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Marjorie Agosín - Tapestries of hope, threads of love: the arpillera movement in Chile, 1974-1994

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Tapestries of hope, threads of love: the arpillera movement in Chile, 1974-1994: summary, description and annotation

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This book tells the story of ordinary women living in terror and extreme poverty under General Pinochets oppressive rule in Chile (19731989) and how their lives did and did not change following his reign. These women defied the military dictatorship by embroidering their sorrow on scraps of cloth, using needles and thread as one of the boldest means of popular protest and resistance in Latin America. The arpilleras they madepatchwork tapestries with scenes of everyday life and memorials to their disappeared relativeswere smuggled out of Chile and brought to the world the story of their fruitless searches in jails, morgues, government offices, and the tribunals of law for their husbands, brothers, and sons. Marjorie Agos?n, herself a native of and exile from Chile, has spent over twenty years interviewing the arpilleristas and following their work. She knows their stories intimately and knows, too, that not one of them has ever found a disappeared relative alive. Still, many of them maintain hope and continue to make their arpilleras. Even though the dictatorship ended in 1989 and democracy returned to Chile, no full account of the detained and disappeared has ever been offered. This book includes a history of the womens movement, testimonies from the women in their own words, and, for the first time, full-color plates of their beautiful, moving, and ultimately hopeful arpilleras. Anyone interested in the history of contemporary Latin America will want to read this powerful story. What the arpilleristas speak of in their gentle, agonizing fabrics must never be forgottenin Chile, and around the globe. This book is a guardian of memory, an important and lovely work of art that radiates social conscience and illuminates the struggle to survive.John Nichols

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title Tapestries of Hope Threads of Love The Arpillera Movement in - photo 1

title:Tapestries of Hope, Threads of Love : The Arpillera Movement in Chile, 1974-1994
author:Agosin, Marjorie.
publisher:University of New Mexico
isbn10 | asin:0826316921
print isbn13:9780826316929
ebook isbn13:9780585178998
language:English
subjectWomen in politics--Chile--Santiago, Chile--Politics and government--1973- , Disappeared persons--Chile--Santiago.
publication date:1996
lcc:HQ1236.5.C5A36 1996eb
ddc:320.983/315
subject:Women in politics--Chile--Santiago, Chile--Politics and government--1973- , Disappeared persons--Chile--Santiago.
Page iii
Tapestries of Hope, Threads of Love
The Arpillera Movement in Chile, 19741994
Marjorie Agosn
Translated by Celeste Kostopulos-Cooperman
Photographs by Emma Sepulveda and Ted Polumbaum
University of New Mexico Press
Albuquerque
Page iv
Copyright 1996 by the University of New Mexico Press.
All rights reserved.
First edition
Library of Congress Cataloging-in-Publication Data
Agosn, Marjorie.
Tapestries of hope, threads of love: the arpillera movement in
Chile, 19741994 / Marjorie Agosn; translated by Celeste
Kostopulos-Cooperman; foreword by Isabel Allende. 1st ed.
p. cm.
ISBN 0-8263-1691-3.ISBN 0-8263-1692-1 (pbk.)
1. Women in politicsChileSantiago. 2. ChilePolitics and
government1973- 3. Disappeared personsChileSantiago.
I. Title.
HQ1236.5.C5A36 1996
320.983'315dc20 95-32448
CIP
Designed by Linda Mae Tratechaud
Page v
Contents
Acknowledgments
ix
Foreword: Isabel Allende
xi
Returning to the Shadows
1
Plates
41
A Journey to the South
86
Weaving My Story
91
Notes
96
Testimonies
98
Afterword: Peter Winn
137

Page vii
To the arpilleristas of Santiago de Chile, valiant citizens who dared to speak against the
silence and the shadow, who created life and dignity in tapestries made from leftover
cloth. This book is a tribute to their legacy and to their vision of justice.
Page ix
Acknowledgments
This book represents almost two decades of thinking, writing, and listening to the arpilleristas of Santiago de Chile who courageously defied the Pinochet dictatorship. I have met with these women since the early seventies. I was welcomed into their workshops, their homes, and their gardens. I listened to their tales of fortitude and solitude, learned of courage and dignity amid horrific times. This book would not have been possible without their openness, their prudence, and their kindness. I would especially like to thank Winnie Lira, the coordinator of the arpillera workshops, for her help and guidance. I am grateful to her and to Marvin Home from the New York Times, who wrote one of the first articles about the arpilleras and interviewed me in the eighties, making their work more visible and my life safer. I also want to thank those who guided me as I so innocently worked in a very conflicted political era. In spite of the threats I received both in Chile and outside, in spite of the menacing letters against my work, I came through the years of the dictatorship with an even greater conviction and commitment to human rights. I thank the arpilleristas of Santiago for making me into a nobler human being who survived beyond fear.
My parents, who were then in the USA and were aware of the dangers involved in such ventures, were encouraging and proud of their daughter's spirit. I hope that this book will contribute to the memory and the spirit of the disappeared youth of Latinoamerica so that their deaths will not have been in vain, so that a future generation of activists will follow their leadership with prudence and passion. I am grateful to
Page x
Dana Asbury whose vision, inspiration, and dedication to this project have made this book a reality. Special thanks to the photographers Emma Sepulveda and Ted Polumbaum for their contribution to this project, to my friend and translator Celeste Cooperman, and to Patricia Rubio and Peter Winn for their careful reading of the manuscript.
Page xi
Foreword
ISABEL ALLENDE
Most women are natural weavers of stories, not only those who have the good fortune to be published, but all those who perpetuate the oral traditionmothers, grandmothers, and great-grandmothers who share their secrets while stirring soup, sowing fields, or mending fishing-nets. They record the truths of history, not the struggles for power or the vanity of emperors, but the pains and hopes of everyday life. Sometimes, however, even the oral tradition is threatened because a people is deprived of its voice. This was the case in Chile between 1973 and 1989, during the long dictatorship of General Pinochet that followed three years of a Socialist experiment under President Salvador Allende.
The military dictatorship used terror to govern. Censorship, curfew, exile, prison, torture, and desaparecidospeople taken by the police and never seen againbecame a way of life for many Chileans. At a terrible social and political cost, the military created a capitalist market but failed to balance it with rights for the workers. They produced the conditions for economic growth on the backs of the underprivileged who were treated as the disposable sector of the population. In the name of economic efficiency, the generals opposed democracy as a foreign ideology and replaced it with a doctrine of law and order: the law of the strongest and the order of the barracks. Poor women in the shantytowns were the main victims of the new regime. Thousands of them became the only providers for their homes, as their husbands, fathers, and sons disappeared or roamed the country looking for menial jobs. Repression destroyed their families, extreme poverty paralyzed them, and fear
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