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Dickman Jay - Perfect Digital Photography

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The power of photography -- Equipment -- Developing technical proficiency with your camera -- Understanding light -- Creative exposures -- Composition -- Telling the story -- Photographing people -- Travel and documentary photography -- Photographing the natural world -- Welcome to the digital darkroom -- Getting started with Lightroom -- Editing your photos -- Correcting tone and color -- Image refinements -- Advanced image corrections -- Output -- Printing -- Multimedia explorations.

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Perfect Digital Photography

Second Edition

About the Authors

Jay Dickman is a Pulitzer Prizewinning photographer who has worked on more than - photo 1

Jay Dickman is a Pulitzer Prizewinning photographer who has worked on more than 25 assignments for the National Geographic Society. A partial client list also includes TIME magazine, Mens Journal, Cond Nast Traveler, BusinessWeek, Forbes magazine, Fortune magazine, Sports Illustrated, American Way, and nearly all the A Day in the Life of projects, including America, Soviet Union, China, Italy, Ireland, and Spain.

A member of the Olympus Visionary Educator Program, a Lexar Elite Photographer, and an HP Pro Photographer, Jay has been shooting professionally for more than 35 years. He is the recipient of the Goldeneye Award from the World Press Competition, the Sigma Delta Chi Journalist of the Year award, and many other national and international awards.

Jay Dickman operates his own FirstLight Workshops. He has hosted workshops in France, Scotland, Spain, the Eastern Shore of Maryland, and Dubois, Wyoming, with future workshops scheduled for Italy and Colorado.

Jay Kinghorn is an Adobe Certified Expert an Olympus Visionary photographer - photo 2

Jay Kinghorn is an Adobe Certified Expert, an Olympus Visionary photographer, and a full-time digital workflow consultant and trainer. He specializes in helping corporations use their photos efficiently and effectively by streamlining workflow processes and improving employee skills using Adobe Photoshop, Adobe Lightroom and color management. Jay lectures and presents to businesses and universities internationally. His presentations focus on digital photography workflows, color management, image optimization, and the future of photography. His clients include Olympus, Sony, Adobe, Cabelas, Vail Resorts, and Pearl Izumi.

Jay is often found climbing the rock walls, biking the trails, or scaling the mountains near his home in Salt Lake City, Utah.

About the Technical Editor

Frank Varney is the photography chair for The Art Institute of Colorado. He holds an MFA in photography from the Maine Media College. An active editorial photographer for 30 years, Franks work has appeared in numerous publications, including AARP The Magazine, ELLE, Glamour, First for Women, and Ladies Home Journal, along with The Book of Alternative Photographic Processes (by Christopher James, Delmar Cengage Learning, 2008) and Photography for the 21st Century (by Katie Miller, Delmar Cengage Learning, 2006). He is a member of the American Society of Media Photographers and the Society of Photographic Educators.

Perfect Digital Photography

Second Edition

JAY DICKMAN
JAY KINGHORN

Copyright 2009 by The McGraw-Hill Companies Inc All rights reserved Except - photo 3

Copyright 2009 by The McGraw-Hill Companies Inc All rights reserved Except - photo 4

Copyright 2009 by The McGraw-Hill Companies, Inc. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

ISBN: 978-0-07-160167-2

MHID: 0-07-160167-8

The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-160166-5, MHID: 0-07-160166-X.

All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps.

McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs. To contact a representative please e-mail us at bulksales@mcgraw-hill.com.

Information has been obtained by McGraw-Hill from sources believed to be reliable. However, because of the possibility of human or mechanical error by our sources, McGraw-Hill, or others, McGraw-Hill does not guarantee the accuracy, adequacy, or completeness of any information and is not responsible for any errors or omissions or the results obtained from the use of such information.

TERMS OF USE

This is a copyrighted work and The McGraw-Hill Companies, Inc. (McGraw-Hill) and its licensors reserve all rights in and to the work. Use of this work is subject to these terms. Except as permitted under the Copyright Act of 1976 and the right to store and retrieve one copy of the work, you may not decompile, disassemble, reverse engineer, reproduce, modify, create derivative works based upon, transmit, distribute, disseminate, sell, publish or sublicense the work or any part of it without McGraw-Hills prior consent. You may use the work for your own noncommercial and personal use; any other use of the work is strictly prohibited. Your right to use the work may be terminated if you fail to comply with these terms.

THE WORK IS PROVIDED AS IS. McGRAW-HILL AND ITS LICENSORS MAKE NO GUARANTEES OR WARRANTIES AS TO THE ACCURACY, ADEQUACY OR COMPLETENESS OF OR RESULTS TO BE OBTAINED FROM USING THE WORK, INCLUDING ANY INFORMATION THAT CAN BE ACCESSED THROUGH THE WORK VIA HYPERLINK OR OTHERWISE, AND EXPRESSLY DISCLAIM ANY WARRANTY, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. McGraw-Hill and its licensors do not warrant or guarantee that the functions contained in the work will meet your requirements or that its operation will be uninterrupted or error free. Neither McGraw-Hill nor its licensors shall be liable to you or anyone else for any inaccuracy, error or omission, regardless of cause, in the work or for any damages resulting there from. McGraw-Hill has no responsibility for the content of any information accessed through the work. Under no circumstances shall McGraw-Hill and/or its licensors be liable for any indirect, incidental, special, punitive, consequential or similar damages that result from the use of or inability to use the work, even if any of them has been advised of the possibility of such damages. This limitation of liability shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or otherwise.

Im dedicating this book to my wife, Becky, who also happens to be my best friend and editor; shes been my main supporter-in-chief all these many years. To my kids, Kristi, Gavin, Matt, and Maggie, who have to put up with my travels and the stories that come from those trips. To my sister, Susan, who lives vicariously through my travels. And, finally, to Beverly Skelton, for your support and for creating the person I married.

Jay Dickman

This book is dedicated to the two most important women in my life: To my mother, who instilled in me a sense of curiosity about life and a thirst for knowledge. Her untimely passing meant she never had a chance to see her own dreams through to fruition. I hope to carry on the work she started. This book is also dedicated to my wife, Jessica, who picked up the pieces when my world fell apart, listened patiently, and helped me get back on my feet. She is a patient editor, listens to my wild ideas, and helps me apply them to the real world. I owe both of you a tremendous debt of gratitude.

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