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Henry W. Hamilton - Sioux of the Rosebud: A History in Pictures (Civilization of American Indian)

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    Sioux of the Rosebud: A History in Pictures (Civilization of American Indian)
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title The Sioux of the Rosebud A History in Pictures Civilization of the - photo 1

title:The Sioux of the Rosebud : A History in Pictures Civilization of the American Indian Series ; V. 111
author:Anderson, J. A.; Hamilton, Henry W.; Hamilton, Jean Tyree.
publisher:University of Oklahoma Press
isbn10 | asin:0806116226
print isbn13:9780806116228
ebook isbn13:9780585293271
language:English
subjectBrul Indians--Pictorial works.
publication date:1980
lcc:E99.B8A6 1980eb
ddc:970.3/09783/31
subject:Brul Indians--Pictorial works.
Page i
THE CIVILIZATION OF THE AMERICAN INDIAN SERIES
Page iii
The Sioux of the Rosebud
Page vi
Frontispiece Sam Kills Two also known as Beads working on his winter count - photo 2
Frontispiece
Sam Kills Two (also known as Beads) working on his winter count. The death of Turning Bear, killed by a locomotive in
1910, is shown in the second row just above Kills Two's left foot. See Plate 191.
(Courtesy of Nebraska State Historical Society, Lincoln.)
Page vii
The Sioux of the Rosebud
A History in Pictures
Photographs by John A. Anderson
Text by Henry W. Hamilton
and
Jean Tyree Hamilton
Page viii By Henry W Hamilton The Spiro Mound Columbia Missouri - photo 3
Page viii
By Henry W. Hamilton
The Spiro Mound (Columbia, Missouri, 1952)
Tobacco Pipes of the Missouri Indians (Columbia, Missouri, 1967)
The Aftermath of War: Experiences of a Quaker Relief Officer (Dayton, Ohio, 1982)
With Jean Tyree Hamilton
The Sioux of the Rosebud: A History in Pictures (Norman, 1971)
By Jean Tyree Hamilton
Arrow Rock, Where Wheels Started West (Columbia, Missouri, 1963)
International Standard Book Number: 0806116226
Library of Congress Catalog Card Number: 78145506
The Sioux of the Rosebud: A History in Pictures is Volume 111 in The Civilization of the American Indian Series.
Copyright 1971 by the University of Oklahoma Press, Norman, Publishing Division of the University. All rights reserved. Manufactured in the U.S.A.
6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
Page ix
To J. O. and Evelyn Brew
Page xi
Preface
We first became aware of John A. Anderson and his photography while going through the papers of the artist-writer Remington Schuyler, Anderson's friend and contemporary on the Rosebud Reservation in South Dakota. Among these voluminous papers, given into our safekeeping after Schuyler's death in 1955, were sixteen original Anderson prints and five postcard reproductions.
Inquiries to the state historical societies of the region revealed that, although all of them had examples of Anderson's work, none had any biographical information about him. Anderson, who had left a dramatic record of the development of the West and whose photographs had captured history in the making, was all but forgotten. He was a misty figure who had crossed a page of history, made his contribution, and disappeared.
Anderson's photographs record the transition of the Brul Sioux from the free, nomadic warriors fresh from the Battle of the Little Big Horn to the subjugated remnants of the tribe compelled to live on a reservation whose boundaries and controls had been established by the white man's government. The beef-issue photographs taken between 1889 and 1893 (Plates 61 to 74) are poignant illustrations of that transition. The buffaloes were gone, intentionally destroyed to bring the Indians to starvation and submission. The beef issue represented life itself to the Sioux.
Anderson's work can be divided into three phases. From 1885 to about 1900 he photographed life among the Indians as he found it, mostly recording
Page xii
groups and group activity. During his middle phaseapproximately 1900 to 1910he did portrait photography, recording Indians as individuals. In his final phase, starting around 1911, he often photographed Indians in deliberately posed scenes, showing them preparing a hide for tanning, making a fire with flint and steel, cooking meat in skins.
Convinced that the man and his work were important, we set about reconstructing the events of his life and to identifying the subjects and circumstances shown in his pictures. We obtained biographical information about Anderson from members of his family, his friends, and his associates.
We were also given access to the known diaries kept by Anderson and his wife. The earliest diary was written by John before his marriage and covered the period from March 25, 1889, to February 25, 1890. The second was kept by Mrs. Anderson from January 1 to January 17, 1930. Both are in the Sioux Indian Museum at Rapid City, South Dakota, deposited there in 1969 by their grandson, Harold Anderson. There was also a third Anderson diary, which we were unable to find. Mrs. Alma Roosa, Anderson's niece, read parts of it with Mrs. Anderson years ago. She thinks that, although the Andersons collaborated on its contents, it was actually written by Mrs. Anderson. The dates it covered are unknown.
In the 188990 diary Anderson did not always make his entries day by day but sometimes made a number of them at one time. Thus occasionally the events noted are not in chronological order. That is perhaps to be expected, for in his work he covered a wide territory by horseback, by carriage, and on foot, and sometimes he was away from home for extended periods of time. There are tantalizing omissions in the record. He barely mentions the Crook Treaty Council, for example, except to state that he photographed it and obtained some interesting negatives.
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