• Complain

Gallaudet University - Seeing Voices

Here you can read online Gallaudet University - Seeing Voices full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Toronto;Ontario, year: 2008;2011, publisher: Knopf Canada;Vintage Canada, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover

Seeing Voices: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Seeing Voices" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Like The Man Who Mistook His Wife for a Hat, this is a fascinating voyage into a strange and wonderful land, a provocative meditation on communication, biology, adaptation, and culture. In Seeing Voices, Oliver Sacks turns his attention to the subject of deafness, and the result is a deeply felt portrait of a minority struggling for recognition and respect -- a minority with its own rich, sometimes astonishing, culture and unique visual language, an extraordinary mode of communication that tells us much about the basis of language in hearing people as well. Seeing Voices is, as Studs Terkel has written, an exquisite, as well as revelatory, work.
From the Trade Paperback edition.

Gallaudet University: author's other books


Who wrote Seeing Voices? Find out the surname, the name of the author of the book and a list of all author's works by series.

Seeing Voices — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Seeing Voices" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
BOOKS BY OLIVER SACKS Oaxaca Journal Uncle Tungsten Memories of a Chemical - photo 1
BOOKS BY OLIVER SACKS

Oaxaca Journal
Uncle Tungsten: Memories of a Chemical Boyhood
The Island of the Colorblind
An Anthropologist on Mars
Seeing Voices: A Journey into the World of the Deaf
The Man Who Mistook His Wife for a Hat
A Leg to Stand On
Awakenings
Migraine

First Vintage Books Edition November 2000 Copyright 1989 1990 by Oliver Sacks - photo 2

First Vintage Books Edition, November 2000

Copyright 1989, 1990 by Oliver Sacks

All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published in hardcover by the University of California Press, Berkeley and Los Angeles, California, in 1989.

Vintage and colophon are registered trademarks of Random House, Inc.

The author gratefully acknowledges permission to reprint material from Language and the Discovery of Reality by Joseph Church, reprinted by permission of the author; Deaf in America by Carol Padden and Tom Humphries, reprinted by permission of Harvard University Press; and Deafness, copyright 1969 by David Wright, reprinted by permission of the Stein and Day Publishers.

Library of Congress Cataloging-in-Publication Data

Sacks, Oliver W.
Seeing Voices: a journey into the world of the deaf / Oliver Sacks.
1st Vintage Books ed.
p. cm.
eISBN: 978-0-307-36575-0
1. Gallaudet UniversityStudent strike, 1988.
2. DeafHistory. 3. American sign language.
HV2370.S23 2000
305.908162dc21
00-042340

www.vintagebooks.com

v3.1

For
Isabelle Rapin,
Bob Johnson,
Bob Silvers,
and Kate Edgar

[Sign language] is, in the hands of its masters, a most beautiful and expressive language, for which, in their intercourse with each other and as a means of easily and quickly reaching the minds of the deaf, neither nature nor art has given them a satisfactory substitute.

It is impossible for those who do not understand it to comprehend its possibilities with the deaf, its powerful influence on the moral and social happiness of those deprived of hearing, and its wonderful power of carrying thought to intellects which would otherwise be in perpetual darkness. Nor can they appreciate the hold it has upon the deaf. So long as there are two deaf people upon the face of the earth and they get together, so long will signs be in use.

J. Schuyler Long
Head teacher, Iowa School for the Deaf
The Sign Language (1910)

CONTENTS

Strobe photograph of ASL signs join and inform Reprinted by permission from - photo 3

Strobe photograph of ASL signs join and inform. (Reprinted by permission from The Signs of Language, E. S. Klima & U. Bellugi. Harvard University Press, 1979.)

PREFACE

THREE years ago I knew nothing of the situation of the deaf, and never imagined that it could cast light on so many realms, above all, on the realm of language. I was astonished to learn about the history of deaf people, and the extraordinary (linguistic) challenges they face, astonished too to learn of a completely visual language, Sign, a language different in mode from my own language, Speech. It is all too easy to take language, ones own language, for grantedone may need to encounter another language, or rather another mode of language, in order to be astonished, to be pushed into wonder, again.

When I first read of the deaf and their singular mode of language, Sign, I was incited to embark on an exploration, a journey. This journey took me to deaf people and their families; to schools for the deaf, and to Gallaudet, the unique university of the deaf; it took me to Marthas Vineyard, where there used to exist a hereditary deafness and where everybody (hearing no less than deaf) spoke Sign; it took me to towns like Fremont and Rochester, where there is a remarkable interface of deaf and hearing communities; it took me to the great researchers on Sign, and the conditions of the deafbrilliant and dedicated researchers who communicated to me their excitement, theirsense of unexplored regions and new frontiers. My journey has taken me to look at language, at the nature of talking and teaching, at child development, at the development and functioning of the nervous system, at the formation of communities, worlds, and cultures, in a way which was wholly new to me, and which has been an education and a delight. It has, above all, afforded a completely new perspective on age-old problems, a new and unexpected view onto language, biology, and culture it has made the familiar strange, and the strange familiar.

My travels left me both enthralled and appalled. I was appalled as I discovered how many of the deaf never acquire the powers of good languageor thinkingand how poor a life might lie in store for them.

But almost at once I was to be made aware of another dimension, another world of considerations, not biological, but cultural. Many of the deaf people I met had not merely acquired good language, but language of an entirely different sort, a language that served not only the powers of thought (and indeed allowed thought and perception of a kind not wholly imaginable by the hearing), but served as the medium of a rich community and culture. Whilst I never forgot the medical status of the deaf, I had now to see them in a new, ethnic light, as a people, with a distinctive language, sensibility, and culture of their own.

It might be thought that the story and study of deaf people, and their language, is something of extremely limited interest. But this, I believe, is by no means the case. It is true that the congenitally deaf only constitute about 0.1 percent of the population, but the considerations that arise from them raise issues of the widest and deepest importance. The study of the deaf shows us that much of what is distinctively human in usourcapacities for language, for thought, for communication, and culturedo not develop automatically in us, are not just biological functions, but are, equally, social and historical in origin; that they are a giftthe most wonderful of giftsfrom one generation to another. We see that Culture is as crucial as Nature.

The existence of a visual language, Sign, and of the striking enhancements of perception and visual intelligence that go with its acquisition, shows us that the brain is rich in potentials we would scarcely have guessed of, shows us the almost unlimited plasticity and resource of the nervous system, the human organism, when it is faced with the new and must adapt. If this subject shows us the vulnerabilities, the ways in which (often unwittingly) we may harm ourselves, it shows us, equally, our unknown and unexpected strengths, the infinite resources for survival and transcendence which Nature and Culture, together, have given us. Thus, although I hope that deaf people, and their families, teachers, and friends, may find this book of special interest, I hope that the general reader may turn to it, too, for an unexpected perspective on the human condition.

THIS book is in three parts. The first, A Deaf World, was written in 1985 and 1986, and started as a review of a book on the history of the deaf, Harlan Lanes When the Mind Hears. This had expanded to an essay by the time it was published (in the

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Seeing Voices»

Look at similar books to Seeing Voices. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Seeing Voices»

Discussion, reviews of the book Seeing Voices and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.