Victory campaign; and poet Langston Hughes, who worked as a war correspondent for the Black press. Their bravery and patriotism in the face of unfathomable racism is both inspiring and galvanizing. In a time when the questions World War II raised regarding race and democracy in America remain troublingly relevant and still unanswered, this meticulously researched retelling makes for urgently necessary reading.

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VIKING An imprint of Penguin Random House LLC penguinrandomhousecom Copyright - photo 1
VIKING An imprint of Penguin Random House LLC penguinrandomhousecom Copyright - photo 2

VIKING

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2022 by Matthew F. Delmont

Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.

Grateful acknowledgment is made for permission to reprint the following:

James G. Thompson letter published in Pittsburgh Courier, January 31, 1942, reprinted by permission of the Pittsburgh Courier archives.

Ballad of Ethiopia by Langston Hughes published in Baltimore Afro-American on September 28, 1935, reprinted courtesy of the AFRO American Newspapers Archive.

Let America Be America Again, Beaumont to Detroit: 1943, Postcard from Spain, Love Letter from Spain, and To Captain Mulzac from The Collected Poems of Langston Hughes, edited by Arnold Rampersad with David Roessel, Associate Editor, copyright 1951, 1994 by the Estate of Langston Hughes. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC, and reprinted by permission of Harold Ober Associates. All rights reserved.

The Sinking Of the Reuben James. Words and music by Woody Guthrie.

Copyright 1942 UNIVERSAL MUSIC CORP. Copyright renewed. All rights reserved. Used by permission. Reprinted by permission of Hal Leonard LLC.

Remember Pearl Harbor by Sammy Kaye, 1942. Reprinted courtesy of Sony Music Entertainment (on behalf of RCA Victor).

Negro Hero by Gwendolyn Brooks. Reprinted by consent of Brooks Permissions.

library of congress cataloging-in-publication data

Names: Delmont, Matthew F., author.

Title: Half American : the epic story of African Americans fighting World War II at home and abroad / Matthew Delmont.

Other titles: Epic story of African Americans fighting World War II at home and abroad

Description: [New York] : Viking, [2022] | Includes bibliographical references and index.

Identifiers: LCCN 2022010535 (print) | LCCN 2022010536 (ebook) | ISBN 9781984880390 (hardcover) | ISBN 9781984880406 (ebook)

Subjects: LCSH: World War, 19391945Participation, African American. | World War, 19391945African Americans. | World War, 19391945Social aspectsUnited States. | United StatesArmed ForcesAfrican AmericansHistory20th century. | African American soldiersHistory20th century. | African AmericansCivil rightsHistory20th century. | Race discriminationUnited StatesHistory20th century. | RacismUnited StatesHistory20th century. | United StatesRace relationsHistory20th century.

Classification: LCC D810.B53 D45 2022 (print) | LCC D810.B53 (ebook) | DDC 940.54/03dc23/eng/20220328

LC record available at https://lccn.loc.gov/2022010535

LC ebook record available at https://lccn.loc.gov/2022010536

Cover design: Lucas Heinrich

Cover photographs: (left) Courtesy National Archives (208-NP-4HHH-2); (right) Daily Express / Hulton Archive / Getty Images

designed by meighan cavanaugh, adapted for ebook by molly jeszke

pid_prh_6.0_141494713_c0_r0

For Xavier and Simone

CONTENTS

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INTRODUCTION

Shortly after the attack on Pearl Harbor in December 1941, James Gratz Thompson, a twenty-six-year-old Black cafeteria worker from Wichita, could not sleep. He had registered with the Selective Service the prior year, and now, with the U.S. declaring war on Japan and Germany, it was only a matter of time before hed be drafted. The prospect of war was frightening for many civilians, but something else was on his mind on that cold Kansas night. Sitting in his familys home, in a vibrant Black neighborhood amid a segregated American city, Thompson wrote a letter to the editor of the Pittsburgh Courier, the nations largest Black newspaper, expressing the concerns that he and many other Black Americans felt about joining a racially segregated military.

Should I sacrifice my life to live half American? Thompson asked. Will things be better for the next generation in the peace to follow? Would it be demanding too much to demand full citizenship rights in exchange for the sacrificing of my life? Is the kind of America I know worth defending?

Thompsons poignant questions about patriotism had an immediate impact. Hundreds of thousands of Black Americans read his letter printed in the pages of the Courier. The influential newspaper used the letter to launch the Double Victory campaign, with the aim of securing victory over fascism abroad and victory over racism at home. The Courier ran hundreds of stories, photographs, and cartoons to support this initiative. Double V clubs formed in communities across the country, and civil rights activists touted the slogan.

I have taught about World War II for more than a decade, but researching this book has forced me to see the war with fresh eyes. Taking the twin aims of the Double V campaign seriouslyvictory over fascism abroad and victory over racism at homeit is clear that the United States did not achieve a full victory in World War II. Although the Nazis were conquered on the battlefield, the racial ideas of white supremacy continued to flourish in Americathen and today.

Half American aims to tell the definitive history of Black Americans and World War II. Nearly everything about the warthe start and end dates, geography, vital military roles, home front, and international implicationslooks different when viewed from the African American perspective. For Black Americans, the war started not with Pearl Harbor in 1941 but several years earlier with the Italian invasion of Ethiopia and the Spanish Civil War. As soon as Adolf Hitlers regime rose to power in the 1930s, Black Americans recognized the significance of the Nazi threat and the similarities between the Third Reichs and Americas racial policies. In the pages of newspapers and in activist refrains, Blacks argued that Nazi racial ideology was not solely a foreign problem. Describing a plan to segregate Jews on German railways, the New York Amsterdam News wrote that Nazis were taking a leaf from the United States Jim Crow practices. The Chicago Defender noted that the practice of jim-crowism has already been adopted by the Nazis and proceeded to quote from the official newspaper of the SS, the Nazi paramilitary organization, on the American origins of Germanys railway ban on Jews.

In the days after Pearl Harbor, hundreds of Black volunteers were turned away by military recruiters. In a nation mobilizing for war, African Americans first had to fight for the right to serve in the military. Ultimately, over one million Black men and women served in World War II and hundreds of thousands worked in defense industries at home. The trailblazing Tuskegee Airmen, 92nd Infantry Division, Montford Point Marines, and 761st Black Panther Tank Battalion served bravely in combat, and Black troops shed blood in the iconic battles at Normandy and Iwo Jima, and in the Battle of the Bulge. Most Black troops, however, labored in unheralded but vital support jobs. Black newspapers highlighted the important roles these men and women played in lesser-known battles and war zones around the world, from New Guinea to Alaska, and from the Mediterranean island of Pantelleria to the mountains of the China-Burma-India theater.

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