• Complain

Mary Harlow - Textiles and Gender in Antiquity: From the Orient to the Mediterranean

Here you can read online Mary Harlow - Textiles and Gender in Antiquity: From the Orient to the Mediterranean full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2020, publisher: Bloomsbury USA Academic, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Mary Harlow Textiles and Gender in Antiquity: From the Orient to the Mediterranean

Textiles and Gender in Antiquity: From the Orient to the Mediterranean: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Textiles and Gender in Antiquity: From the Orient to the Mediterranean" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

This volume looks at how the issues of textiles and gender intertwine across three millennia in antiquity and examines continuities and differences across time and space with surprising resonances for the modern world. The interplay of gender, identity, textile production and use is notable on many levels, from the question of who was involved in the transformation of raw materials into fabric at one end, to the wearing of garments and the construction of identity at the other.
Textile production has often been considered to follow a linear trajectory from a domestic (female) activity to a more commercial or industrial (male-centred) mode of production. In reality, many modes of production co-existed and the making of textiles is not so easily grafted onto the labour of one sex or the other. Similarly, textiles once transformed into garments are often of unisex shape but worn to express the gender of the wearer.
As shown by the detailed textual source material and the rich illustrations in this volume, dress and gender are intimately linked in the visual and written records of antiquity. The contributors show how it is common practice in both art and literature not only to use particular garments to characterize one sex or the other, but also to undermine characterizations by suggesting that they display features usually associated with the opposite gender.

Mary Harlow: author's other books


Who wrote Textiles and Gender in Antiquity: From the Orient to the Mediterranean? Find out the surname, the name of the author of the book and a list of all author's works by series.

Textiles and Gender in Antiquity: From the Orient to the Mediterranean — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Textiles and Gender in Antiquity: From the Orient to the Mediterranean" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

TEXTILES AND GENDER IN ANTIQUITY To Marie-Louise Nosch who has inspired - photo 1

TEXTILES AND GENDER IN ANTIQUITY

To Marie-Louise Nosch,

who has inspired research into ancient textiles

for the past fifteen years

Leicester and Nanterre,

27 January 2020

Also available from Bloomsbury

COSTUME IN GREEK TRAGEDY

by Rosie Wyles

FEMALE MOBILITY AND GENDERED SPACE IN ANCIENT GREEK MYTH

by Ariadne Konstantinou

GREEK AND ROMAN SEXUALITIES: A SOURCEBOOK

by Jennifer Larson

CONTENTS Detail from consular diptych of Areobindus eastern consul - photo 2

CONTENTS


Detail from consular diptych of Areobindus, eastern consul 506; ivory. Muse de Cluny, Paris.


Philippe Abrahami is an Assyriologist and Professor of History and Ancient Near Eastern Archaeology at the University of Lille, France (CNRS HALMA, UMR 8164). His research area covers various topics based on the study of Akkadian and Sumerian documentation. He specializes in ancient warfare, a field that he has developed since his thesis on the military organization of the Mari kingdom during the Old Babylonian period. For his habilitation thesis, he started to work on the cuneiform corpus of Nuzi, a provincial city of the kingdom of Arraphe during the fifteenthfourteenth centuries BCE .

Damien Agut-Labordre is a researcher at the National Centre for Scientific Research (CNRS, ArScAnHAROC, Nanterre, France). As a historian, his works focus on two themes: the economic and social history of Egypt during the first millennium BCE (with a focus on villages and rural communities) and the political history of the Achaemenid Persian period in Egypt (sixthfourth centuries BCE ). He is also a Demoticist involved in several archaeological missions in the Western Desert of Egypt (Kharga Oasis).

Eva Andersson Strand is an associate professor in Textile Archaeology at the University of Copenhagen, and has through the past thirty years gained a broad experience with materials, cultures regions and time periods such as the Viking Age and Bronze Aegean and Ancient Near East. She is the Director of a research centre of excellence, CTR (Centre for Textile Research), at Copenhagen University, and is, together with the CTR team, developing new methods and setting the standards for future research.

Maria Giovanna Biga is Professor of History of the Ancient Near East at Sapienza Universit di Roma in the Department of Sciences of Antiquity. Her research interests focus on political, social and religious history of the third millennium BCE Syria, Eblaite language and culture. She has published editions of Ebla texts and several articles on different aspects of the history of Syria in the third millennium BCE . Her most recent article is Too many horns in the temple of the god Hadad of Aleppo at the time of the Ebla archives (2019).

