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Norburn - Stage Management

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Norburn Stage Management
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Working at the heart of theatre production, the stage management department is responsible for the smooth running of the show from day one of rehearsals to final curtain on the last performance. Stage Management examines, in depth, the roles and responsibilities of this indispensable team, including organizing rehearsals and performances, working with directors and designers to realise their creative ideas, and supporting the cast and other technical departments. This practical guide is packed with extensive example paperwork, top tips and industry terminology, offering expert guidance and advice on key tasks that can be achieved competently and with ease. An essential companion for technical theatre students, practising stage managers, both professional and amateur, and anyone interested in theatre production and arts management. Packed with top tips, expert guidance and advice on key tasks and industry terminology. Supported by 150 colour photographs and 115 line artworks, diagrams and templates. Diane Norburn has worked in stage management for over twenty-five years and is currently Senior Stage Management Tutor at LAMDA. Another title in the new Crowood Theatre Companions series.;Cover Page; Title Page; Copyright Page; Contents; Acknowledgement; Abbreviations; Introduction; Chapter 1 Theatre Basics; Chapter 2 The Production Process; Chapter 3 The Assistant Stage Manager; Chapter 4 The Deputy Stage Manager; Chapter 5 The Stage Manager; Chapter 6 Propping; Chapter 7 The Mark-Up and Scene Changes; Chapter 8 The Book; Chapter 9 Health and Safety; Chapter 10 Running a Show; Chapter 11 Moving Beyond Theatre; Glossary; List of Suppliers; Further Reading; Index

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Stage Management

Stage Management Diane Norburn THE CROWOOD PRESS First published in 2018 by - photo 1

Stage Management

Diane Norburn

Picture 2

THE CROWOOD PRESS

First published in 2018 by

The Crowood Press Ltd

Ramsbury, Marlborough

Wiltshire SN8 2HR

www.crowood.com

This e-book first published in 2018

Diane Norburn 2018

All rights reserved. This e-book is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of thistext may be a direct infringement of the authors and publishers rights, and those responsible may be liable in law accordingly.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library.

ISBN 978 1 78500 444 5

Frontispiece

A production of Fiddler on the Roof. Photo: John Haynes, Designer: Phillip Engleheart

CONTENTS

LIST OF SUPPLIERS

Brodie and Middleton

Theatrical supplies, art and scenic supplies

brodie.net

Tel 0207 836 3289

Data Reprographics

Printed items

datarepro.co.uk

Tel 01784 243996

Film Medical

Medical props

Filmmedical.co.uk

Tel 0208 961 3222

Flints

Specialist theatrical paint and hardware

flints.co.uk

Tel 0207 703 9786

History in the Making

Weaponry, prop and costume hire and armourer

History-making.com

Tel 023 9225 3175 or 023 9226 5743

John Frost Newspapers

johnfrostnewspapers.co.uk

Tel 01797 361952

Keeley Hire

Props and furniture

keeleyhire.co.uk

Tel 01992 464040 or 01992 444584

The National Theatre Prop Hire

nationaltheatre.org.uk

Tel 0207 820 1358

Newman Prop Hire

Furniture and lighting

www.newmanprophire.co.uk

Tel 0208 743 0741

Pigs Might Fly

Stage blood

pigsmightfly.co.uk

Tel 01722 340927

Rc-Annie Ltd

Weaponry, fight direction and courses

rc-annie.com

Tel 0207 820 3933

Russell Beck Studios

Prop makers

russellbeckstudio.co.uk

Tel 0203 241 0000

Superhire Group

Includes Super Hire, Old Times and Modern Props Ltd

Prophireuk.com

Tel 0208 453 3900

ACKNOWLEDGEMENTS

I would like to thank the following people:

Everyone at LAMDA, particularly Joanna Read, Rodney Cottier, Rob Young, Rob Gale and the SMTT staff; the cast of Sucker Punch for their headshots and the Cs, E2s and directors for the production shots; Ian Brown and Mary Papadima. A special thank you to the stage management students past, present (and future). You make me a better stage manager and teach me something new every day. Your work has been invaluable to this book; Kate Jones, thank you for having my back.

Grange Park Opera: Wasfi Kani, Helen Sennett, everyone on Oliver and the best SM team, Laura Deards and Robert Perkins.

BBC TV: The BBC Proms team, Fran Kemp, Michael Ledger, Mei Ye Li and Val Fraser; Angela Young on CBeebies; Edward Gardner and the BBC Symphony Orchestra.

Designers: Roy Bell, Richard Bullwinkle, Nicky Bunch, Norman Coates, Dinah England, Philip Engleheart, Adrian Gee, Richard Kent, Ruari Murchison, Fi Russell, Dora Schweitzer, Nancy Surman and James Turner.

Midge Adams, Jamie Crawford, The Stag Theatre in Sevenoaks, Andrew Killian, Mountview, John Birger and Bill Kenwright.

Finally, thank you to my family and friends. Mum and Dad for your constant support and checking my grammar; David, Martin, Charlotte, Becky, Jake, Sarah, Andrew, Mila and Marnie and the Hs; Tim Oliver and Richard Crawley; Pauline, Mike and my friends at the Dukes; Brian Jones (Osborne), you led the way.

Photo credits: John Haynes and Richard Hubert Smith (see also individual captions).

Every reasonable effort has been made to trace and credit illustration and textual copyright holders. If you own the copyright to an image or quotation appearing in this book and have not been credited, please contact the publisher, who will be pleased to add a credit in any future edition.

ABBRIVIATIONS

To avoid filling the text with long theatrical terms (over 200 instances of deputy stage manager, for example!), the following abbreviations are used in the text:

AD

assistant director

ASM

assistant stage manager

BECTU

Broadcasting, Entertainment, Communications and Theatre Union

CL

centre line

CM

company manager

CS

centre stage

CSM

company stage manager

DS

downstage

DSM

deputy stage manager

FM

floor manager

FOH

front of house

HOD

head of department

IOSH

Institution of Occupational Safety and Health

ITC

Independent Theatre Council

LD

lighting designer

LX

the lighting department

MD

musical director

MS

mid stage

OP

opposite prompt

OSL

offstage left

OSR

offstage right

PM

production manager

PPE

personal protection equipment

PS

prompt side

SM

stage manager

SND

sound department

SOLT

Society of London Theatre

TSM

technical stage manager

US

upstage

INTRODUCTION

Many people, even those who work in the theatre industry themselves, do not really know exactly what stage management teams do and what is involved in the job. Other than the props, furniture and set dressing, the work that the stage management department undertakes is behind the scenes and often goes unnoticed. The stage management teams work isnt obviously on show like other departments. There is no set to show off, no lighting to be in awe of or sound to enjoy. Most people do not know that there is someone who is responsible for cueing the technical elements of the production and ensuring that everything happens at the correct time or that a member of the stage management team has planned the scene change. But the work we do in stage management is the glue that holds a production together. Stage management facilitates other peoples creativity and solves problems, encouraging and assisting others to be the best they can be and, whilst the work we do may go unseen, that is the biggest compliment to receive as it means we have done a good job.

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