Gwyn Daniel - Family Dramas: Intimacy, Power and Systems in Shakespeares Tragedies
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Most of Shakespeares tragedies have a family drama at their heart. Family Dramas: Intimacy, Power and Systems in Shakespeares Tragedies brings these relationships to life, offering a radical new perspective on the tragic heroes and their dilemmas. It focusses on the interactions and dialogues between people on stage, linking conflicts in their intimate emotional worlds to wider social and political contexts.
Exploring the diverse relationships in Shakespeares tragedies sheds a different light on the predicaments faced by each of the protagonists. It shows how moral and ideological struggles are worked out within family relationships. The book introduces a family systems approach to literary criticism, relating these ideas to other approaches within Shakespeare studies. Gender features strongly in the analysis since it is within gender relationships that intimacy and power most compellingly intersect and frequently collide.
For Shakespeare lovers and psychotherapists alike, this application of family therapy theory opens up new vistas on a familiar literary landscape.
Gwyn Daniel has practised as a family therapist, trainer and clinical supervisor within the National Health Service and she co-founded the Oxford Family Institute. She is a visiting lecturer at the Tavistock Clinic, London. She has authored or co-authored many professional books and articles. In the past ten years she has given presentations, both nationally and internationally, on her family systems approach to Shakespeares tragedies.
This book is a feast for family therapists and Shakespeare lovers alike. How pleasurable to see systemic ideas reflected in different light as Gwyn Daniel puts them to use in her lively reading of Shakespeares plays. And how pleasurable to appreciate, yet again, across time and culture and contexts, the drama and complexity of human relating and the beauty of Shakespeare.
Carmel Flaskas, Adjunct Associate Professor, School of Social Sciences, University of New South Wales, Australia
Gwyn Daniel is a phenomenally astute and sensitive reader of people and relationships; she is also a phenomenally astute and sensitive reader of Shakespeares plays. This book combines her skills in family therapy and in Shakespeare. The result is a fresh reading of major plays, with new insights in every chapter. It is a book that also displays acute theatrical sensitivity: what we see on stage is characters performing relationally. The Shakespeare lover, the therapist, and the theatre-goer will find much to treasure in this valuable book. Gwyn Daniel distils her immense knowledge and her close reading of Shakespeare into precise observations that consistently offer perceptive articulations of social systems and family relations.
Laurie Maguire, Professor of Shakespeare, University of Oxford and Tutorial Fellow, Magdalen College
Series Editors: Charlotte Burck and Gwyn Daniel
This influential series was co-founded in 1989 by series editors David Campbell and Ros Draper to promote innovative applications of systemic theory to psychotherapy, teaching, supervision and organisational consultation. In 2011, Charlotte Burck and Gwyn Daniel became series editors and aim to present new theoretical developments and pioneering practice, make links with other theoretical approaches, and promote the relevance of systemic theory to contemporary social and psychological questions.
Recent titles in the series inlcude:
Family Dramas: Intimacy, Power and Systems in Shakespeares Tragedies
Gwyn Daniel
The Heart of the Matter: Music and Art in Family Therapy
Hilary Palmer
Staying Attached: Fathers and Children in Troubled Times
Gill Gorell Barnes
Creativity in Times of Constraint: A Practitioner's Companion in Mental Health and Social Care
Jim Wilson
Surviving and Thriving in Care and Beyond: Personal and Professional Perspectives
Edited by Sara Barratt and Wendy Lobatto
Emotions and the Therapist: A Systemic-Dialogical Approach
Paolo Bertrando
Creative Positions in Adult Mental Health: Outside In-Inside Out
Edited by Sue McNab and Karen Partridge
First published 2019
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
52 Vanderbilt Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2019 Gwyn Daniel
The right of Gwyn Daniel to be identified as the author has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record has been requested for this book
ISBN: 9781138335769 (hbk)
ISBN: 9781138335776 (pbk)
ISBN: 9780429443541 (ebk)
Typeset in Palatino
by Apex CoVantage , LLC
To my sister, Anne Harrison
Charlotte Burck
Gill Gorell Barnes
CHAPTER 1
A family systems approach
CHAPTER 2
Interpretations of the tragedies
CHAPTER 3
O cursd spite, that ever I was born to set it right!: Legacies and alternative identities in Hamlet
CHAPTER 4
Being weak, seem so: Power, status and identity loss in King Lear
CHAPTER 5
And yet how nature, erring from itself: Racism, gender and intimate violence in Othello
CHAPTER 6
Wrenched with an unlineal hand: The dynamics of violence in Macbeth
CHAPTER 7
Let me have war, say I: Man as a fighting machine in Coriolanus
CHAPTER 8
Let Rome in Tiber melt: Subverting Roman identity in Anthony and Cleopatra
CHAPTER 9
The noblest-hateful love: Contradiction and irreverence in Troilus and Cressida
CHAPTER 10
Tis but thy name that is my enemy: Freedom and constraint in Romeo and Juliet
CHAPTER 11
Endings
I owe the genesis of this book to my friend and colleague, Paula Boston from Leeds University, who had the creative idea of inviting psychotherapists to illustrate the differences between their theoretical approaches by analysing a Shakespeare play. A psychoanalyst, Richard Rusbridger, and I had some fascinating discussions of Hamlet, King Lear and Othello. Various conference presentations and lectures at the Tavistock Clinic, London and elsewhere followed and this book is the result.
A key principle of systemic thinking is that ideas evolve in collaboration through dialogue and that other minds act as resources in multiple ways. I have benefitted from the input of many such minds and from the support of colleagues, friends and family, who have either read drafts, offered feedback, asked challenging questions, or just exhorted me to get on with it. Two friends and colleagues have played a pivotal role. Charlotte Burck and I are joint editors of the
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