Catherine Breniquet is Professor of Ancient History of Art and Archaeology at the Universit Clermont Auvergne (France). Her main fields of research are the archaeology of Mesopotamia and textile archaeology. Since 2017, she has been the head of an interdisciplinary and inter-institutional programme on the study of the Roman collections from the Martres-de-Veyre (Puy-de-Dme, France), kept in the Muse Bargoin of Clermont Mtropole. Textiles are part of this programme. Her co-authors, and members of the research team, are Christine Bouilloc, Director of the Bargoin Museum; Marie Bche-Wittmann, Associate Director; and Camille Gaumat and Marion Veschambre, in charge of collections.

Cecilie Brns is Senior Researcher at the Ny Carlsberg Glyptotek in Copenhagen. She is also director of the museums polychromy project, which carries out interdisciplinary investigations of the original paint of the museums ancient artefacts. Her research focus on ancient colours, particularly the polychromy of Graeco-Roman art and architecture, as well as ancient textiles. She has published widely on the religious aspects of textile consumption in ancient Greece and on the polychromy of ancient art.

Barbara Couturaud is an archaeologist, now Researcher at IFPO (Institut Franais du Proche-Orient) and head of the Erbil branch. Her research focuses on Mesopotamian archaeology and iconography during the Early Bronze Age (third millennium BCE ). During her PhD, she studied the corpus of inlays discovered in Mari, now published (2019). Since then, she has also worked on the figuration of the military elites and feminine garments. She has worked on many archaeological excavations in Syria, Jordan, Kuwait, Iraq and France. She is now the Director of the Excavations in Amyan (Kurdistan Regional Government).

Mary Harlow is Associate Professor of Ancient History at the University of Leicester and was Guest Professor at the Centre for Textile Research, Copenhagen (201113, 2020). Her research interests include the study of dress and appearance, and the history of families, age and ageing, and gender in the Roman world. She has published extensively, including contributions to and editing of Greek and Roman Textiles and Dress (with M.-L. Nosch) (2014), A Cultural History of Dress and Fashion in Antiquity (2017) and A Cultural History of Hair in Antiquity (2019).

Francis Joanns is Professor Emeritus of Ancient History at the University Paris I Panthon-Sorbonne. His current research focuses on the first millennium BCE Mesopotamia during the Neo-Babylonian period. He is especially interested in private archives in the social context of the Neo-Babylonian cities and the administrative archives of the temples of southern Babylonia. He also studies the transmission of cultural and religious tradition in Babylonia in the scholars circles. He has collaborated, since its creation in 2000, in the achemenet.com programme, where he manages the online edition of the cuneiform texts from Babylonia.

Hedvig Landenius Enegren is affiliated with the Department of Archaeology and Ancient History at Uppsala University, Sweden and the Swedish Institute of Classical Studies in Rome. She held a Marie Skodowska Curie Fellowship at the Centre for Textile Research (CTR), University of Copenhagen, Denmark, in 201214. Her research interests span from Aegean Late Bronze Age epigraphy (Linear B) to ancient textile and textile tool technology. Her current research project involves the textile tool material from the Swedish Institute in Rome excavations at the Etruscan sites of San Giovenale and Acquarossa.

Lena Larsson Lovn is Professor in Classical Archaeology and Ancient History at the University of Gothenburg. Her research interests focus on textiles and dress, visual cultures, social history and aspects of gender especially in Roman society. She initiated the network ARACHNE on gender studies in antiquity. Among her recent publications are studies of the role of Roman dress and visual communication (2017), male and female economy and work identities (2013, 2016, 2019).

Brigitte Lion is Professor at Paris I Pantheon-Sorbonne University in the Department of History. Her research interests focus on cuneiform archives, especially from the second millennium BCE , social history and gender studies. With D. Stein, she has published two volumes of Nuzi private archives dating to the fourteenth century BCE (2001 and 2016) and co-edited (with C. Michel) The Role of Women in Work and Society in the Ancient Near East

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Textiles and Gender in Antiquity: From the Orient to the Mediterranean»

Look at similar books to Textiles and Gender in Antiquity: From the Orient to the Mediterranean. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Textiles and Gender in Antiquity: From the Orient to the Mediterranean»

Discussion, reviews of the book Textiles and Gender in Antiquity: From the Orient to the Mediterranean and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.