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Chris Franchetti Michaels - More Teach Yourself VISUALLY Jewelry Making

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Chris Franchetti Michaels More Teach Yourself VISUALLY Jewelry Making

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The visual way to advance your jewelry making

Unlike other crafts that focus on a fairly narrow range of techniques and materials, jewelry making is very broad; the techniques encompass everything from bead stringing to metal stamping to working with different types of clay. More Teach Yourself VISUALLY Jewelry Making picks up where Teach Yourself VISUALLY Jewelry Making & Beading leaves off and gives you even more techniques to create new types of jewelry.

Beginning with a concise overview of jewelry making tools and essential techniques, the book gives you technique-specific chapters covering: designing with chain, basic metal work, metal cold connections, sculpting with metal clay, embellishing metal, using adhesives, and working with resin, glaze, and leather. Plus, a chapter of example projects gives you instruction for making 11 unique pieces to add to your jewelry collection.

  • Step-by-step instructions are accompanied by clear, detailed...

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more Jewelry Making Techniques to Take Your Projects to the Next Level Chris - photo 1

more Jewelry Making Techniques to Take Your Projects to the Next Level Chris - photo 2

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Jewelry Making

Techniques to Take Your Projects to the Next Level

Chris Franchetti Michaels

More Teach Yourself VISUALLY Jewelry Making Copyright 2012 by John Wiley - photo 3

More Teach Yourself VISUALLY Jewelry Making

Copyright 2012 by John Wiley & Sons, Inc., Hoboken, New Jersey. All rights reserved.

Published by John Wiley & Sons, Inc., Hoboken, New Jersey

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions.

Wiley, the Wiley logo, Teach Yourself VISUALLY, and related trademarks are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc., is not associated with any product or vendor mentioned in this book.

The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising here from. The fact that an organization or Website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Website may provide or recommendations it may make. Further, readers should be aware that Internet Websites listed in this work may have changed or disappeared between when this work was written and when it is read.

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John Wiley & Sons, Inc., also publishes its books in a variety of electronic formats and by print-on-demand. Not all content that is available in standard print versions of this book may appear or be packaged in all book formats. If you have purchased a version of this book that did not include media that is referenced by or accompanies a standard print version, you may request this media by visiting http://booksupport.wiley.com. For more information about Wiley products, visit us at www.wiley.com.

Library of Congress Control Number: 2012930551

ISBN: 978-1-118-08334-5 (pbk)

ISBN: 978-1-118-23660-4; 978-1-118-26154-5; 978-1-118-22274-4 (ebk)

Printed in the United States of America

10 9 8 7 6 5 4 3 2 1

Book production by John Wiley & Sons, Inc., Composition Services

Updates to this book are available on the Downloads tab at this site: www.wiley.com/go/moretyvjewelrymaking.

Credits

Acquisitions Editor

Pam Mourouzis

Senior Project Editor

Donna Wright

Copy Editor

Emily Hinkel

Technical Editor

Marti Icenogle

Editorial Manager

Christina Stambaugh

Vice President and Publisher

Cindy Kitchel

Vice President and Executive Publisher

Kathy Nebenhaus

Interior Design

Kathie Rickard

Elizabeth Brooks

Special Thanks...

To the following companies for granting us permission to use photographs of their products:

Paragon Industries (www.paragonweb.com)

Otto Frei (www.ottofrei.com)

And to Lisa Pavelka (www.lisapavelka.com) for providing the Magic-Glos and Lisa Pavelka UV Light shown in this book.

About the Author

Chris Franchetti Michaels is a writer and jewelry artisan specializing in beaded designs, wirework, and metal fabrication. She is the author of several popular craft books, including Teach Yourself VISUALLY Jewelry Making & Beading and Teach Yourself VISUALLY Beadwork . Chris has appeared on several episodes of the DIY Network television show Jewelry Making and is the Guide to Beadwork on About.com. Visit her Web site www.beadjewelry.net for more help and inspiration.

Acknowledgments

To everyone who worked on this book, I owe a big thank you. Special thanks to Pam Mourouzis and Donna Wright, who managed to keep everything on track and organized. Emily Hinkels and Marti Icenogles fresh eyes were truly invaluable. The production team juggled lots of material behind the scenes, and I really appreciate their contributions. As always, thanks to my agent, Marilyn Allen, for her continued encouragement, and to Dennis for his patience and support.

Chapter 1: Getting Started

Do you dabble in jewelry making, but find yourself itching for new ways to express your creativity? Let this book be your guide as you explore fresh techniques for crafting truly one-of-a-kind handmade designs. Start with this chapter, where you can review the tools and supplies that are used throughout the book. Then head into your studio or craft space and begin taking jewelry making to the next level.

How to Use This Book

More Teach Yourself VISUALLY Jewelry Making is divided into 12 chapters. Chapter 2 is a review of the most basic jewelry making techniques, which are covered in detail in the first book in this series, Teach Yourself VISUALLY Jewelry Making & Beading. Chapters 3 through 11 explore related groups of new techniques. The final chapter is devoted to sample projects that show you creative ways to put your new skills to use.

Review the Basics After reading about the various categories of jewelry making - photo 4

Review the Basics

After reading about the various categories of jewelry making tools and supplies in this chapter, read Chapter 2 for a quick review of jewelry making basics. For a more in-depth review of these and other basic techniques, use this book in conjunction with Teach Yourself VISUALLY Jewelry Making & Beading , or with the companion guidebooks, Wire Jewelry Visual Quick Tips and Beading Visual Quick Tips .

Get Started Chapters 3 through 11 of this book are divided into sections that - photo 5

Get Started

Chapters 3 through 11 of this book are divided into sections that focus on related sets of jewelry making techniques. You can begin with Chapter 3 and work through each chapter consecutively, or you can browse through all nine chapters and identify which techniques pique your interest.

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