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Dinah Hazell - The Plants of Middle-earth: Botany and Sub-Creation

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Dinah Hazell The Plants of Middle-earth: Botany and Sub-Creation
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A new path for exploring the culture and values of Tolkiens Middle-earth

Rather than inventing an alien world into which human and familiar characters are introduced, as in science fiction, Tolkien created a natural environment that is also home to supernatural beings and elements, as in medieval works like Beowulf. The Shire is always the touchstone to which the hobbits return mentally and against which they (and we) measure the rest of Middle-earth. By creating a sense of familiarity and belonging early and then in each of the cultures encountered, we can meet others without feeling estranged. from the Introduction

Beautifully illustrated with dozens of original full-color and black-and-white drawings, The Plants of Middle-earth connects readers visually to the world of Middle-earth, its cultures and characters and the scenes of their adventures. Tolkiens use of flowers, herbs, trees, and other flora creates verisimilitude in Middle-earth, with the flora serving important narrative functions. This botanical tour through Middle-earth increases appreciation of Tolkiens contribution as preserver and transmitter of English cultural expression, provides a refreshing and enlivening perspective for approaching and experiencing Tolkiens text, and allows readers to observe his artistry as sub-creator and his imaginative life as medievalist, philologist, scholar, and gardener.

The Plants of Middle-earth draws on biography, literary sources, and cultural history and is unique in using botany as the focal point for examining the complex network of elements that comprise Tolkiens creation. Each chapter includes the plants description, uses, history, and lore, which frequently lead to their thematic and interpretive implications. The book will appeal to general readers, students, and teachers of Tolkien as well as to those with an interest in plant lore and botanical illustration.

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The Plants of Middle-earth Botany and Sub-creation THE PLANTS OF - photo 1

The Plants of Middle-earth:
Botany and Sub-creation

THE PLANTS OF MIDDLE-EARTH BOTANY AND SUB-CREATION Dinah Hazell The Kent State - photo 2

THE PLANTS OF MIDDLE-EARTH BOTANY AND SUB-CREATION Dinah Hazell The Kent State - photo 3

THE PLANTS OF
MIDDLE-EARTH
BOTANY AND
SUB-CREATION
Dinah Hazell

The Kent State University Press
Kent, Ohio

2006 by The Kent State University Press, Kent, Ohio 44242

ALL RIGHTS RESERVED

Library of Congress Catalog Card Number 2006011514

ISBN-13: 978-0-87338-883-2

ISBN-10: 0-87338-883-6

Manufactured in China

10 09 08 07 06 5 4 3 2 1

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Hazell, Dinah, 1942

The Plants of Middle-earth : botany and sub-creation / Dinah Hazell.

p. cm.

Includes bibliographical references and index.

ISBN-13: 978-0-87338-883-2 (hardcover : alk. paper)

ISBN-10: 0-87338-883-6 (hardcover : alk. paper)

1. Tolkien, J. R. R. (John Ronald Reuel), 18921973. Lord of the rings.

2. Fantasy fiction, EnglishHistory and criticism.

3. Middle Earth (Imaginary place)

4. Plants in literature.

I. Title.

PR6039.032L63388 2006

823'.912dc22 2006011514

British Library Cataloging-in-Publication data are available.

For George

CONTENTS Tolkiens Middle-earth is inhabited by many unfamiliar creatures - photo 4

CONTENTS

Tolkiens Middle-earth is inhabited by many unfamiliar creatures and peoples - photo 5

Tolkiens Middle-earth is inhabited by many unfamiliar creatures and peoples, among them Dwarves, Elves, Orcs, Ents, and, not least, Halflings. Each reader forms a personal vision of these characters, and artistic efforts (even Tolkiens) to capture them cannot meet all imaginations. Yet Middle-earth feels very real to its armchair travelers, and one of the main reasons for this familiarity is Tolkiens landscape. Once you have passed through the forests of Ithilien, gasped at the beauty of the mallorn in Lothlrien, and smelled the homely grass and blooms of the Shire, you can never again pass through wood, glade, or garden without thinking of Middle-earth and suspecting (or perhaps wishing) that Elves may be near. Tolkiens plant world is the bridge between Bilbos garden and ours; unlike the fantastic warg or balrog, nasturtiums and oaks are easily visualized.

