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Lareau - Getting Started Making Metal Jewelry

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Lareau Getting Started Making Metal Jewelry
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    Getting Started Making Metal Jewelry
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An ideal introduction, this manual details the craft of making metal jewelry by pairing expert guidance with clear, explicit photographs. Beginning with the basic tools and skills necessary to master before complex projects can be executed successfully, every stage of the metal jewelry art is discussed--from practicing proper safety to learning how to cut, solder, buff, and stamp metals. Example projects--in styles from contemporary and funky to classic and elegant--include pendants, earrings, bracelets, rings, and chains.

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GETTING STARTED

making
metal
jewelry

Mark Lareau

Getting Started Making Metal Jewelry - image 1

I would like to dedicate this book to my family Viki Trevor Julian and - photo 2

I would like to dedicate this book to my family
Viki, Trevor, Julian, and Sophia
who bring joy to my life every day and
who always provide such fertile fodder for inspiration
in whatever endeavor I undertake.

Getting Started Making Metal Jewelry - image 3

2006 Mark Lareau

Photography Michael Shopenn

All rights reserved.

Getting Started Making Metal Jewelry - image 4

Interweave Press LLC
201 East Fourth Street
Loveland, CO 80537-5655 USA
interweave.com

Library of Congress Cataloging-in-Publication Data

Lareau, Mark, 1964

Getting started making metal jewelry / Mark Lareau.

p. cm.

Includes index.

ISBN 978-1-59668-025-8 (hardcover)

ISBN 978-1-62033-011-1 (PDF)

ISBN 978-1-62033-231-3 (ePub)

1. Jewelry making. 2. Art metal-work. I. Title.

TT212.L37 2007

745.594'2--dc22

2006023192

No book is created in a vacuum. (Well, maybe when we start printing in outer space, but you know what I mean.) And this one was no different. Id like to first thank Linda Ligon, who e-kicked me in the pants when I needed it. This is just as much her book as it is mineI only wrote the words, the technical stuff that anyone with a little experience in the field could have provided. She tweaked, coddled, prodded, poked, and pulled it (sometimes kicking and screaming) into the wonderful tome you hold in your hands. I thought it was a fluke that Judith Durant turned the rambling mess that was my manuscript for All Wired Up into a terrific book; now I see that it really is the editors who deserve most of the credit.

I would like to thank Gurnd Bjordmundr, the twelfth-century Norse jeweler who invented all the techniques covered in this book. (Actually Gurnd is a literary device called an amalgam; he is actually my personification of the millions of jewelers who built upon what others did before to open up new frontiers in design, theory, and practice. Who better than a sensitive Viking jeweler to personify this?)

I would especially like to thank Tim McCreight, who taught me (besides a ton of useful technique) that it is as important to not be constrained by rules of technique as it is to understand and use them the way your heart asks you to. I am still not sure if that was something he was consciously trying to get across in his lessons or if it is just part of his genetic makeup, but it was one of the things I took with me, and it provided a major shift in the way I approach jewelry making. Thanks, Tim! And while I risk endless ribbing from my family and staff, I just have to say that this book wouldve been easier to write were it not for the people of Suramar and, specifically the wonderful folk of Not Dead Yet.

I really need to acknowledge (hence the placement in the acknowledgments) my wonderful staff at The Bead Factory. I give them grief, they give me more, I love most of them like family, nuff said (heh-heh). I would also be remiss in leaving out all the wonderful people who have taken classes from me at The Bead Factory (some sign up for every class, sight unseen!). You have unknowingly (well, sometimes knowingly) been my guinea pigs when I was trying out new tools (look at this new rolling mill I just boughtlets make up a class!), and I always get back at least as much from my time spent with you as you get from the classes. Thank you all.

Last, I need to say thanks again to my beautiful wife Viki, without whose gentle prodding (okay, she basically cracked the whip) there would have been no book. In fact, I shudder to think what else there wouldnt be. People often muse about what their life wouldve been like if they hadnt met their spouse/soulmate. I never doits just unimaginable to me, a life without her and our wonderful children.

Contents

Mark striking metal with a chasing hammer Some people find the idea of - photo 5

Mark striking metal with a chasing hammer.

Some people find the idea of metalsmithing a little intimidating. Cutting and drilling require sharp tools, sometimes even power tools. Soldering requires high heat. Chemicals are sometimes involved. But think about it. You use chemicals to clean your drains. You use a sharp motorized tool to sew a seam. Heat? Think cooking.

The fact is that the basic skills of metalsmithing are no more challenging than any number of household chores that most of us do on a daily basis. And yet mastering these basic skillscutting, drilling, soldering, hammering, polishingwill open the door to a whole world of creative jewelry making. With these skills, if you can imagine it, you can make it.

This book is organized to help you learn your tools, develop your skills, and have a little fun along the way. Ive also included some laymans explanations of the science involved. Read those parts. Understanding the basic idea of soldering is as important as understanding that baking powder makes cakes rise. Understanding your materials and processes will give you the accuracy and control to turn your visions into reality and get professional results.

Each project introduces a new idea and builds on what youve done previously. You dont have to follow them in sequence, but youll find yourself doing less backtracking if you do. Id encourage you to make several versions of each piece as you go along, too. It will stimulate your creativity and hone your skills as you go. Most of all, though, relax, enjoy.

Metalsmithing is a fairly gear-intensive undertaking, but dont panic! Some of the common tools youll need are available at any good hardware store, and all of the jewelry-specific ones can be had relatively inexpensively from a good jewelers supply provider. Youll find a few supplier suggestions in the .

A few of the items youll need will be used in every project in this book; these constitute your basic workbench and should be in place whenever you start a project. These are marked in the following discussion with a **. Some of these are consumablesyou should have a decent supply so you wont run out at an awkward time. Some tools described in this chapter will be used for many projects, but not all. Ive marked these with a *. The miscellaneous category lists small items that you should always have at handmarkers, pencils, scissors, and so forth. The basic setupthose starred itemswill cost something like $100 to $200, as of the writing of this book, and they will be essential for all the fabulous works you will undoubtedly create as you go along and build your skills. You can add other tools as the need arisesletter punches, dapping block, and so forth. You might only use them occasionally, but they open some creative doors.

Finally, youll need materials. Sheet metals, wire, solder, flux. Youll find these described here as well, and each project will list the particular materials youll need to make it.

**Safety Glasses

During the course of your jewelry-making endeavors, you will be doing lots of things that will potentially cause small shards of metal to go flying through the air. You really need to have a good pair of safety glasses

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