Plaster Studio
Mixed-Media Techniques
for painting, casting
and Sculpting
Stephanie Lee & Judy Wise
Plaster Studio. Copyright 2011 by Stephanie Lee and Judy Wise. Manufactured in China. All rights reserved. The patterns and drawings in the book are for the personal use of the reader. By permission of the author and publisher, they may be either hand-traced or photocopied to make single copies, but under no circumstances may they be resold or republished.
It is permissible for the purchaser to make the projects contained herein and sell them at fairs, bazaars and craft shows. No other part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote a brief passage in review. Published by North Light Books, an imprint of F+W Media, Inc., 4700 East Galbraith Road, Cincinnati, Ohio 45236. (800) 289-0963. First edition. and Europe by F+W Media
International
Brunel House, Newton Abbot, Devon, TQ12 4PU,
England
Tel: (+44) 1626 323200, Fax: (+44) 1626 323319
Email: Distributed in Australia by Capricorn Link
P.O. and Europe by F+W Media
International
Brunel House, Newton Abbot, Devon, TQ12 4PU,
England
Tel: (+44) 1626 323200, Fax: (+44) 1626 323319
Email: Distributed in Australia by Capricorn Link
P.O.
Box 704, S. Windsor, NSW 2756 Australia
Tel: (02) 4577-3555 Library of Congress Cataloging-in-Publication Data Lee, Stephanie (Stephanie Lynn),
Plaster Studio : Mixed-Media Techniques for Painting,
Casting and Carving / Stephanie Lee and Judy Wise.
First edition. pages cm
Includes index.
ISBN-13: 978-1-4403-0815-4 (pbk.: alk. paper)
ISBN-10: 1-4403-0815-2 (pbk. : alk. paper)
1.
Plaster craft. I. Wise, Judy. II. Title.
TT295. L44 2011
730dc22 2010043144
Dedications
To my family wide and vast.
To each and every friend who has encouraged and inspired me and stepped into that ever widening circle of my family. To all my parents for loving me with a depth and spirit that makes me want to live a happy and full life in honor of you. Most of all, to my best friend and husband, Vincent, and to my daughters, Melissa and Annabelle, who willingly pick up the slack on the home front when Im knee-deep in this creative life, who dont mind eating on the sofa when the dining table is overrun with plaster mess, and who saunter into my studio when Im working with genuine interest in what Im up to. For their love and support and dinnertime laugh-until-we-cry sessions, I am eternally grateful. Stephanie To my husband and best friend, John Prescott, and my daughters (and best friends), Shellie Garber and Stephanie Garber, for trusting my love despite the fact that I often painted right through meal preparation and supper time. And for helping me sell my work at art fairs across the country for three decadeswhat a mighty effort it was.
You each have made my art life possible, and I am deeply grateful for your support and for understanding my art affliction. You are always in my heart. Judy
Acknowledgments
From Stephanie: To Judy Wise for her depth of knowledge and love for exploration and for being a willing accomplice in this adventure. She is one of the most real, honest and inspiring people I know. To each and every hand that has been involved in the making of this book. From those at North Light who made it real, to the retreat organizers who have had faith in what I have to offer, to the students and dear friends whose courageous exploration inspires and uplifts me.
I thank you all from the heart of my heart. From Judy: To Stephanie Lee for her knowledge of the medium and for being a great co-explorer on this fascinating search. She knows her way around a hardware store, a quality I most admire. To Tonia Davenport, our editor, for being a nurturer of writers and art makers. To the creative minds at North Light and especially to our art director, Geoff Raker, for making the book beautiful. To Diane Havnen-Smith, Katie Kendrick, Teesha Moore and Glenny Demson Moir for encouraging me to teach.
For being my muse, eternal friend and life coach, I thank Guy Stiles. And to all the artists and students I have met while teaching and traveling, you have kept me inspired and given me immeasurable joy through your generous friendship and love. You have given me the gift of relevance and the message that I have something worth sharing with others. For all of these acts of kindness, I am immeasurably grateful.
Contents
Raw Material, Renewed Inspiration
G athered from the generosity of the earth, plaster holds within it an inherent and noble connection to history. It has remained virtually unchanged for thousands of years in regard to its use in art and architecture, yet we two artistswho love plaster for the receptive medium that it ishave more than once experienced the newness of it.
You have a powder and you add water. But oh, the variety of projects that can emerge from such simple materials! Plaster teaches us something new each time we explore it, and so the gift of discovery is around every turn. Surely we all have somewhere a lump of plaster into which a young child has pressed her hand. A moment in time, a gift for mom, a beaming and proud young artist. Houses that many of us have lived in are or were made of stucco, another plaster-and-cement product, troweled over a supporting layer of chicken wire. Again, material so elemental that most of us could easily imagine the steps necessary to construct this shelter.
If you were to stop us on the street and ask what it is about using plaster in our artwork that is so satisfying to our creative urges, youd be wise to have a comfy chair handy because the list of reasons is not a short one. Its not a linear list either. Its a circular list. It loops around and across and back up and around itself again as we begin to explain how plaster responds to paint, how well it marries to other surfaces and back again to how, when painted, it marries to itself. The layers of possibility are stacked one upon another when you slice through the strata of our idea-incubating minds. We might even start to get a bit animated when we move into telling you about the possibilities of three-dimensional form.
Well nod our heads emphatically at what the other is saying and resist the urge to let the ideas being sparked in that very moment of conversation take over our minds and bodies and pull us to the studio to make it happennow. The love affair is that great, that inspiring, that pure. How else is a medium more serving than if it awakens a youthful excitement to the approach of creative play? Plaster is one of the most versatile and adaptable mediums we know. Like other art mediumspaint, pastels, clayits origin is the earth but unlike many other art mediums, it is almost in the same form as it was found. Here we are using a material so raw and cooperative and willing to be altered, we cant help but feel a return to simplicity. Its a return to art that is more about expression and less about trend.