Tolkien the medievalist and philologist based his Elvish and other languages on those he knew, such as Anglo-Saxon, Middle English, Old Norse, Welsh, Finnish, Latin, and Greek. Curious readers who explore Tolkiens scholarly world may discover that the name of the lofty wooden platform, flet, is Middle English for floor, that the derivation of mathom is Old English mum, meaning treasure or gift, and that names like Thorin Oakenshield, Durin, and Gandalf are found in the Icelandic saga the Elder Edda. Similarly, his botany derives from familiar surroundings. Despite his magical plants like athelas and elanor, most Middle-earth flora comes from Tolkiens England.

Middle-earthitself a Middle English appellation, middelerd, and Anglo-Saxon Middangeardis at core medieval, and in The Lord of the Rings Tolkien preserves and transmits English cultural expression and value, still resonant and relevant to moderns. Readers are usually so absorbed in the tale that they are unaware that their travel through Middle-earth is also a journey through a repository of centuries-old oral and written tradition. Tolkien drew together the threads of myth, folklore, imagery, and motifs on which English-speaking culture is built and wove them into a great epic for our time, and his botanical life plays a substantial part in that creation. Many of Middle-earths plants evoke beliefs of powers and qualities found in flora, and Tolkiens landscapes have a character of their own, integral to plot and literary construction. A gardener and plant lover, Tolkien drew on traditional lore to enrich the history of his created world. Yet the plants still grace the modern world, appreciated for their beauty and restorative virtues; we can enter part of Tolkiens imaginative vision in our own yards. My California English gardens structured herbaceous borders, tangled cottage beds, fragrant herb garden, and withy fence host many of the plants found in Middle-earth.

This project is the product of thirty years of reading and loving The Hobbit and The Lord of the Rings and combines my two main passions: medieval English literature and culture, and gardens. My intent in writing this book is to create an environment that will enhance the readers perspective during future journeys along the roads and through the forests of Middle-earth, and to provide a place for reviving the memory of those trips.

Rather than inventing an alien world into which human and familiar characters are introduced, as in science fiction, Tolkien created a natural environment that is also home to supernatural beings and elements, as in medieval works like Beowulf. The Shire is always the touchstone to which the hobbits return mentally and against which they (and we) measure the rest of Middle-earth. By creating a sense of familiarity and belonging early and then in each of the cultures encountered, we can meet others without feeling estranged. Verisimilitude is maintained even in foreign lands like Mordor.

How does one go about creating an Other World? For Tolkien, it began with a lifelong fascination with language, real and invented. But once there is a language, there must be people to speak the language, a society to support the people, and a world in which the people live. The physical, cultural, and ideological components necessary for believability are all found in Middle-earth. Most folks, whether Men, Hobbits, Dwarves, or Elves, need the basics of clothing, housing, food, possessions, and other facets of material life. And a land needs topography, geography, and flora and fauna, while overall are astronomy and other life sciences, time and space, cosmogony, and technology. Each of the peoples of Middle-earth has its own language, history, traditions, customs, cultural values, social and familial relationships, governance, and economic, legal, and political systems. The world of The Lord of the Rings is ethnically diverse, yet there is a shared system by which behavior and character are judged, much of which derives from medieval, yet universal, concepts of human experience.

Tolkiens Middle-earth, like our world, is built upon a double vision of reality, which involves an existential surface and a deeper, mythic level. The two are interactive and symbiotic, bringing substantiality to This structure is mirrored in Middle-earth, where the hobbits primary world of comfort and adventure is undergirded by a secondary world of myth and lore. History, both temporal and cultural, is central to actual and imagined reality, and Tolkien used elements from his own English and created worlds to achieve a rich mixture of experience and meaning.

Historical depth in The Lord of the Rings is achieved through immediacy and association. Beyond the sensory level, there is a stream of cultural connotations and remnants; although readers may not know the details, they are intuitively aware of a subterranean fullness. A good example is Tolkiens use of proverbs (there are at least thirty-seven throughout

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