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Tom Vitale - In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain

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**Nominated for the 2022 BookTube Prize in Nonfiction** Anthony Bourdains long time director and producer takes readers behind the scenes to reveal the insanity of filming television in some of the most volatile places in the world and what it was like to work with a legend. In the nearly two years since Anthony Bourdains death, no one else has come close to filling the void he left. His passion for and genuine curiosity about the people and cultures he visited made the world feel smaller and more connected. Despite his affable, confident, and trademark snarky TV persona, the real Tony was intensely private, deeply conflicted about his fame, and an enigma even to those close to him. Tonys devoted crew knew him best, and no one else had a front-row seat for as long as his director and producer, Tom Vitale. Over the course of more than a decade traveling together, Tony became a boss, a friend, a hero and, sometimes, a tormentor.In the Weeds takes readers behind the scenes to reveal not just the insanity that went into filming in some of the most far-flung and volatile parts of the world, but what Tony was like unedited and off-camera. From the outside, the job looked like an all-expenses-paid adventure to places like Borneo, Vietnam, Iran, the Democratic Republic of Congo, and Libya. What happened off-camera was far more interesting than what made it to air. The more things went wrong, the better it was for the show. Fortunately, everything fell apart constantly.

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Out of an abundance of caution certain names were changed in order to protect - photo 1

Out of an abundance of caution certain names were changed in order to protect - photo 2

Out of an abundance of caution certain names were changed in order to protect the innocent as well as the guilty.

Copyright 2021 by Tom Vitale

Cover design Ben Wiseman

Cover copyright 2021 by Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

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First Edition: September 2021

Published by Hachette Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Hachette Books name and logo is a trademark of the Hachette Book Group.

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Library of Congress Cataloging-in-Publication Data

Names: Vitale, Tom, author.

Title: In the weeds : around the world and behind the scenes with Anthony Bourdain / Tom Vitale.

Description: First edition. | New York : Hachette Books, 2021.

Identifiers: LCCN 2021022682 | ISBN 9780306924095 (hardcover) | ISBN 9780306924071 (ebook)

Subjects: LCSH: Bourdain, AnthonyTravel. | Vitale, TomTravel. | Television cooking showsUnited States. | Travelogues (Television programs)United States. | Food habitsAnecdotes. | Anthony Bourdain, parts unknown. | No reservations (Television program)

Classification: LCC TX649.B58 V58 2021 | DDC 641.5092dc23.

LC record available at https://lccn.loc.gov/2021022682.

ISBNs: 978-0-306-92409-5 (hardcover); 978-0-306-92407-1 (ebook)

E3-20210826-JV-NF-ORI

To my loving family, for their unwavering support and steadfast belief I was worth the effort, despite all evidence to the contrary

I DONT KNOW IF MY LIFE ENDED OR IF IT BEGAN WHEN I STARTED WORKING with Tony. Whatever the hell I did for a living was so vivid and spectacular, it all but consumed me. Then, without warning, it was over forever, reduced to nothing more than a memory.

In my case the old clich that life has a funny way of turning the tables when you least expect it rang uncomfortably true. Each two-week shoot contained a lifetimes worth of adventures, and thered been so many trips, Id lost count. Accustomed to the adrenaline rush of making split-second decisions with far-reaching consequences, I now found myself unemployed, with nowhere to go and poorly suited to handling simple everyday tasks. I still wrote 2006 on checks. I still wrote checks, for Christs sake. Even more disorienting, I went from the comfortable position of hiding behind the camera to struggling to articulate my own story.

And by struggling to articulate, what I really mean is that I found every excuse not to write this damn book. I grew a pandemic mustache. I consolidated, then organized, my extensive matchbook collection. I researched the nesting habits of a threatened species of birds that I didnt have the heart to evict from my chimney. I learned how to make mulberry jam. The one thing I didnt do was write.

Its not like I had a lack of stories to tell. In fact I had too many and spent almost all of my waking hours silently reliving them. Truth told, I was afraid I wasnt up to the challenge, worried Id get the story all wrong. When I eventually did the math and realized procrastinating would only lead to a self-fulfilling prophecy, I stayed awake for days straight in an attempt to make up for lost time. In the process I inadvertently discovered the only way I could get anything down on paper was by replicating the extreme intensity and overstimulation of my old job. Like an unhinged detective determined to crack a case, I surrounded myself with souvenirs from my travels, scoured the four corners of my house for transcriptions, travel itineraries, even old receipts. I cross-referenced everything against shoot notebooks, logs, schedules, and emails. But none of it compared to my vast archive of unedited raw film footage. Much of my entire journey with Tony, my whole life really, had been recorded. It was a TV show, after all. I sat, curtains drawn, oblivious to the passing of time, obsessively watching my life play back on an endless loop.

Some memories were so powerful that I was convinced they should have yielded documentary evidence; but of course not everything was filmed, or preserved via email or text. What follows is my best attempt to paint an honest picture of my experience traveling with Tony, the highs and lows, and the bizarre as shit situations in which we constantly found ourselves. Its a story told by someone who is still trying to make sense of it all.

P.S. INCIDENTS INCLUDED IN THIS book are not intended to glamorize or endorse acts of cannibalism, drug use, smuggling, torture, extortion, bribery, wire fraud, attempted vehicular manslaughter, or the poaching of endangered species.

JUNE 8, 2018, I WOKE UP AT FIVE A.M. TO MY CELL PHONE AND LANDLINE ringing at the same time. It was Chris, owner of the production company. In a quivering voice he said, Tom, Im so sorry Tony killed himself last night

Hanging up the phone, I couldnt make sense of what hed just said. Tony had just emailed me a routine note about the edit we were wrapping up; hed confirmed a haircut appointment, leaving as we were in a few days for India. When Id seen him last week for a voice-over session, hed been jovial, asked me to join him for a smoke in the mens bathroom. What are they gonna do, fire me? hed said.

I stumbled over to the TV, turned it on, and there was Tonys smiling face along with an incongruous banner headline reading, CNNs Anthony Bourdain Dead at 61. My hand shaking, I lit a cigarette, called the producer Josh on location with Tony in France, and asked him what the fuck was going on.

Tonys gone, Josh said through tears. He hung himself; were flying back to JFK.

The room started spinning. Tony was bigger than life. Superhuman. This couldnt be happening, but somehow it was.

Im going to hang myself in the shower stall had been one of Tonys longest running jokes, the sort of dark humor he might have interjected on any occasion he found even mildly uncomfortable or displeasing. As in, My hotel room is so awful Im going to hang myself in the shower stall if the cheap-ass curtain rod doesnt collapse under my weight. When he said that sort of thing, Id always laughed.

THERE WAS NOBODY ELSE LIKE him. College dropout, sharp-tongued, anti-host, Tony was the accidental celebrity, an honest voice in a field of saccharine, an Ill do whatever the fuck I want, wild kind of guy. God forbid the network conducted a focus group; hed instinctively go the opposite direction. But whatever he was doing, it was working. Tony had transformed himself from chef to author, then again into a television personality, ultimately maturing into something resembling an elder statesman, all while maintaining a countercultural New York City punk rock hard edge.

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